Dunedin music historian Roy Colbert once described Toy Love as "The Stooges with better melodies'" The nervy brilliance of Chris Knox, Paul Kean, Jane Walker, Alec Bathgate and Mike Dooley made it onto the Kiwi singles charts three times between 1978 and 1980. Here they are in 1980 — probably at Wellington's Rock Theatre — charging through Green Walls and three chord stomper Pull Down the Shades back to back. Green Walls was first composed by The Enemy, the band from whose ashes Toy Love rose.
The second, double-sided Toy Love single 'Don't Ask Me' / 'Sheep' was released in April 1980 and reached number 10 on the Kiwi pop charts. That year the band signed a contract with Michael Browning — a former manager of AC/DC — and made the move to Sydney, the prize being a studio album and a way bigger audience, but disillusionment soon set in. Sheep jumps out of the gates with driving drums and guitars and lyrics about numbness and confusion, all confirming Toy Love's punk roots. The band wander aimlessly around city streets and rock out in a cramped flat. Punk lives!
Toy Love's decision to frolic amid the crucifixes in a Dunedin graveyard for this video offended some locals — but it was water off a punk's back for this free-spirited bunch. 'Good Old Joe' ( alongside 'Amputee Song') was the flipside to their third and final single, 'Bride of Frankenstein' . After eighteen frantic months, one album and nearly 500 gigs the band called it quits in late 1980. The clip begins with an excerpt from a group interview; Chris Knox thanks their fans for buying their debut album, and cracks up at a laconic aside from guitarist Alec Bathgate — 'it could have been worse'.
"I'm a fraud / I'm a sham..." The debut single from this influential Kiwi band introduced New Zealand television audiences to Toy Love's recipe of pop riffs and punk sneer. Although the group only existed for 18 months, they charted three times and made a lasting impression on the live scene on both sides of the Tasman. The single 'Squeeze' (backed by B-side 'Rebel') was recorded after a one-off deal with WEA. Vocalist Chris Knox is front and centre, crackling with malevolent energy in a video that mixes kids' toys with some gross out performance art.