It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
To mark its first 25 years, TVNZ commissioned independent producer Ian Mackersey to chronicle a day in its life as the national broadcaster. Coverage is split between the often extreme lengths (and heights) gone to by technicians maintaining coverage, and the work of programme makers — including the casts and crews of McPhail and Gadsby and Country GP. The real drama is in the news studio during the 6.30 bulletin (with light relief from the switchboard) in this intriguing glance back at a pre-digital, two channel TV age during the infancy of computers.
This late 80s game show features couples attempting to build time credits by answering a series of questions. The prices include household appliances and a holiday to “exotic Tahiti”. Hosted by Paul Henry — in his TV debut — Every Second's’ gentle pace is decades removed from the accelerating insistency of Who Wants to be a Millionaire or Weakest Link. Henry fronts with more groaning Granddad jokes than the PC-baiting cheek he’d later become famous for, but early warning signs are there, disguised in a formidable 80s suit and white loafers.
"If you don't like the beat, don't play with the drum". Taken from Sharon O'Neill's 1983 album Foreign Affairs, the song chronicles "case 1352, a red and green tattoo". It was inspired by a prostitute who worked the streets of King's Cross. The clip starts with O'Neill hitting Auckland Airport. Look out for leopard skin tights and a dress straight off Logan's Run. Other highlights: a steamy sax solo, heavy eye shadow and backlit silhouettes in "rain-slicked avenues." Two clips for 'Maxine' exist: the Australian version won controversy for images of a fictional prostitute, shot in King's Cross.
This teleplay from writer Greg McGee is a satire of prejudice and the market economy set in the grey, divisive atmosphere of early 1980s New Zealand. Kate Harcourt plays the proprietor of Dot's Terminal Cafe, a cantankerous spinster who rails against 'bludgers' and 'foreigners'. One rain-soaked Wellington night, her lumpen clientele decide to stage a small but telling uprising — with the help of a dead mouse. It screened in early 1982, following the breakout success of McGee’s confrontational take on Kiwi conformity: rugby player losing-his-religion play Foreskin’s Lament.
Toa Fraser's second English-set film (following 2008's quirky drama Dean Spanley) dramatises a real life siege at the Iranian Embassy in London, when gunmen held 26 people hostage in April 1980. Fraser and Dead Lands writer Glenn Standring take many angles on the tense six day siege: from politicians favouring a more aggressive approach than their lead negotiator, to the SAS team ready to storm the building, to BBC reporter Kate Adie (Bright Star's Abbie Cornish) covering events live on television. The film's international sales included a deal with Netflix.
80s show Close Up had a similar brief to earlier current affairs show Compass: to present mini-documentaries on topical local issues. Stories in the primetime hour-long slot were wide-ranging, from hard news to human interest pieces, including a profile of 25-year-old foreign exchange dealer, future-Prime Minister, John Key. The show won Feltex Awards for most of the years that it was on air. Close Up is not related to the post-nightly news show of the same name, which was hosted by Mark Sainsbury until 2012.
This posthumous series — produced by Ginette McDonald — collects segments from Billy T’s long running skit based comedy series. Some of his most cherished creations are here: the giggling Te News newsreader, Cuzzy in his black shorts, and the chief bemused by Captain Cook. Support comes from a seasoned cast including Peter Rowley, David Telford and Roy Billing (with cameos from Bob Jones and Barry Crump). Some of these skits are essentially elaborate setups for one line jokes but Billy T’s infectious warmth and good humour inevitably carry the day.
Open House revolved around the ups and downs of a drop-in house run by Tony Van Der Berg (Frank Whitten, later Outrageous Fortune's Grandpa Ted). In this first episode there's money trouble, court trouble, domestics, a pregnant teenager and an abandoned baby ... but there's community spirit aplenty as the house's whānau prepares for its first birthday celebration, complete with Scottish brass band and Samoan drums. Tony's first lines to a raving old man on Petone Beach? "Good onya mate!". Features author Emily Perkins as Tony's idealistic stepdaughter.
In 1983, Split Enz, NZ's most successful rock group to date, celebrated 10 years together. TVNZ's flagship arts show Kaleidoscope marked the occasion by following the band on their 'Enz of an Era' tour as they reunited with former members (including Mike Chunn) for a concert at Auckland's His Majesty's Theatre (where they first made a major impact) and played the Sweetwaters Festival. Members talk frankly to reporter Ian Fraser about a decade of highs and lows, and there's priceless Dylan Taite-filmed tomfoolery from the band's early days in England.