Barbara Darragh's screen costumes have been worn by ghosts, prostitutes, Māori warriors and Tainuia Kid Billy T James. An award-winner for The Dead Lands, River Queen and The End of the Golden Weather, Darragh's CV includes TV shows Under the Mountain and Greenstone, plus more than a dozen other features. She also runs Auckland costume hire company Across the Board.
Malcolm Kemp's expertise at covering live events took him from New Zealand to the sports department of the BBC. The one time head of entertainment at TVNZ masterminded TV coverage of concerts, Top Town competitions, elections, World Expo and the Commonwealth Games.
Colleen Hodge began her television career in the mid 1970s as a researcher on documentary series Encounter and Perspective. She was a co-founder of independent research company Bluestockings, which worked on the Feltex Award-winning Gallipoli: The New Zealand Story. After time on contract with various television departments, she formed her own production company, and began producing documentaries.
Phillip Gordon began his screen career with 70s soap Close to Home, then won fame in the mid 80s with two different roles: playing conman Cyril Kidman in hit period comedy Came a Hot Friday, and starring in Wellington-set TV series Inside Straight. He went on to act on both sides of the Tasman.
When Peter Cox dreamed up The Insiders Guide to Happiness for his Master's scriptwriting thesis, he never thought it would be made into a TV series. But he was proved wrong when it became an award-winning drama, even spawning a prequel. Cox found further screen success by co-creating TV thriller The Cult and comedy The Pretender, as well as writing for series This Is Not My Life.
Roger Donaldson is notable for spearheading the New Zealand film renaissance with Sleeping Dogs (1977). He has been busy directing in Hollywood for much of the period since. Donaldson's first Kiwi story since acclaimed drama Smash Palace (1981) was Burt Munro biopic The World’s Fastest Indian (2005) — the most successful New Zealand film on home soil until the arrival of Taika Waititi's Boy in 2010.
The familiar voice of radio announcer Peter Hutt was also heard on the soundtracks of many National Film Unit productions. From 1946, when Weekly Review put a few minutes each week of New Zealand scenes and people on cinema screens, until 1972, when television was presenting hours daily of the country and its people, Hutt also developed his talent for directing, writing and editing films. Image credit: Auckland Libraries Heritage Collections, ID 34-232 (detail). Photographer Clifton Firth
Bailey Mackey's first television job was as a reporter for Māori news programme Te Karere. Later, while Head of Sport for Māori Television, he created long-running sports show Code. Mackey established companies Black Inc Media and Pango Productions, and co-created high profile 2012 reality series The GC. He also sold the format for Pango's hit show Sidewalk Karaoke to global company FremantleMedia.
David McPhail's television resume is that of a genuine stayer. Working with Jon Gadsby, his longtime comic partner in crime, McPhail famously impersonated Sir Rob Muldoon in landmark sketch shows A Week of It and McPhail and Gadsby. Later he helped create the Barry Crump-style yarns of Letter to Blanchy, and played the no-nonsense teacher in Seven Periods with Mr Gormsby.
Geoff Dixon began making commercials in the 70s — the decade he launched legendary ad company Silverscreen Productions, whose clients included Cadbury, Toyota, Air New Zealand and Singapore Airlines. Ranging across New Zealand and beyond, his work includes iconic images of South Island back roads, Barry Crump crashing utes through the bush, and Michael Hurst singing a war cry for the Kiwi bloke.