Alister Barry has been making intelligent and provocative documentaries for more than three decades. Barry's films reflect his longtime interest in how power is exercised in a democracy, and how the decisions of the powerful impact on ordinary people's lives.
New Plymouth-bred Rodney Charters borrowed a wind up Bolex camera from his dad to make stylish short Film Exercise (1966). It helped win the Elam student a place at London's Royal College of Art. After two decades of filming adverts and documentaries globally, he began amassing more than 50 credits in Hollywood. Charters has framed high profile US TV dramas from Dollhouse and the remake of Dynasty, to 24 (for which he was twice Emmy nominated). He also shot Michael Caine robbery movie Going in Style. In 2013 Charters won a Career Achievement in TV Award from the American Society of Cinematographers.
Peter Janes has been capturing images of NZ — and its musicians — for longer than some of his camera assistants have been on the planet. Through Janes' diverse screen career, music forms a major thread. After directing his first music videos as a teen, he went on to helm iconic clips for many Flying Nun bands. Janes has also been director of photography on TV's Jackson’s Wharf and The Topp Twins.
Ron Skelley spent 36 years with the National Film Unit’s sound department, contributing to the soundtracks of Weekly Review, Pictorial Parade, and many other NFU and independent films. He started at the NFU in 1949, and was in charge of the sound department from 1977 until his retirement in 1985. Skelley died in March 1992. Image Credit: Photo from The Evening Post, courtesy of Fairfax Media
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
The idea that New Zealanders often take for granted the depth of talent in the local screen industry is well illustrated by the career of Flux Animation founder Brent Chambers. Most Kiwis would have seen at least one example of his prolific output, yet few would be able to put a face or a name to his work. Chambers was tireless in building a competitive and viable international business, with a distinct local identity.
With his 1973 book Tangi, Witi Ihimaera became the first Māori to publish both a novel and a book of short stories. Later his book The Whale Rider inspired a feature film which won international acclaim, and became one of the highest grossing 'foreign' titles released internationally in 2003. Ihimaera's work has also seen a number of television adaptations, including landmark big city tale Big Brother, Little Sister.
Using the power of documentary film Frank Chilton made a difference to the lives of disabled children in New Zealand and around the world. The films he directed for the National Film Unit won many awards and he was honoured by the Queen with an OBE for services to the handicapped.
A National Film Unit cameraman for 36 years, Brian Cross worked on a large number of films, ranging from royal tours and rugby tours to industrial progress in forestry and electricity transmission, some as cameraman and director. He is particularly remembered for his record of the maiden voyage of HMNZS. Otago, and for his many films of New Zealand railways.Image credit: Archives New Zealand, ref AAQT 6421 B18889
Canadian-born cinematographer and director Bob Lapresle had two careers in New Zealand filmmaking. Firstly, with the Government's National Film Unit as a director; secondly after his 'retirement', as a producer and consultant passing on his experience to the private sector.