Maurice Gee, who was named an Arts Foundation icon in 2003, is one of New Zealand's most acclaimed writers. His work for the screen includes creating 80s kidult series The Fire-Raiser and The Champion. Gee's novels have also inspired a number of adaptations, notably classic sci-fi series Under the Mountain and movie In My Father's Den.
Producer Tash Christie's screen credits span from motorway patrols to outsider art. Now working at company Greenstone TV, Christie has produced documentaries The Women of Pike River and Qantas award-winner A Good Way to Die? (alongside her partner Dan Salmon). She has also worked on a run of primetime documentary and reality shows, from Neighbours at War to The Big Ward.
Television veteran Robert Boyd-Bell's eclectic screen career includes 14 years in journalism, followed by time in academia, public service TV, and producing. Which is not to forget writing landmark book New Zealand Television – The First 25 Years. Boyd-Bell joined the state broadcaster in 1965, and later headed TV One's northern newsroom. He also has an extensive involvement in delivering programmes online.
Jack Body, OMNZ, composed for everything from gamelan orchestras to the Kronos Quartet, and was a leading figure in awakening local interest in Asian and Pacific music. His soundtrack work ranged across children’s tales, te reo dramas and nature films. His collaborations with director Vincent Ward include classic film Vigil, and (with John Gibson), 2008’s Rain of the Children. Body passed away on 10 May 2015.
Stephen Stehlin has been involved with flagship Pacific show Tagata Pasifika for over 30 years. Alongside Ngaire Fuata and John Utanga, he launched SunPix in 2015. The company took over Tagata Pasifika after Television New Zealand outsourced its stable of Māori and Pacific programmes. Of Samoan descent, Stehlin has been honoured as both a Samoan matai chief, and as a Member of the NZ Order of Merit.
With his 1973 book Tangi, Witi Ihimaera became the first Māori to publish both a novel and a book of short stories. Later his book The Whale Rider inspired a feature film which won international acclaim, and became one of the highest grossing 'foreign' titles released internationally in 2003. Ihimaera's work has also seen a number of television adaptations, including landmark big city tale Big Brother, Little Sister.
With Hunter's Gold, Gather Your Dreams and Children of Fire Mountain, Roger Simpson blazed a successful trail for Kiwi drama shows aimed at a younger audience. Though he has written further New Zealand projects, Simpson relocated to Australia in the early 70s. Since then he has written and produced on a long run of television dramas, most often alongside producing partner Roger Le Mesurier.
For three decades, playwright and critic Bruce Mason played intelligent, impassioned witness to many key developments in Kiwi theatre and culture; a number of them his own. His play The Pohutukawa Tree has spawned more than 180 productions, and was watched by 20 million after being adapted for the BBC. The End of the Golden Weather is both a classic solo play, and movie.
Legendary filmmaker Rudall Hayward, MBE, directed seven features over five decades — decades in which the concept of Kiwi movie-making was still an oxymoron, or meant a foreigner was in charge. Inspired by NZ’s cross-cultural history, Hayward remade his own Rewi’s Last Stand in 1940. Later he married Rewi star Ramai Te Miha, launching a filmmaking partnership that lasted until Rudall’s death in May 1974.
One of the earliest New Zealand women to work in movies, the late Hilda Hayward collaborated with her husband Rudall on four silent feature films in the 1920s. Author Deborah Shepard argues that her coverage of the 1932 Auckland riots make her New Zealand’s first known camerawoman. Hilda Hayward passed away in 1970.