Murray Reece has been the director at a number of key turning points in New Zealand's television history: from the debut of our first drama series (Pukemanu), to the first telemovie (The God Boy), to the episode of Country Calendar where Fred Dagg first showed us around the farm.
Peter Janes has been capturing images of NZ — and its musicians — for longer than some of his camera assistants have been on the planet. Through Janes' diverse screen career, music forms a major thread. After directing his first music videos as a teen, he went on to helm iconic clips for many Flying Nun bands. Janes has also been director of photography on TV's Jackson’s Wharf and The Topp Twins.
David Beatson's 50 year career included high profile stints in TV current affairs: reporting, interviewing and producing for shows like Town and Around, Compass, Gallery, and Eyewitness, and chairing election debates. Beatson went on to edit The Listener, and was a press secretary to PM Jim Bolger and spokesperson for Air NZ. He served on the boards of various media organisations, and was chairman of NZ On Air.
Television veteran Robert Boyd-Bell's eclectic screen career includes 14 years in journalism, followed by time in academia, public service TV, and producing. Which is not to forget writing landmark book New Zealand Television – The First 25 Years. Boyd-Bell joined the state broadcaster in 1965, and later headed TV One's northern newsroom. He also has an extensive involvement in delivering programmes online.
Almost everyone in New Zealand over "a certain age" will remember Marama Martin. For 10 years from 1965 she was a continuity announcer on NZBC Television (when it was the only channel). She was there for the first network broadcast, and was the first person to be seen in colour on New Zealand television. Martin passed away on 10 July 2017.
From trainee reporter to TVNZ’s Head of Television and then on to Managing Director of Australia’s Special Broadcasting Service, Shaun Brown’s career spanned 45 years. And all but four of those years were linked directly to public broadcasting. While the latter half of his career saw him increasingly taking on executive roles, he brought with him the experience of having worked at almost every level of the business.
In the 1980s ex-NZBC staffer Howard Moses produced and directed a trio of award-winning alpine films: Across the Main Divide, Incredible Mountains and Turn of the Century (a history of skiing in NZ). Winter Olympic chronicle Zimska Olimpijada won best doco at 1987's Mountainfilm in Telluride Festival. Based in Australia since 1991, Moses has worked in TV in Western Australia and the Northern Territory.
Canadian-born cinematographer and director Bob Lapresle had two careers in New Zealand filmmaking. Firstly, with the Government's National Film Unit as a director; secondly after his 'retirement', as a producer and consultant passing on his experience to the private sector.
Roger Hall began writing and acting on television in the late 1960s. In 1976 his debut play Glide Time became a sellout. Later Hall turned this satire of bureaucrats into Gliding On, arguably New Zealand's most successful sitcom to date. Play Middle Aged Spread became a film in 1979. Hall went on to write marital comedy Conjugal Rights for English television. He remains the country's most successful playwright.
Allen Guilford was a prolific and much admired cinematographer, whose host of television programmes ranged from 1970s TV landmark The God Boy to colonial melodrama Greenstone. Guilford won NZ Film Awards for his work on movies The Footstep Man, coming of age tale The Climb, and blockbuster What Becomes of the Broken Hearted? He passed away on 10 March 2009.