Veteran animator Euan Frizzell brought his artist's hands to almost every form of the genre, from traditional cartoons to stop motion to computer generated animation. Along the way, he animated stories by local legends Margaret Mahy and Lynley Dodd, and directed and animated for Bugs Bunny, Road Runner and Fred Flintstone. Frizzell died on 23 September 2012.
The idea that New Zealanders often take for granted the depth of talent in the local screen industry is well illustrated by the career of Flux Animation founder Brent Chambers. Most Kiwis would have seen at least one example of his prolific output, yet few would be able to put a face or a name to his work. Chambers was tireless in building a competitive and viable international business, with a distinct local identity.
Bob Stenhouse, the first Kiwi animator to be nominated for an Academy Award, spent 12 years working for state television. After joining the Government’s National Film Unit in 1980, he made Oscar-nominated short The Frog, The Dog and the Devil. Stenhouse’s later films have included several Joy Cowley short stories, plus award-winning short The Orchard, a Japanese fable adapted to a New Zealand setting.
Former Spot On presenter Ian Taylor, CNZM, is the founder of computer graphics company Animation Research Limited. ARL made its name providing real-time sports graphics at the 1992 America's Cup, and has gone on to apply their technology to golf, cricket, tennis and Formula One car-racing around the globe.
Sandy Houston's career in animation and visual effects has involved 70 plus movie projects — including animated classic Watership Down, visual effects landmark Jurassic Park, and Oscar-winners The Return of the King and King Kong. Along the way she has been on hand to watch computers become key tools in creating screen illusion.
Ray Ruawhare has worked on effects and animation for everything from NZ On Air's Eric the Goldfish to movie Predicament. In 2004 he produced From Len Lye to Gollum, a comprehensive documentary on the history of animation in New Zealand. Ruawhare was one of the founders of animation and effects conference AnimfxNZ.
Alongside his brother Jeff, Phill Simmonds has created a run of quirky short films, which utilise traditional animation to retell real-life stories. The films from the SPADA 2006 New Filmmaker of the Year (shared with Jeff) include family history tale A Very Nice Honeymoon and bickering band chronicle The Paselode Story. His latest project is an animated feature film based on Parihaka.
James Cunningham made a name for himself after creating a run of stylish CGI-animated shorts — from 1997‘s Delf, and Cannes-selected Infection, through to acclaimed WWI tale Poppy. Now teaching 3D animation at Auckland’s Media Design School, Cunningham is also directing live action shorts, while developing a CGI feature with producing partner Paul Swadel.
Dunedin businessman and artist, Fred O’Neill, whose hobby of making quirky animated films brought him international recognition, sent his Plasticine hero to Venus thirty years before Nick Park got Wallace and Gromit to the Moon. O’Neill’s films encouraged children not to take up smoking, brought Māori legends to the screen in a novel way, and entertained young viewers in the early years of New Zealand television. Image credit: Stills Collection, Ngā Taonga Sound & Vision. Courtesy of the Fred O'Neill collection.
Christchurch editor, artist and animator Ken Clark turned a childhood passion for magic and monsters into stop motion animation. After making student films, a decade at TVNZ saw him editing staples across news, sport, and children's programming. He also designed titles for After School and CGI for What Now?. Since 1990 Clark has tutored in animation; his shorts have shown in galleries and festivals.