Actor, Writer, Producer
Orlando Stewart has appeared in various mockumentary series (including Wayne Anderson) as a reporter, talent manager, and 'marketing director', handing out pizza flyers in Pakuranga. As he says, “it’s kind of fun blurring the lines between yourself and a character”. Stewart wrote and starred in oddball series Rural Drift, and acted in short film The Dump, which he also produced. Later he directed documentary Sonics from Scratch with Simon Ogston, which screened at the 2015 New Zealand Film Festival. The film explores the life and work of experimental artist Philip Dadson.
...nothing Orlando Stewart does is normal. He was dementedly brilliant as the manager in the series Wayne Anderson: Singer of Songs and he has that same psycho humour. Deborah Hill Cone in The NZ Herald, on Orlando Stewart's show Rural Drift, 26 December 2010
As the trailer makes clear, this award-winning animated short film has a key ingredient for a pulp movie: cardboard. It also features car chases, explosions and a fire brigade fighting to save Cardboard City (including The Beehive and Sky Tower). Director Phil Brough collaborated on the script with fellow Back of the Y alumnus Matt Heath. Leigh Hart and Jeremy Wells are among the voices in the film, which was six years in the making. Fire in Cardboard City was selected for the 2018 Berlin and Tribeca film festivals, and won Best New Zealand Film at the 2017 Show Me Shorts Film Festival.
Kiwi avant-garde artist and musician Phil Dadson is the subject of 80-minute documentary Sonics from Scratch. Dadson has conjured sounds and experimental films from all manner of objects and locales. The documentary charts his love affair with sound, including performances with From Scratch, who created percussive music from PVC pipes. Among those appearing are some of the group's rotating ensemble of members, including Don McGlashan and cinematographer Leon Narbey. Sonics from Scratch screened at the 2015 New Zealand International Film Festival.
This 2015 Loading Docs short follows Tihei Harawira as he freestyle raps at Otara Markets. Diagnosed with autism and dyslexia as a child, Harawira didn’t ‘fit’ and was the victim of bullying. But an appreciative audience at the flea markets — where he busks ad hoc rhymes set to a beat box — have enabled Tihei to find his voice. ‘Tihei’ means “the breath of life”, a name he was given by an aunty after being resuscitated at birth. Tihei was directed by Hamish Bennett and produced by Orlando Stewart, the team behind 2014 NZ Film Festival award-winner Ross & Beth.
Eleven-year-old Utah gets dumped with his estranged dad for the day in this 2011 short film. Dad is the sole employee at a Northland rubbish dump. Utah is embarrassed by his Dad’s job and recycled gifts, but thanks to a trash tour and reversing lessons, gets to know him better. One of the first products of the NZ Film Commission’s Fresh Shorts scheme, the film won director Hamish Bennett a NZ Writers Guild award for Best Short Film Script. The Dump was the first short from teacher Bennett and actor/producer Orlando Stewart; they followed with 2014 award-winner Ross and Beth.
This award-winning TV series explored whare significant to a community, using the buildings themselves as a vessel for storytelling. Interviews delve into each whare’s design and build, and its cultural and historical significance. This first episode visits Whakatane to enter Ngāti Awa’s globetrotting meeting house, Mātaatua. After 130 years the building was returned home and restored, following a Treaty of Waitangi settlement. It reopened in 2011. The te reo series was made by the company behind architecture show Whare Māori. To translate, press the 'CC' logo at the bottom of the screen.
This first episode of the award-winning Māori Television series looks at the influence of the idea of 'the village' on Māori architecture. Architect Rau Hoskins is guide; he ranges from traditional designs, such as Rotorua's Whakarewarewa thermal village, to Rua Kenana's extraordinary circular meeting house — with its club and diamonds decor — built on an Urewera mountainside. Hoskins ends up at Wellington's 26 metre high Tapu Te Ranga Marae, made from recycled car packing cases. The episode won Best Information Programme at the 2011 Aotearoa Film and TV Awards.
This episode of the Māori Television series looks at the place of the wharenui in Māori architecture. Rau Hoskins explores the origins and meaning of the structure, and looks at some iconic examples: a replica pataka being built in Hamilton Gardens; te hau ki turanga (the oldest surviving example of a wharenui) controversially taken by colonial forces, now displayed at museum Te Papa Tongarewa in Wellington; and Ngākau Māhaki at Auckland's Unitec — designed by master carver Lyonel Grant and replete with dashboard lights from 70s Holdens.
This first episode in the second series made about “South Auckland’s finest singer”, Wayne Anderson, sees his career at a crossroads. Poor sales have torpedoed his breakthrough concert at Sky City and his manager, Orlando, is preoccupied with his new job at a car park. Still, there’s a gig at Acacia Cove — the most glamorous venue on the rest home circuit; and Wayne is now getting styling advice from Faye (a fellow member of the Elvis Presley Fan Club). Even more exciting is the prospect of taking his music to Manukau with his own radio station.
The meteoric career of one of NZ’s greatest entertainers is examined in this documentary. John Rowles went from a Kawerau childhood to stardom in London at 21; but, after headlining in Hawaii and Las Vegas, he saw it all slip away. Those roofing ads and near bankruptcy followed, but Rowles has retained his self belief and that voice. A stellar cast of interviewees analyse his strengths and weaknesses, including Sir Cliff Richard, Tom Jones, Neil Finn and late promoter Phil Warren. Amongst the star cameos, John’s sister Cheryl Moana explains the downside of his best-known local hit.
This debut episode of a not completely fictional series follows Wayne Anderson, “Manurewa’s greatest singer”, and his attempts to break out of the rest home circuit and find fame and fortune. Wayne dreams of taking the evergreen music of his idols Engelbert and Elvis to the world. But even his manager’s show business links — he works in a video store — aren’t bringing in the 50 dollar gig needed each week. Things may be looking up with the best perm Wayne’s ever had, plus an audition in a Karangahape Road bar. As a non-driver, he will have to get there by bus.
In 2006 the two-year long Pasifika Styles exhibition launched at Cambridge University’s Museum of Archaeology and Anthropology. The show was ground-breaking for confronting the contentious origins of the museum's Pacific artefacts, by inviting 15 contemporary Māori and Pacific artists over to show works and "revitalise the taonga" already on display. Shown on Māori Television, this documentary follows two of the artists, George Nuku and Tracey Tawhiao, from K Road to the cloisters of Cambridge to collaborate with objects, curators, fellow artists and scholars.