Simon Reece has had a long career editing television and film, cutting landmarks such as Tank Busters, The Governor, Pukemanu, The God Boy and Vigil. In 1990 he shifted post-production roles and set up Wellington company The Dub Shop, which specializes in providing digital services for broadcast, web and archives.
Peter Janes has been capturing images of NZ — and its musicians — for longer than some of his camera assistants have been on the planet. Through Janes' diverse screen career, music forms a major thread. After directing his first music videos as a teen, he went on to helm iconic clips for many Flying Nun bands. Janes has also been director of photography on TV's Jackson’s Wharf and The Topp Twins.
David Beatson's 50 year career included high profile stints in TV current affairs: reporting, interviewing and producing for shows like Town and Around, Compass, Gallery, and Eyewitness, and chairing election debates. Beatson went on to edit The Listener, and was a press secretary to PM Jim Bolger and spokesperson for Air NZ. He served on the boards of various media organisations, and was chairman of NZ On Air.
From trainee reporter to TVNZ’s Head of Television and then on to Managing Director of Australia’s Special Broadcasting Service, Shaun Brown’s career spanned 45 years. And all but four of those years were linked directly to public broadcasting. While the latter half of his career saw him increasingly taking on executive roles, he brought with him the experience of having worked at almost every level of the business.
Almost everyone in New Zealand over "a certain age" will remember Marama Martin. For 10 years from 1965 she was a continuity announcer on NZBC Television (when it was the only channel). She was there for the first network broadcast, and was the first person to be seen in colour on New Zealand television. Martin passed away on 10 July 2017.
Television veteran Robert Boyd-Bell's eclectic screen career includes 14 years in journalism, followed by time in academia, public service TV, and producing. Which is not to forget writing landmark book New Zealand Television – The First 25 Years. Boyd-Bell joined the state broadcaster in 1965, and later headed TV One's northern newsroom. He also has an extensive involvement in delivering programmes online.
The son of legendary Pacific Films producer John O’Shea, Rory O’Shea made his mark as a camera operator and lighting cameraman of sensitivity and skill. His artistically-composed images complemented and enhanced the vision of key collaborators like directors Tony Williams and Barry Barclay.
John Shrapnell began working in New Zealand television in the 1960s. His career as a journalist, reporter, director, editor, producer and actor spans nearly half a century.
A self taught stargazer, Peter Read’s passion for astronomy coincided with a budding television industry and the beginning of manned spaceflight. His programme, Night Sky, played in primetime from 1964; and his avuncular style inspired New Zealanders to look at the stars. It was the country’s longest running TV show when it was cancelled in 1974, and he was the longest serving presenter. Peter Read died in 1981.
The broadcasting career of so-called 'Mr Country Calendar' Frank Torley spanned almost half a century. He worked on the iconic rural series as reporter, producer and narrator, and a number of other programmes besides. In 2002, he was awarded the ONZM for services to broadcasting. Torley died of cancer on 27 March 2016, just weeks after Country Calendar celebrated its 50th year on air.