Heartland host Gary McCormick finds himself in the middle of a local conflict when he visits Port Chalmers in early 1993. Port Otago Limited is working on a major port development project that includes excavations on Observation Hill, and reclamations in Carey's Bay. Many locals are opposed to the project and tensions are running high. Local residents interviewed for the programme include celebrated artist Ralph Hotere, and McCormick also visits Hotere's art studio.
This fourth episode of Captain’s Log sees host Peter Elliott journeying around the bottom of the South Island, tracing the end of James Cook’s first journey around New Zealand. The precarious Otago Harbour is navigated in an oil tanker, before a much smaller boat takes Elliott around the bottom of Stewart Island to Fiordland, where his captain Lance Shaw describes major conservation efforts in the area. A trip up the treacherous West Coast in a concrete carrier is cause for nerves, then a sail aboard Spirit of New Zealand offers a chance to reflect on the journey.
The work of Dunedin artist and surfer Simon Kaan explores his Māori (Ngāi Tahu), Pākehā (Scottish) and Chinese heritage. His studio in Port Chalmers is an old fruit shop his Chinese grandfather ran. In 2004 Simon won a three-month residency at Beijing’s Red Gate Gallery. Directed by Andrew Bancroft, this Artsville story follows Kaan on a tour of Beijing markets and galleries, as he prepares for a show opening. Kaan, who also narrates the piece, is able to visit family whenua: the village that his grandparents left behind for New Zealand.
Ralph Hotere (Te Aupōuri) is regarded as one of New Zealand's greatest artists. This documentary by Merata Mita provides a perspective on his world, largely by way of framing his extensive body of work. Hotere remains famously tight-lipped throughout, but there are interviews with artists, friends and commentators, alongside scenes of Hotere working and of his contemporary home context. Mita's impressionistic film is set to a Hirini Melbourne-directed score of jazz, māori and pop songs, and poetry reading by Hotere's first wife Cilla McQueen.
Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work. Lauded as a “classic” by Ian Wedde, the documentary is framed around the execution of a watershed piece: a large mural Hotere was commissioned to paint for Hamilton’s Founders Theatre. Interviews with friends and associates — poets Hone Tuwhare and Bill Manhire, art critics, officials and dealers — are intercut with fascinating shots of Hotere working (including making art by photocopying or 'xerography').
Made for the Post Office, this 1971 National Film Unit documentary offers a potted history of New Zealand, using postage stamps as the frame. Director David Sims ranges from Māori rock drawings, to Tasman and Cook. Once Pākehā settlers arrive, the film offers a narrative of progress (aside from two world wars) leading to nationhood and industry. Archive photographs, paintings, Edwardian-era scenes and reenactments add to the subjects illustrated on the stamps. The stamps include New Zealand’s first: a full-face portrait of Queen Victoria by Alfred Edward Chalon.
Swami Hansa (sometimes credited as Anand Hansa or Malcolm Nish) was operating a camera in 1962, the day TV began broadcasting in Dunedin. Hansa has been shooting ever since, his work ranging across natural history, human interest and the arts. His CV includes many episodes of the long-running Heartland, plus such noted docos as Birth, Kiwi - A Natural History and Horizon doco The Man Who Moved Mountains, made for the BBC.
Although he may not be keen to do so, Bill Toepfer can claim a place in global television history as the man behind the Popstars reality TV juggernaut. Toepfer has enjoyed a long and accomplished career in New Zealand television, editing and producing hundreds of hours of documentaries and TV specials.
Bruce Morrison's extensive career as director, producer and sometime scriptwriter has crossed the gamut: from innovative arts programming and pioneer music videos, to the long-running Heartland series — plus feature films variously involving fast cars, riotous teens and a glamour-struck Donogh Rees.
William Grieve is a producer with more than two decades experience in documentaries, factual series, commercials and feature films. Grieve has worked extensively with filmmaker Bruce Morrison and entertainer Gary McCormick.