Anne Flannery's screen roles often saw her playing wife and mother — from the partner of missionary Henry Williams in television epic The Governor, to the wheelchair-bound and mute Mary Jackson in movie Heart of the Stag. In 1976 she was nominated for a Feltex Award after playing the title role in one-off drama The Woman at the Store. The actor and theatre director then won acclaim in Vincent Ward's adaptation of A State of Siege, which offered her a rare chance to take centre frame. Flannery played a repressed ex-teacher whose demons unravel in an isolated house. Flannery died in Sydney in July 2001.
...(an) utterly dominating, even shattering performance by Anne Flannery, an actress New Zealand should be more than proud of. Michael Heath, in a 1978 review of A State of Siege
Heart of the Stag showed that director Michael Firth could handle actors as well as skis (his first film, ski documentary Off the Edge, was Oscar-nominated). Bruno Lawrence stars as a man working for a King Country farmer (Terence Cooper), who romances the farmer's adult daughter (Mary Regan) and starts wondering about the strained family dynamic. A rare drama dealing with incest, Heart of the Stag was praised by The LA Times as "electrifyingly good". The NZ Herald said it handled a delicate subject without compromise. Metro voted it the best Kiwi film of 1984.
Praising novel The Scarecrow, one critic argued that author Ronald Hugh Morrieson had melded genres together into “a brilliant, hallucinatory mixture distinctively his own". The movie adaptation is another unusual melding; a coming of age tale awash with comedy, nostalgia, and a touch of the gothic. Taranaki teen Ned (Jono Smith) is worried that the mysterious arrival in town (US acting legend John Carradine) has murderous designs on his sister. The masterful narration is by Martyn Sanderson. The result: the first Kiwi film to win official selection at the Cannes Film Festival.
Sons for the Return Home tells the story of a Romeo and Juliet romance between students Sione, a NZ-raised Samoan, and Sarah, a middle class palagi. Director Paul Maunder shifts between time and setting (London, Wellington, Samoa) in adapting Albert Wendt's landmark 1973 novel. Sons was the first feature film attentive to Samoan experience in NZ — alongside themes of identity, racism and social and sexual consciousness. In this excerpt Sione meets Sarah's parents, and his tin'a has him scrubbing their Newtown pavement prior to Sarah's reciprocal visit.
A State of Siege is the story of a retired art teacher dealing with isolation and loneliness, culminating in a stormy, terrifying night. This is a six-minute excerpt. Vincent Ward's acclaimed short — adapted from a Janet Frame novel — was made when he was at Ilam art school. The Evening Post called it "the most sensitive and intelligent film that has ever been made in New Zealand". San Francisco Chronicle praised: "Ward creates more horror in this low budget movie with his play of light and shadow than Stanley Kubrick was able to create in the whole of The Shining."
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
TV drama The Governor examined the life of Governor George Grey in six thematic parts. Grey's 'Good Governor' persona was undercut with laudanum, lechery and land confiscation. NZ televison's first historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. In first episode 'The Reverend Traitor', Grey arrives to colonial troubles: flag-pole chopping Hōne Heke, missionary Henry Williams, and rebellious Te Rauparaha. Writer Keith Aberdein goes behind the scenes here.
This acclaimed drama from 1975 adapts a Katherine Mansfield story about three travellers who encounter a strange woman and child, at a remote country store. Co-directed by Roger Donaldson and Ian Mune, it won Feltex Awards for Best Script (Mune and Peter Hansard) and Actress (Ilona Rodgers). Mune and Donaldson used the drama's success and innovative financing model as a 'proof of concept', to secure funding for their 1976 series Winners & Losers. The Woman at the Store debuted on Kiwi TV screens in March 1975; it was sold as part of the Winners series overseas.