Mixing nostalgic home movie style footage with images of Age Pryor looking slightly melancholic, this video dates from the singer's second solo release, City Chorus, released in 2003. Pryor went on to co-found the Wellington International Ukelele Orchestra, and contribute songs and vocals to ensemble album The Woolshed Sessions.
Dragon brothers Marc and Todd Hunter bestride the hills of south east New South Wales in this video for one of their latter hits. The autumnal lyrics are a good fit for a band in its later and more reflective years: Marc is celebratory in one of his last videos with the band. Todd — bass against the bush background — is gleeful, and the cow unperturbed. Written by keyboard player Alan Mansfield and his partner, Kiwi singer Sharon O’Neill, ‘Young Years’ gained added poignancy following Marc Hunter’s death in 1998. O’Neill has dedicated her performances of the song to his memory.
Early standard bearers for the Flying Nun label, The Clean ended their first incarnation with this abrasive, rollicking, darkly-humoured take on the aging process (featuring backing vocals from Chris Knox and some Robert Scott trumpet). Ronnie van Hout, who designed much of the label's early artwork, turned his hand at directing for this clip. Without a budget, he utilised the Christchurch service lanes and aging inner city buildings which housed so many of the local music industry's bars, clubs and rehearsal rooms (and a succession of early Flying Nun offices).
The lead single off Maisey Rika’s 2009 self-titled EP is accompanied by a delicate and moody music video. After catching up with supportive friends, Rika continues singing her song about starting over in Auckland's Albert Park. Then she hits the road in in the back of a ute, playing her way through Auckland city and on into the countryside. The 'Letting Go' single helped Rika's EP reach the NZ Top 40, following on from her previous double-platinum success — when at age 13 she released an award-winning album of traditional Māori song, E Hine.
Nostalgia can take many forms: and certainly many a middle-aged memory swirls back to this early Sharon O’Neill video, a nostalgia further fuelled by the long lack of a decent quality master copy. The classic clip about romance in foreign climes — or perhaps a romance that unfurled somewhere else entirely — opens with O’Neill’s backlit image reflected in the water. But it is the scenes of O’Neill in a rippling pool wearing a shark tooth earring that seem to have left the longest impression on males of a certain vintage.
Love Soup was a high school duo formed by singer-songwriter Bic Runga and guitarist Kelly Horgan. After coming third in the Smokefree Rockquest, they were picked up by Trevor Reekie’s Pagan Records. This video is one of the only things Love Soup did, as they were overtaken by Runga’s burgeoning solo career. Shortly to be signed by major label Sony, her debut hit single (and APRA Silver Scroll winner) ‘Drive’ was just months away. Aged just 19, Runga already looks and sounds remarkably assured as she sings about a lost friendship, to a mystical CGI cipher.
This black and white performance music video is taken from debut album Live at Bats (2004), back when the plan was for the Fly My Pretties ensemble to be a one-off project. Written and sung by Age Pryor — with vocal help from Tessa Rain — the gentle folk song is enhanced by simple but effective shooting, and attentive use of split-screen editing. The track was recorded in Wellington's Bats Theatre.
This was the last music video made by 80s band The Crocodiles before they left NZ for Australia. The clip features new band members Jonathan Swartz, Barton Price (who later found success with Aussie band The Models), and future solo star Rikki Morris, then aged 20. Singer Jenny Morris is in leopard print and pink lycra, and Rikki wears a very 80s combo of high-waisted white pants and argyle sweater, as the band clown around in a supermarket (now a Hutt Valley McDonalds). Dave Dobbyn makes a cameo appearance dressed in drag as Morris's mother.
A song that manages to feel fast and gentle all at once, 'Hey Little' marked the first single for Auckland band Pluto. The low-tech stylings of the music video evoke the feel of a home movie; the shots of children, pets and good times with friends and family are an appropriate match to the lyrics, which evoke a parent talking affectionately to a child. 'Hey Little' vocalist Milan Borich was first seen in front of the cameras at age 12, as one of the stars of 1940s-set TV drama The Champion.
Directed by prolific music video maker turned movie director Jonathan King, this clip for pioneering hip hop duo Dam Native won Best Video at the 1997 NZ Music Awards. It evokes the look of a sepia-tinged colonial era photo, and the art direction —Edwardian suits and tokotoko (walking stick) — are beautifully realised. The film was then deliberately scratched to help it look aged. The result makes an effective backdrop to the song’s political lyrics. DJ Sir-Vere called the track “an original Aotearoa classic”.