Roger Horrocks has been raising the quality of debate about New Zealand film and television for nigh on half a century. At Auckland University he campaigned for, then ran, the country’s first and biggest film studies course. Horrocks has written extensively about Kiwi culture, including writing the definitive book on Len Lye. He is also a filmmaker and was a founding board member of organisation NZ On Air.
Two of Andrew Bancroft’s early short films won awards — science fiction tale Planet Man was the first New Zealand short to win the Critic's Week section at the Cannes Film Festival. Aside from his own shorts and a run of arts documentaries for television, Bancroft has also helped develop a successful slate of short films for other directors.
Sima Urale, Samoa’s first female filmmaker, has brought touching stories of Pacific peoples to the screen, often from an NZ outsider’s point of view. Urale credits her film success to determination and dealing with social issues close to her heart. Her lauded shorts (O Tamaiti, Still Life) were followed by her 2008 feature debut Apron Strings. Urale has also spent time as head tutor at Wellington's NZ Film and Television School.
A pioneer of New Zealand film and star of 1940 classic Rewi's Last Stand, Ramai Hayward is credited as Aotearoa’s first Māori filmmaker, camerawoman, and scriptwriter. At the 2005 Wairoa Māori Film Festival she received the inaugural Lifetime Achievement Award for her contributions to Māori filmmaking; the following year Hayward was made a Member of the NZ Order of Merit. She passed away on 3 July 2014.
Tracey Collins is a multi award-winning production and costume designer, who specialises in television and film work. Her career spans drama series (Maddigan's Quest), telemovies (Bliss) feature films (White Lies) and commercials, plus hundreds of original theatre works.
Dunedin businessman and artist, Fred O’Neill, whose hobby of making quirky animated films brought him international recognition, sent his Plasticine hero to Venus thirty years before Nick Park got Wallace and Gromit to the Moon. O’Neill’s films encouraged children not to take up smoking, brought Māori legends to the screen in a novel way, and entertained young viewers in the early years of New Zealand television. Image credit: Stills Collection, Ngā Taonga Sound & Vision. Courtesy of the Fred O'Neill collection.
From trainee reporter to TVNZ’s Head of Television and then on to Managing Director of Australia’s Special Broadcasting Service, Shaun Brown’s career spanned 45 years. And all but four of those years were linked directly to public broadcasting. While the latter half of his career saw him increasingly taking on executive roles, he brought with him the experience of having worked at almost every level of the business.
Shona McFarlane (1929 - 2001) completed her first book of paintings and prose during a 14 year stint as a Dunedin print journalist. In 1969 she became the first woman invited to join the Queen Elizabeth II Arts Council (forerunner to Creative New Zealand). But many knew her for another role: as feisty, enthusiastic panelist on popular advice show Beauty and the Beast. McFarlane also presented arts show Picture Gallery.
Jessica Hansell (aka Coco Solid) has many strings to her creative bow — artist, musician, writer, director and actor. The Aucklander is the creator of comic and animated series Aroha Bridge, a writer on Wellington Paranormal and a globetrotting rapper. The part Māori, Samoan and German creative has also acted in episodes of Aroha Bridge, which follows a suburban hip hop band. Along with Carthew Neal, she directed 2014 documentary Heaven's Gate, about transgender Pacific culture in South Auckland. In 2018 Hansell was awarded the Fulbright-Creative New Zealand Pacific Writer's Residency in Hawaii.
Makerita Urale grew up in her father's village in Samoa, before the family emigrated down under. She has gone on to bring a Pasifika voice to plays (the acclaimed Frangipani Perfume), museum exhibits, and documentaries. In 1995 Urale wrote Samoans-down under drama 'The Hibiscus' for TV's Tala Pasifika. Since then, the one time RNZ journalist has directed documentaries on Samoan tattooing (Savage Symbols), gangs (Gang Girls), and Kiwi activists (Qantas award-winner Children of the Revolution). In 2010 she joined Creative New Zealand, as an arts advisor on Pacific Arts.