Council drainlayer Noel Appleby first won fame after starring in an 80s Winstone commercial, pushing a wheelbarrow. After a bit part in Beyond Reasonable Doubt, he was picked to play one of the time-travellers in acclaimed Vincent Ward fantasy The Navigator, adding to the film’s impressive awards tally in the process. Later he hunted vampires in Moonrise, and was a taxi-driver in Old Bastards. Appleby died in May 2007.
I’m marketed as your run-of-the-mill, jovial, everyday, average sort of bloke. Okay, I carry a bit of weight, so they go for the beer gut, but in actual fact I’ve never been a drinker in my life. Don’t get me wrong, I’m not a wowzer, but I’ve never been a great drinker. Noel Appleby in The Listener, 16 July 1988
Monstrous spiders, dragon-aided epic battles, endangered hobbits and final farewells ... the finale of the Lord of the Rings trilogy boldly upped the ante. Although the first two films had excited viewers, critics and accountants, Return of the King sealed Peter Jackson's place in movie legend. Reviewers praised it with gusto and Return won a staggering 11 Oscars, a total matched only by Titanic and Ben-Hur. Return anointed a Hollywood empire in the Wellington suburb of Miramar; the box office figures weren't half bad, and nor was the effect on NZ tourism.
The Fellowship of the Ring was the film that brought Peter Jackson's talents to a mass international audience. A year after its release, the first instalment of his adaptation of Tolkien's beloved tale of heroic hobbits was the seventh most successful film of all-time. Critic David Ansen (Newsweek) was one of many to praise the fan-appeasing Frodo-centric take, for its "high-flying risks: it wears its earnestness, and its heart, on its muddy, blood-streaking sleeve." At 2002's Academy Awards, Weta maestro Richard Taylor became the first Kiwi to win two Oscars on one night.
Whale Rider director Niki Caro’s fourth short film is comprised of six vignettes — each focusing on a different elderly man. With minimal supporting cast (Joel Tobeck has a cameo as a competence-challenged waiter), the men talk mainly to themselves or the camera. Shot on Super 8mm (with graphics from an overhead projector), Old Bastards attempts to “subvert our kindly and slightly condescending view of old men”; its dark alternative view instead paints the aging male as vigorously intolerant, lecherous, impotent, trapped or just lost.
While visiting family down under, American teen Lonny catches up with his grandfather, a man with an infectious giggle, a thirst for adventure — and two vampire-sized incisors. Released locally as Grampire, this family-friendly adventure combines local names (among them future Pluto singer Milan Borich) with a winning turn as nice guy vampire by American Al Lewis (cult series The Munsters). Director David Blyth was won over by Michael Heath’s script because it reversed convention, and “was a plea for children to be allowed to keep and develop their imaginations”.
This dramatised documentary looks back to 1955, when a female bottlenose dolphin began appearing regularly in Hokianga Harbour, close to the town of Opononi. Opo became a national celebrity, but died in controversial circumstances on 9 March 1956, the suspected victim of bombing by local fisherman. Directed by Steve La Hood (Numero Bruno, Swimming Lessons), the film recreates events of the summer and explores the belief of local Māori that Opo was a messenger sent by Kupe to unite the people. It includes interviews and extensive archival footage of Opo.
Set at Bethells beach and in a tunnel somewhere in Ellerslie, this award-winning video from Whale Rider director Niki Caro traces a sea nymph, a beating heart and an elderly gentleman's struggle with his hat. Clearly reluctant to move into the 90s, the eternally rock Shayne Carter looks splendid in dark eye shadow — a look he would later describe as "definitely a low point in rock". Bad Note for a Heart was judged best music video at the 1990 NZ Music Awards.
A dog-goddess effigy possessing aphrodisiac powers is the quarry for a cast of oddball pursuers in this caper comedy — from a cosmetics tycoon to a duo of doctors using retirees as guinea pigs in a quest for eternal youth. The dog's handler is geeky Billy, aided by his girlfriend Gus and their bull terrier Cyclops. The chaotic Auckland romp was the debut feature for Gregor Nicholas (he would go on to helm acclaimed short Avondale Dogs and feature film Broken English). This excerpt features a take on Space Odyssey's docking scene, as interpreted by Benny Hill.
Director Greg Stitt's 50min short sees actor Mark Hadlow playing Kevin: a pie cart worker obsessed with the singer Mario Lanza. Kevin's idolatry turns into an identity crisis as operatic-scale fantasising clashes with his meek disposition. Further complications arise from a friendship with his brash punk neighbour, and from stage fright ahead of a fundraiser for Kev's Lanza fan club (Lanza also had a noteworthy teenage fan club in Heavenly Creatures). Will Kev get his Susan Boyle moment? The black comedy was written with Scarecrow scribe Michael Heath.
This item from arts show Kaleidoscope looks at Vincent Ward's first two features, Vigil and The Navigator. The director talks about the madness of the Cannes Film Festival, echoes Jack Nicholson's view that women are "a lot smarter than men", and explains why a nuclear sub turns up in The Navigator. He visits his parent's Wairarapa farm, where they remember him as a straightforward and easygoing child. Fiona Kay provides unsparing memories of starring in Vigil as a child, and the film's co-writer Graeme Tetley admires Ward's courage in tackling "big issues" like guilt and betrayal.
A young boy is afflicted by apocalyptic visions in medieval Cumbria. Believing he is divinely inspired to save his village from the Black Death, he persuades a group of men to follow him into a tunnel. They dig deep into the earth and emerge ... in Auckland, New Zealand, 1987. Following portents, the time travelers must negotiate the terrors of a strange new world, (motorways, nuclear submarines) — while seeking to save their own. Nominated for the Palme d'Or at Cannes, it scooped the gongs at the 1988 AFI and 1989 NZ Film & TV Awards.
There's panic on the streets as 19-year-old tearaway Ska (Matthew Hunter) comes to terms with love and death in Auckland's 80s urban underworld. After an ultimately tragic attempt to 'rescue' his prostitute sister, Ska plots revenge at a rock gig ... with riotous results. Directed by Bruce Morrison when broken glass was still on the ground from the Queen Street riot, the film was inspired by a story from 16-year-old Richard Lymposs. In this teen spirit-infused excerpt, street-fighter Ska saves rich girl Stacy (Kim Willoughby), and meets her classy parents.
Constance centres on a young woman who attempts to escape the staid world of 40s Auckland, by embracing glamour and passion. After meeting a photographer, her aspirations of stardom are brutally fractured. Directed by Bruce Morrison, the movie echoes the style of Hollywood melodrama, while simultaneously critiquing the dream. Donogh Rees was widely praised in the title role as a protagonist who lives in a fantasy world, with one review describing her as “New Zealand’s answer to Meryl Streep”. New York's Time Out called the film "lush and exhilarating".
One of those Blighters began life as a doco on Taranaki novelist Ronald Hugh Morrieson, but after interviews with many who knew him, morphed into something more offbeat: a semi-fictionalised tale of Morrieson’s mates reminiscing about his departure, interwoven with highlights from his tales of drunkards and con artists. The dramatisations are from his four novels - all became movies - plus one posthumously published short story. Amidst a cast packed to the rafters with carousing Kiwi screen legends, fellow multi-talented muso Bruno Lawrence plays Morrieson.
This feature is a dramatized reconstruction of actual events surrounding a notorious miscarriage of justice. Farmer Arthur Allan Thomas was jailed for the murder of Harvey and Jeanette Crewe but later exonerated. Directed by John Laing, produced by John Barnett and starring well-known English actor David Hemmings (Blowup, Barbarella), the docudrama leveraged the immense public interest in the case (Thomas was pardoned when the film was in pre-production). It became NZ's most successful commercial film until Goodbye Pork Pie.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.