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Synopsis

After taking over the retirement home formerly run by her late mother, a young woman (Jackie Kerin) starts to worry that a pattern of unexplained deaths and strange visitations is repeating itself. Tony Williams’ cult feature began development as a black comedy about murderous Kiwi caterers, before morphing into this moody gothic mystery — the first horror film directed and written by Kiwis (though it was ultimately shot and set in Australia). Years after winning best film at Sitges Fantastic Film Festival, fanboy Quentin Tarantino praised it as “mesmerising”.

Background

Anatomy of an Explosion by Tony Williams 12.11.2010

Tony Williams backgrounds the creation of the ambitious, extended final shot of Next of Kin, in which the camera moves onto the back of a vehicle, and later spins around just in time to catch an explosion:

"The end scene was ...

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Credits (12)

 Tony Williams
 Robert Le Tet
 Michael Heath

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Produced by

  • Filmco
  • Film House
  • SIS Productions

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Related Titles (9)

 Death Warmed Up

Film, 1984 (Trailer, Excerpts, and Extras)

Another horror written by Michael Heath

 Solo

Film, 1977 (Excerpts)

Tony Williams' first feature

 Lost in the Garden of the World

Television, 1975 (Full Length)

Michael Heath interviews horror directors

 A Haunting We Will Go

Television, 1979

More haunted houses

 Song of the Siren

Short Film, 1997 (Full Length)

Another moody musical tale of women and the elderly

 Mrs W. Grant

Short Film, 2000 (Full Length)

Also set in an elderly home

 Rest for the Wicked

Film, 2011 (Trailer)

Black comedy in a rest home

 The Devil's Rock

Film, 2011 (Trailer)

More Kiwi-created horror in a confined location

 Survey: The Unbelievable Glory of the Human Voice

Television, 1972 (Full Length)

Also directed by Tony Williams

Collections.   See all collections ›  

Included in:

 The Tony Williams Collection

Quotes

What you going to do with that big house now Lynda? 
Next of Kin has a similar tone and feel [to The Shining] – which is one hell of a fu*king compliment to give a movie. And I’m not overpraising it. 

Awards

1983 Mystfest (Italy)
Special Mention

1982 Sitges International Fantastic Film Festival (Spain)
Best Film

1982 Australian Film Institute Awards
Nominated for Best Editor (Max Lemon)