Alister Barry has been making intelligent and provocative documentaries for more than three decades. Barry's films reflect his longtime interest in how power is exercised in a democracy, and how the decisions of the powerful impact on ordinary people's lives.
New Plymouth-bred Rodney Charters borrowed a wind up Bolex camera from his dad to make stylish short Film Exercise (1966). It helped win the Elam student a place at London's Royal College of Art. After two decades of filming adverts and documentaries globally, he began amassing more than 50 credits in Hollywood. Charters has framed high profile US TV dramas from Dollhouse and the remake of Dynasty, to 24 (for which he was twice Emmy nominated). He also shot Michael Caine robbery movie Going in Style. In 2013 Charters won a Career Achievement in TV Award from the American Society of Cinematographers.
Peter Janes has been capturing images of NZ — and its musicians — for longer than some of his camera assistants have been on the planet. Through Janes' diverse screen career, music forms a major thread. After directing his first music videos as a teen, he went on to helm iconic clips for many Flying Nun bands. Janes has also been director of photography on TV's Jackson’s Wharf and The Topp Twins.
Ron Skelley spent 36 years with the National Film Unit’s sound department, contributing to the soundtracks of Weekly Review, Pictorial Parade, and many other NFU and independent films. He started at the NFU in 1949, and was in charge of the sound department from 1977 until his retirement in 1985. Skelley died in March 1992. Image Credit: Photo from The Evening Post, courtesy of Fairfax Media
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
Canadian-born cinematographer and director Bob Lapresle had two careers in New Zealand filmmaking. Firstly, with the Government's National Film Unit as a director; secondly after his 'retirement', as a producer and consultant passing on his experience to the private sector.
Martin Blythe’s work as a publicist includes the Transformers and Shrek franchises. Long ago he directed cult car culture film Queen Street, before deciding filmmaking was far too egotistical an exercise. Kiwi-born Blythe went on to gain a PhD in film and TV, review films for The Listener, and write 1994 book Naming the Other: Images of the Māori in New Zealand Film and Television. He has been based in LA since 1984.
English-born Graham Kerr was New Zealand’s first celebrity chef. Initially RNZAF Chief Catering Adviser, he soon found himself on television in a flamboyant persona that would come to be known as the Galloping Gourmet. He has gone on to make more than 1,800 programmes around the world – but, in later years, conversion to Christianity and family ill health have considerably toned down his performance and recipes.
John Terris, QSO, moved from radio into television when the new medium hit New Zealand in the early 60s. Starting as a continuity announcer, he went behind the scenes, directing on the first seasons of TV staples Country Calendar and Town and Around. In 1978 the one time Hutt City mayor began 12 years as Labour MP for Western Hutt, including time as the deputy speaker. These days Terris heads advocacy group Media Matters.
Dunedin-born Bridget Armstrong has found success in a range of British and Kiwi stage and screen roles. At 18 she joined the touring NZ Players, where she recreated characters as diverse as Anne Frank and Elizabeth I. Later in London, Armstrong showed her comedic talents and played Katherine Mansfield for the BBC. Back in New Zealand she acted on TV's Gather Your Dreams and Roger Hall film Middle Age Spread.