Rob Whitehouse began his producing career in style with The Scarecrow, the first Kiwi film to win official invitation to the Cannes Film Festival. In tandem with late producing partner Lloyd Phillips, he brought Hollywood down under for Battletruck and big-budget adventure Savage Islands, and made mini-series Heart of the High Country. Since then he has produced and financed films in the US, UK and beyond.
After stints in the merchant navy and the British film industry, Steve Locker-Lampson began a new life in New Zealand in the 60s, heading the camera department at indie production house Pacific Films. The following decade he forged a reputation as one of the country's pioneer aerial cameramen, and worked behind the scenes on movies Solo and Smash Palace. Locker-Lampson passed away in October 2012.
Veteran newsman Richard Harman began his career at Auckland University student mag Craccum. As a long-time political reporter for TVNZ, he reported on the Rainbow Warrior bombing and the passing of the baton from Muldoon to Lange — also the subject of his award-winning documentary Five Days in July. In 1999 Harman founded company Front Page, where he launched current affairs shows Agenda and The Nation.
Robyn Malcolm is one of New Zealand television’s best-loved actors. An accomplished stage performer before moving into screen roles, she is best known for six seasons as Outrageous Fortune matriarch Cheryl West. Malcolm has appeared in television (Shortland Street, Agent Anna, Upper Middle Bogan), movies (The Hopes and Dreams of Gazza Snell) and documentaries (Our Lost War).
Danielle Cormack has showcased her naturalistic, seemingly effortless acting style on both sides of the Tasman. After roles in TV soaps Gloss and Shortland Street, she began a run of big screen starring roles — Topless Women Talk About Their Lives, The Price of Milk and Via Satellite (playing twins). On Australian TV, Cormack has starred as a prisoner (Wentworth), crime lord (Underbelly: Razor) and barrister (Rake).
Yvonne Mackay is a prolific director of New Zealand television, whose work has often focused on the arts and projects made for young people. She made history as the director of The Silent One (1984), the first New Zealand feature film directed solely by a woman. These days Mackay runs Wellington company Production Shed TV.
Alison Maclean has brought an original vision to screen, whether it be in personal, expressionistic films: the Kiwi gothic duo of Kitchen Sink and her first feature, Crush, acclaimed junkie redemption song Jesus' Son, and her adaptation of Eleanor Catton novel The Rehearsal — or in high profile television series like Sex in the City and The Tudors.
Veteran cameraman Waynne Williams, MNZM, has shot everything from the Vietnam War and French nuclear testing to the Christchurch quake, TV drama Pukemanu and Australian movie The Box. Over more than half a century, Williams has worked on over 10,000 news stories. The Christchurch-based lensman runs Port Hills productions with partner Anne Williams.
English-born Graham Kerr was New Zealand’s first celebrity chef. Initially RNZAF Chief Catering Adviser, he soon found himself on television in a flamboyant persona that would come to be known as the Galloping Gourmet. He has gone on to make more than 1,800 programmes around the world – but, in later years, conversion to Christianity and family ill health have considerably toned down his performance and recipes.
Justin Pemberton's work for the screen can be split roughly into two. His eclectic and award-winning run of documentaries includes motor-racing story Love, Speed and Loss and acclaimed Olympic saga The Golden Hour. He has also worked on many music projects, from music videos to documentaries about Anika Moa and the NZ Symphony Orchestra.