In this music-heavy web series, a South Auckland family competes in a local talent quest. Alongside battles over performing the traditional Samoan music favoured by their grandfather, the Saumalus have to deal with a dodgy competitor and some last minute changes of tune. There's also romance, heartbreak, and a shifty Palagi factory boss. The final episode (of 20) features behind the scenes bloopers. Directed by music video veteran Joe Lonie, The Factory began as a highly successful stage musical from South Auckland-based theatre group Kila Kokonut Krew.
Web series The Factory is the tale of a South Auckland family and their love of music — and one another. The Saumalus compete at a $50,000 talent contest, on behalf of the textile factory where their father and grandfather Tigi work. But the family are keen to play something more modern than the traditional Samoan music Tigi favours. The 20-part web series features the Kila Kokonut Krew team, who originally created The Factory for the stage. The pioneering Pasifika musical went on to headline the 2013 Auckland Arts Festival, and was performed at the 2014 Edinburgh Fringe Festival.
In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
This musical retooling of the ill-fated love story began life as a concept album by ex Screaming Meemee members Peter van der Fluit and Michael McNeill. In 2010 they sent 38 songs to director Tim van Dammen, who decided to retell Shakespeare's classic romance as "a sort of trash opera — like an updated John Waters type thing". A caravan park is the canvas for a cast of beautiful young things, pop, rap, knives and beer crates. NZ Herald's Dominic Corry praised the film for its "emotionally-assured grasp of what makes this famous story so enduring".
This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.
The Dominant Species is a loopy look at the relationship between people and cars in 1975 Aotearoa ... from an alien's eye view. Nifty animation and special effects intersperse the automotive anthropological survey of Mark IIs, VWs, anti-car activism and car-washing. There's a dream sequence involving a ladykilling Jesus Christ atop a car, and Wagner's Ride of the Valkyries scores a rugby match traffic jam (also used in a famous scene in Apocalypse Now). Filmheads will note the tripped out assembly is flush with formative industry talents (see this guide by director Derek Morton).
NFU drama Men and Super Men is a barbed chronicle of a workplace where harmony is a distant dream. Intended as a how-not-to guide for ‘management bodies’, the film sees patronising factory supervisor Ferguson (actor Eddie Wright in fine form) trying to increase productivity by constantly changing systems. Meanwhile a trio on the factory floor (Paul Holmes, Peter McCauley and Close to Home’s Stephen Tozer) react with bullying and barely suppressed defiance. It was an open secret when the film was made that some of the characters were inspired by NFU staff.
This National Film Unit magazine film begins with a choir performing the classic 'Pokarekare Ana' in the acoustically-blessed depths of the Waitomo Caves. The second item involves a visit to a toy factory, deep in preparation for Christmas. Disembodied doll heads fill a bin, while elsewhere factory staff add eyes, and blacken the teeth of rocking horses. There are also teddy bears, electric trains and rows of toy trucks. The narrator explains the joy the toys will bring come Christmas: “a production line to delight children everywhere — fantasy from an industrial Santa Claus”.
This National Film Unit travelogue, produced for the NZ Government Department of Tourist and Health Resorts, finds post-war Auckland basking in sunshine. Flowers bloom in parks and gardens, city streets bustle and public swimming pools are packed. Trams and flying boats are a reminder of a by-gone era in the city's transportation while a rug factory is a colourful if unexpected inclusion. Last stop is a visit to Kawau Island — home of Governor Grey's Mansion House — where the sun also shines and aquaplaning, sports and bush walks are the order of the day.
This 70s current affairs show does a cost benefit analysis of Trade Minister Warren Freer’s Maximum Retail Price scheme (MRP), which capped retail prices. Drawn from an era of economic theory poles that was apart from the market deregulation of the 80s, the investigation sets out to poll opinion in supermarket aisles, a grocery in Glenorchy, and factory floors (Faggs coffee, Cadbury chocolate). The checkouts are a battlefield between red tape and free range retail. The early animated sequence by Bob Stenhouse marked an early use of animation in a local TV documentary.