The idea that New Zealanders often take for granted the depth of talent in the local screen industry is well illustrated by the career of Flux Animation founder Brent Chambers. Most Kiwis would have seen at least one example of his prolific output, yet few would be able to put a face or a name to his work. Chambers was tireless in building a competitive and viable international business, with a distinct local identity.
Ray Waru has been a prolific television producer and director since the 1970s, specialising in Māori, heritage and historical programming. He established the first Māori production unit and has been involved in a range of ground-breaking, award-winning shows, while operating his own media company for over 20 years. In 2006 Waru was made a Member of the NZ Order of Merit for services to broadcasting.
Alison Parr has documented key moments in New Zealand’s cultural and social history during an award-winning career as a journalist, oral historian and broadcaster. Her credits include iconic programmes of the 1980s and 90s like Close Up and Kaleidoscope. In 2003 she joined the Ministry for Culture and Heritage, where she has spent more than a decade as an Oral Historian, recording the memories of war veterans.
Dorthe Scheffmann’s varied behind the scenes roles have helped ensure that many classic Kiwi movies managed to finish their shoots, without falling apart in the process. In 1996 she competed at the Cannes Film Festival with The Beach, the first short film she directed. Her first feature was released in 2018: ensemble drama Vermilion starring actor Jennifer Ward-Lealand.
Welsh-born James Harris played an important role in the founding of the National Film Unit in 1941. A well-educated, versatile filmmaker equally at home behind the camera, operating a splicer or wielding a pen, he spent 26 years with the NFU, mostly as a senior director. Photo credit: Archives New Zealand, reference AAQT 6401 A23,729
The varied CV of John Charles includes composing music for classic movies Goodbye Pork Pie, Utu and The Quiet Earth. Charles has worked in television on both sides of the Tasman, including time as head of entertainment for Television One, and directing duties on landmark drama series Pukemanu and comedy Buck House.
Kim Harrop describes writing scripts as "the most exhilarating/ challenging/ enlightening/ masochistic/ addictive thing in the world." Harrop spent eight years writing for long-running soap Shortland Street. She has developed several programmes (First Crossings, The NZ Home), as well as writing and producing internet hit The Coffin Club and co-creating black comedy series Fresh Eggs with Nick Ward.
Best-known as an outspoken and award-winning columnist, Rosemary McLeod devised and was principal writer on iconic 80s TV soap Gloss, detailing the lives, loves and trades of Remuera's Redfern fashion magazine dynasty. She has also written scripts for Country GP and Bruno Lawrence/Ginette McDonald late 70s gender politics sitcom All Things Being Equal.
Keith Aberdein is probably best known for playing the small-town policeman who arouses Bruno Lawrence's ire, in Kiwi screen classic Smash Palace. But his screen work covers almost every angle: from covering the Wahine disaster as a reporter, to directing, to writing scripts for some of the most ambitious television dramas of the 1970s.
After presenting children's television, sports and magazine shows (Spot On, That's Fairly Interesting, 3:45 LIVE!, Keoghan's Heroes), Phil Keoghan moved to the United States. In 2000 he was picked to host The Amazing Race, one of the most awarded shows in the history of reality television. Multiple Emmy-winner Keoghan has also written book No Opportunity Wasted, and created a bevy of accompanying TV series.