After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
Close to Home first screened on TV One in May 1975 and ran for eight years. The popular and ground-breaking series was New Zealand television's first soap opera. It was based in Wellington and centred around the trials and tribulations of the Hearte family. At its peak in 1977, Close to Home attracted a twice weekly audience of one million viewers.
Steve La Hood began directing on soap opera Close to Home, and went on to direct tele-play Swimming Lessons, Bruno Lawrence documentary Numero Bruno and episodes of Shark in the Park and Shortland Street. He also produced ground-breaking series The Marching Girls. These days he creates multimedia attractions around the globe with company Story Inc, alongside James McLean.
Shortland Street producer Steven Zanoski’s first job in television was as a writer/reporter on kids programme What Now? He went on to become a storyliner for Shortland Street and eventually the programme’s producer. During his time as a writer on the show, he also penned the screenplay for one-off TV drama House of Sticks. Zanoski has also had a hand in the development of Outrageous Fortune and executive produced Mataku and Mercy Peak.
NZ On Air began funding local content in 1989. Timing in with the launch of a new funding system, this collection looks back at the 20 most watched NZ On Air-funded programmes over the years (aside from news and sports). Ratings information is only available from 1995, so this is how things have shaped up from 1995 to 2016 — plus some bonus titles. Most of the Top 20 has been captioned. Ex NZ On Air exec Kathryn Quirk tells us here how the complete list rated, while original NZOA boss Ruth Harley remembers how it all began.
NZ On Air is 30 years old! Over three decades, countless stories and songs reflecting New Zealand's culture and identity have been created, thanks to the organisation's investment of public funds. To celebrate this milestone, NZ On Air asked well-known Kiwis to reflect on a programme or song from the past 30 years that has stuck with them — then asked some of those who worked behind the scenes to provide their perspective. Plus Ruth Harley, the first boss of NZ On Air, describes how it all began.
South Pacific Pictures marked its 30th anniversary in 2018. With drama production at its core, this collection highlights the production company’s prodigious output. The collection spans everything from Marlin Bay to Westside — including hit movies Sione's Wedding and Whale Rider — plus the long-running and beloved Shortland Street. In the backgrounder, longtime SPP boss John Barnett reminisces, and charts the company’s history.
Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".