Roger Donaldson is notable for spearheading the New Zealand film renaissance with Sleeping Dogs (1977). He has been busy directing in Hollywood for much of the period since. Donaldson's first Kiwi story since acclaimed drama Smash Palace (1981) was Burt Munro biopic The World’s Fastest Indian (2005) — the most successful New Zealand film on home soil until the arrival of Taika Waititi's Boy in 2010.
Fed up with seeing animals unintentionally mishandled on set, former farm girl Caroline Girdlestone decided to do something about it. Now one of the most respected animal trainers in Australasia, she’s worked with almost any animal imaginable across more than 500 projects – ranging from the cute barnyard animals of Racing Stripes to the horrifying ovine creatures in Black Sheep.
NZ On Screen Content Director Kathryn Quirk has worked in management roles at TVNZ, NZ On Air and MTV New Zealand. Along the way she has done time in presentation, promotions, programme funding, rights and commercial affairs, and a crowded television studio — and run her own art gallery too.
Pioneering TV programmer Bettina Hollings can list the launch of Shortland Street and being the first female to head a major local television network among her credits. In 2000, she ‘jumped fence’ and formed Imagination Television. The company is responsible for making some of NZ’s most popular shows, including MasterChef New Zealand, New Zealand’s Got Talent and Grand Designs New Zealand.
From a career in print journalism and public relations that began in his teens, Gordon Dryden became a familiar face on New Zealand television in the mid 70s. Earning himself a reputation as a tough interviewer, Dryden hosted coverage of the 1975 election before presenting Friday Conference. A 1991 TV series on education would lead to book The Learning Revolution, which sold in the millions.
Geoff Dixon began making commercials in the 70s — the decade he launched legendary ad company Silverscreen Productions, whose clients included Cadbury, Toyota, Air New Zealand and Singapore Airlines. Ranging across New Zealand and beyond, his work includes iconic images of South Island back roads, Barry Crump crashing utes through the bush, and Michael Hurst singing a war cry for the Kiwi bloke.
Barry Shaw wrote about television for more than two decades. A longtime critic for both The Auckland Star and The NZ Herald, he was on hand to note many key moments in Kiwi screen history. Shaw passed away in August 2011, at the age of 82.
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.
Andrew Hagen began composing for film while in band Schtung. Hagen and fellow bandmember Morton Wilson provided music for a quartet of Kiwi movies, including Kingpin and The Scarecrow, then moved to Hong Kong and set up studios in Asia. In 1992 Hagen headed to LA, establishing himself as an award-winning composer, sound designer and sound supervisor. In 2011 he launched a branch of Schtung back in Wellington.