Ray Columbus, OBE, began hosting television shows at the tender age of 19. After Columbus and the Invaders topped Australasian charts with 1964 single 'She's a Mod', Columbus spent time as a musician in America. The song was covered multiple times. He later returned to Aotearoa to resume a long career as recording artist, TV presenter and talent manager. Columbus passed away in late November 2016.
We were a typical rock band. We believed in ourselves. I was out knocking on doors. And it worked. Timing is everything ... Ray Columbus, in The NZ Herald, 8 October 2009
This major documentary series chronicles the first half century of Kiwi television. Made for the Prime network (after being declined by TVNZ), it examines the medium’s evolution across seven episodes. After an opening 70 minute overview, individual programmes covered the stories of sport, entertainment, drama and comedy, protest coverage, New Zealand identity and Māori television — with an impressive array of interviews, and 50 years worth of telly highlights. John Bates was nominated for Best Documentary Director at the 2011 Aotearoa Film and TV Awards.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
In 2010 TVNZ’s Heartland channel celebrated the 50th anniversary of television in New Zealand by producing a decade by decade survey. This interview, taken from the 1960s instalment, sees the late Ray Columbus interviewed by Andrew Shaw. The pioneer of pop music in New Zealand reflects on the role that TV played in his career, from Club Columbus to C’Mon, to co-creating That’s Country. He muses on being a pop star in front of the camera, and working behind the scenes in television. Shaw asks him to rate the best song he’s recorded and his best TV performance.
The meteoric career of one of NZ’s greatest entertainers is examined in this documentary. John Rowles went from a Kawerau childhood to stardom in London at 21; but, after headlining in Hawaii and Las Vegas, he saw it all slip away. Those roofing ads and near bankruptcy followed, but Rowles has retained his self belief and that voice. A stellar cast of interviewees analyse his strengths and weaknesses, including Sir Cliff Richard, Tom Jones, Neil Finn and late promoter Phil Warren. Amongst the star cameos, John’s sister Cheryl Moana explains the downside of his best-known local hit.
After a run of hit short films involving creatures on the run, Chicken marked the feature debut of director Grant Lahood. Brit Bryan Marshall stars as Dwight, a fading pop star who fakes his own death as a career move. Meanwhile a crazed fowl rights-activist (Cliff Curtis), angered at Dwight's promotions for fried chicken, plots revenge. Though the romantic black comedy tanked at the box office, the story and performances did receive some positive notice, with Metro reviewer and musician Rick Bryant finding it "very funny ... very enjoyable".
From 1996 to 1998 broadcaster Ian Fraser took time out from hosting current affairs, to MC this popular musical talent quest (Fraser, a trained pianist, also tinkled the ivories himself during the series). There were two finals: one assessed by studio judges, and one from viewers' votes. The performers ranged from covers bands to opera singers, from country and western to soul. Future Opshop members Jason Kerrison and Shay Muddle were judged runners-up in 1996 (as Akustik Fungi). Other contestants included Lisa Tomlins, opera tenor Shaun Dixon and actor Stig Eldred.
Ol’ Brown Eyes celebrates 40 years in showbiz with this variety concert, alongside some of his mates including Ray Columbus and Bunny Walters. The show is mostly live entertainment, punctuated by a few nostalgic field stories where Sir Howard acknowledges his upbringing and Māoritanga. The show ends with the Morrison whānau performing, followed by the hymn that gave Sir Howard a number one hit in 1982: ‘How Great Thou Art’. This TV special was dedicated to Sir Howard’s mother Kahu, who was an outstanding singer in her own right.
Having made a comeback after heart surgery in 1990, legendary entertainer Billy T James passed away in August 1991. Four years later that anniversary was commemorated with Billy T James - A Celebration. Hosted by Pio Terei, the special highlights some of Billy’s best moments of both comedy gold, and his vast talents as musician. Interviews with Billy T and his colleagues (including showband veteran Robbie Ratana, comedian Peter Rowley, and screen wife Ilona Rodgers) offer insight into the real man behind arguably New Zealand’s most beloved entertainer.
“It’s hard to imagine our way of life before the box turned up in our living rooms.” Newsreader Dougal Stevenson presents this condensed history of New Zealand television’s first 15 years: from 60s current affairs and commercials, to music shows and early attempts at drama. The first part of a two-part special, this charts the single channel days of the New Zealand Broadcasting Corporation from its birth in 1960 until puberty in 1975, when it was split into two separate channels. Includes recollections from many of NZ TV’s formative reporters and presenters.
Tom Sharplin was the face of rock'n'roll revival in 1970s and 80s New Zealand. In 1980 his group won Group of the Year, and soon after they featured in popular TV show Rock Around the Clock. Here, for the finale of a gala to celebrate 25 years of Kiwi television, he performs rock classic 'Rip it Up' (first made famous via Little Richard, and later inspiration for the name of the NZ music mag). "Shag it on down to the union hall" run the lyrics; Sharplin — with help from Ray Columbus, Ray Woolf and many more — swings his hips and rips, shakes, rocks and rolls up the Michael Fowler Centre.
The legendary Emmylou Harris brings a little bit of Nashville to TVNZ’s Auckland studio for her first ever TV special — recorded during a NZ tour in a deal which allowed her to own the international rights. One of country music’s great vocalists and most loved performers, Harris leads her seven piece band through an accomplished set (although banter is in short supply). Highlights include ‘Grievous Angel’ (which she originally recorded with her early mentor Gram Parsons), Bruce Springsteen’s ‘Racing in the Street’ and The Crystals hit ‘He’s A Rebel’.
'The White Rabbit' was two minutes of surf guitar meets country music that made Peter Posa a household name in the 1960s, and led to encounters in Las Vegas with Frank Sinatra and Dean Martin. In May 1984 Posa got out his golden guitar and performed the beloved guitar instrumental to an enthusiastic audience, on TV show That’s Country. In 2012 he told Stuff’s Vicki Anderson: "It was heaven to play at the Christchurch Town Hall. The better the acoustics the better you play." Posa had a late career resurgence in 2012 when a 'best of' album debuted atop the Kiwi album charts.
Hosted by one-time mod Ray Columbus, That's Country was one of the highest rating shows of the early 80s. This 1982 episode features veteran Kiwi country performers (John Hore, Patsy Riggir) and trans-Tasman pop star Dinah Lee. The opening ensemble number features Canadian singer Glory-Anne Carriere and US duo the Gypsy Mountain Pickers, along with Australian Jade Hurley (who still bills himself as the King of Country Rock). Check out the rhinestone cowboys and girls as they belt out the theme song, then settle in for solo performances. Yee-ha!
This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lynn of Tawa.
Made during Kiwi television's golden age of light entertainment, Rock Around the Clock set out to recreate the golden days of early rock'n'roll. Lifelong rock'n'roller Tom Sharplin took the lion's share of time behind the microphone, with Paul Holmes introducing occasional guests as fictional compere Wonderful Wally Watson. Completing the 50s vibe were a bevy of rock'n'roll dancers, and an elaborate set which incorporated both dance floor and milk bar.
Punk rock was breaking and musical styles changing, but in New Zealand country music was appointment viewing at 7pm on Saturday. That's Country ran from 1980 to 1984. Hosted by one-time pop singer Ray Columbus, the show featured both local and international talent including Suzanne Prentice, Patsy Riggir, Emmylou Harris and George Hamilton IV. An American offer to buy the show and install a US presenter were resisted. Instead the show was sold to a Nashville cable TV network, in a New Zealand first; That's Country soon had an audience of 30 million in the States.
This 1978 documentary casts a critical eye over a depressed NZ music industry, and asks what has changed since its 60s glory days of pop stars, screaming fans and C’mon. By the late 70s, few musicians are earning a living and chart hits have dwindled (although the recording industry is bullish). Ray Columbus waxes lyrical about ‘She’s a Mod’. Kevan Moore and Peter Sinclair are sanguine about TV’s role, a finger is pointed at radio airplay, and the careers of Craig Scott, Mark Williams, Sharon O’Neill and John Rowles are considered. The only thing not in short supply is blame.
This popular 1970s TV talent show screened on TV2. It was hosted initially by broadcaster Rhys Jones (Town and Around), then Brit import Robin Stewart (Bless This House). Singer Annie Crummer first won attention after competing as a nine-year-old. Opportunity Knocks had many similarities to a long-running English show of the same name (including a clap-o-meter), devised by Hughie Green. In 1989 Green (unsuccessfully) sued the Broadcasting Corporation of NZ over format infringement. After going to the Privy Council, it became a landmark copyright law case.
This 1970s talent show was a popular light entertainment programme for new channel TV2. It followed in the television footsteps of New Faces and Studio One, with wannabe stars mostly covering popular classics. The buzzers and tough judges of X Factor are decades away. This final from the 1975 season, filmed at Christchurch’s Civic Theatre, sees contestants cover everything from country and western to cabaret. Promoter Trevor Spitz awards record contracts, and talent co-ordinator Ray Columbus joins host Rhys Jones to announce the winner.
Sing featured Kiwi entertainers performing popular songs and musical standards, accompanied by a bevy of dancers. The performers included Craig Scott, Ray Woolf, Angela Ayers, Chic Littlewood and musical comic relief Laurie Dee. The hair was big and the collars large, while songs tended towards the middle of the road — for example 'Love is All Around', Tom Jones and Glen Campbell.
New Zealand’s first global pop success story made one of its earliest screen appearances on this TV talent quest. The episodes are no longer preserved, but a family friend of the Finns pointed his Super 8 camera at the television screen. The clips are combined with the band’s memories from 2005 radio documentary Enzology. Split Ends (the ‘z’ came later) competed in the 18 November heat with ‘129’, and a week later in the final, miming ‘Sweet Talking Spoon Song’. They lost to Wellington's Bulldogs Allstar Goodtime Band, with a pre-Simon Cowell Phil Warren judging the lads “too clever”.
A Girl to Watch Music By was a six-part series, with each episode showcasing a popular female singer or singing act. Among those featured were recent chart-topper Allison Durbin, perennial Pat McMinn, Yolande Gibson, Eliza Keil from the Keil Isles, and The Chicks. Hosted by Ray Columbus — by 1969, already well on the way to becoming a television veteran — the series also featured a fondly remembered sketch where Columbus played puppet to a much taller Max Cryer. The show's title was likely a variation on 60s instrumental hit 'Music to Watch Girls By'.
Although made to showcase female singers, late 60s series A Girl to Watch Music By is possibly best remembered for the moment Ray Columbus became a puppet. In this episode host Columbus played ventriloquist's dummy, sitting on Max Cryer's knee. Wrote Cryer later in his book Town Cryer: "it looked very funny and we knew it and set to work on the choreography immediately." The song is called 'Where Would You Be Without Me'. The ventriloquist idea, which would be repeated again on rare "special occasions", was the brainchild of broadcaster Cherry Raymond.
In 1969 Kiwi music legend John Rowles was in his early 20s, and flush with UK success: appearing on Top of the Pops and celebrating a single – ‘If I Only Had Time’ – which got to number three in the British charts. This fly on the wall documentary records his homecoming tour, complete with cigars, turtlenecks, rehearsals, press interviews, dancing, hongi and a civic reception in Kawerau (where he’d been fired from a mill job five years before, for arriving late). Rowles launches single ‘M’Lady’, soon to top the NZ charts, and reflects on how he's changed since leaving Kawerau.
Studio One belongs to a long line of talent shows stretching back to the earliest days of NZ television. In two parts, it featured an original song competition which attracted leading songwriters; and 'New Faces'. The latter was for newcomers to TV, and it introduced novelty acts and brass bands, but was also instrumental in launching the careers of Split Enz, Shona Laing and Space Waltz. Later judges including Howard Morrison, Nick Karavias and Phil Warren could be brutal when they wanted to be — and their catch-cry of "no lurex" became a national mantra.
C’mon brought the hits of the day into New Zealand living rooms for three years in a tightly scripted, black and white frenzy of special effects, pop art sets, go-go girls and choreographed musicians while host Pete Sinclair kept the pace cracking with breathless hipster charm. Most of the stars of the day appeared at one time or another but sadly only two episodes have survived. As the 60s finished C’mon fell victim to the fragmenting of the music world and the arrival of darker music that the show could no longer turn into family friendly viewing.
Another black and white prototype music video from Ray Columbus and the Invaders. Ray and the band planned and directed this one themselves, at Peach Studios in Auckland. The song is a ballad, and it's a more restrained performance than the clip for She's a Mod, but the 1960s zoot suits and aloof rock star poses are still there. 'Till We Kissed' was a Top 10 hit, and won the first ever Loxene Golden Disc Award in 1965.
Not exactly a music video, more a prototype. This promo film clip for the Kiwi classic was taken from the band's appearance on the Aussie TV show Bandstand in 1964. It's black and white and very basic, but the band has zoot suits; high slung guitars, as was the way of the time; and all the right moves. A very young-looking Ray Columbus has the beginnings of a Beatles hair-do, and is forever captured in time doing the legendary 'mod's nod'. This was the first time a film clip of a band performing was used for promo purposes in NZ.