Peter Metcalf has four decades of experience in making it all look seamless. After 20 years in state television, he became TV3’s first Head Video Editor in Wellington. His credits include classics like Country Calendar and Kaleidoscope, plus Great War Stories, 35 short documentaries for TV3 commemorating the First World War. He also helped launch successful post-production suite Blue Bicycle Flicks.
In the 1980s ex-NZBC staffer Howard Moses produced and directed a trio of award-winning alpine films: Across the Main Divide, Incredible Mountains and Turn of the Century (a history of skiing in NZ). Winter Olympic chronicle Zimska Olimpijada won best doco at 1987's Mountainfilm in Telluride Festival. Based in Australia since 1991, Moses has worked in TV in Western Australia and the Northern Territory.
Tracey Collins is a multi award-winning production and costume designer, who specialises in television and film work. Her career spans drama series (Maddigan's Quest), telemovies (Bliss) feature films (White Lies) and commercials, plus hundreds of original theatre works.
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
Alister Barry has been making intelligent and provocative documentaries for more than three decades. Barry's films reflect his longtime interest in how power is exercised in a democracy, and how the decisions of the powerful impact on ordinary people's lives.
Writer and comedian Jon Gadsby, QSM, likely spent more time being funny on NZ television screens than almost anyone — aside perhaps from his longtime partner in crime, David McPhail. After appearing together on breakthrough comedy show A Week of It, the two helped form the comic backbone of the long-running McPhail and Gadsby, satirical show Issues, and the outdoor escapades of Letter to Blanchy.
Arthur Everard spent almost two decades making films for the National Film Unit, including directing award-winning rugby short Score and joining the team behind Commonwealth Games doco Games ’74. In 1984, Everard became New Zealand’s Chief Film Censor, a position he held for six years.
If director and producer Peter Coates was a superhero, he’d surely be ‘Renaissance Man’. His contribution to championing the arts on television is arguably heroic, and his career multi-faceted. From 1971 to 2004 Coates produced, directed or scripted hundreds of TV productions covering a smorgasbord of topics, from operas to soap operas, and from portraits of New Zealand artists to rugby coaching films.
Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.
Ric Pellizzeri is an award-winning TV director and producer. He has worked extensively both in his native Australia and New Zealand, having partnered with company Screentime on Underbelly NZ and telefilms Siege, How to Murder Your Wife, The Monster of Mangatiti and Rainbow Warrior drama Bombshell. His Aussie credits include hit police drama Blue Heelers and directing the pilot episode of Home and Away.