The video for this debut single from singer and DJ Zeisha Fremaux cuts between candyfloss colours and Zeisha in a brunette bob against black. Rapper PNC (aka Sam Hansen) also makes an appearance. Zeisha was nominated for best female artist at the 2008 Pacific Music Awards, and played gigs in Asia. The clip is from director Sally Tran (Wayho, O'Baby).

With this arresting mixture of performance video and monstrous insect imagery, arts show maestro Mark Albiston (The Living Room) shows he is an exponent of the wham bam approach to music videos. Short sharp shots capture Shihad's energy on a set that is painted red and black. The band footage is intercut with images of a hungry praying mantis, whose darkest secrets are revealed via digital effects. The song is taken from Love is the New Hate (2005), the first album after Shihad's ill-fated decision to change their name to Pacificer.

The original concept for this video involved a girl in love with a wētā. Sadly the wētā has an affair with a horse. Consequently the girl tries to metamorphosise into an insect to be with her love. Bressa Creeting Cake formed in 1991 but with a different name: Breast Secreting Cake. After signing to Flying Nun Records and changing their name, they released their self-titled debut album in 1997. Band members Geoff Maddock and Joel Wilton went onto form Goldenhorse, with writer Kirsten Morrell and guitarist/vocalist Ben King. 

This Joe Wylie animation is a veritable treat: the melodramatic grotesqueries, bright colours, surgery porn and animated tomato sauce all contribute to produce one of New Zealand's first iconic music videos. The band are said to have kept their break up a secret until Wylie finished work on the clip, so he could get paid. The Auckland-produced video was the second made for 'Bride of Frankenstein'. The first was shot in Sydney, and in B movie style featured band members as surgeons who construct a bride (played by Toy Love keyboardist Jane Walker).

In this Dave Garbett-directed Nesian Mystik music video a secret force of Polynesian Grey Lynn agents work to unify the community by taking their message to the streets, then to a television station. In scenes that showcase the band's sense of humour — and echoing a real-life 1995 takeover of One Network News by Māori protestors — the boys manage to take over the airwaves, where they transmit their own brand of 'Nesian programming: from master-chefing taro and bully beef to bro-senting the news. ‘Unity’ was a Top 10 single from the hit Polysaturated album.