The band has its origins in Christchurch, but this video takes their trademark sonic guitar to the subways and streets of their adopted home of New York. Shot in 1996 it feels more emblematic of the recession era as a robotic businessman crawls on its belly towards redundancy on Wall St. It's a striking key image as he/its battery runs down in front of the Stock Exchange Building amongst oblivious pedestrians. Liberty: Bailterspace style.
Singer/songwriter Sharon O’Neill did Los Angeles inspired, mid-70s pop/rock as well as many of her contemporaries in California — but it’s hard to imagine opening lines as striking as these ones coming from that West Coast. ‘Words’ was the first single from her self titled, second long player which won her Album of the Year and Best Female Vocalist at the 1980 NZ Awards. After years behind the keyboards, O’Neill shines in this video filmed in front of an audience with a band that includes Simon Morris, Wayne Mason and future Mutton Bird Ross Burge.
Guy Tichborne's intricate clip is packed full of subtlety and detail (check out the name of the airline), weaving striking animation with moody real life studio footage and the glamour of 1950s air travel. Constantly rewarded with eye candy, the viewer is drawn in as each elaborately layered scene unfolds.
For this lush, spacious ballad, then teenage director Paul Middleditch continues the striking visual style he had established a year earlier with his video for previous Tex Pistol hit, 'The Game of Love'. Tex (Ian Morris) wears the same outfit, while his brother Rikki is clad in the reverse — white shirt and black jeans. Backing vocalist Callie Blood appears again (although she didn't actually sing on this recording), a choir of children is added, and some behind-the-scenes shots of the crew — but the set is free of surface water or falling rain this time.
Chris Knox has described this love song as being “about as naked as I get” and “utterly heartfelt in a way that ‘Not Given Lightly’ only hints at”. So it’s no surprise the video is perhaps his most personal, with striking images of his long-time partner Barbara Ward’s face, sometimes projected on and merged with Knox’s own image. Mix in some classic low-tech Knox animation and the simple big red heart image of the Beat album cover - and it’s a poignant little gem.
The non-violent action preached and practiced by Māori prophets Te Whiti and Tohu at Parihaka in Taranaki forms one of the most compelling episodes of New Zealand’s 19th century history, as they resisted Pākehā confiscation of their land and home. Tim Finn was inspired to write this paean to the pair after reading Dick Scott’s influential book Ask That Mountain. Band Herbs provide the accompaniment. Fane Flaws and cinematographer Alun Bollinger’s video was shot over a night at Auckland Art Gallery and takes Colin McCahon’s striking Parihaka triptych as its centrepiece.
A remixed version of a lighter song from hip-hopper King Kapisi’s third album Dominant Species, this down and dirty number gets a burlesque style treatment from director Sam Peacocke. Behind the Old West frontage of ‘King Kap’s Confectionary’ store (where the new flavour is coconut), a very dapper King Kapisi presides over a hallucinatory mix of candy, dancing girls, Donnie Darko-inspired rabbit suits — and a striking smoke effect, created from ink spreading on water. Lollipop was voted Best Hip Hop Video at the 2006 Juice TV Awards.
Mark Trethewey's extraordinary clip successfully captures an unsettling techie, industrial vibe, complete with strangely beautiful post apocalyptic cityscapes, and striking special effects. Skillfully edited, the video adheres faithfully to the intricacies of this DnB colossus, affording the track spectacular depth and authority.