Actor Grant Tilly, who died in April 2012, displayed his gifts for understated comedy in movies Middle Age Spread and Carry Me Back. The versatile Tilly had done it all — from acclaimed theatre performances (often in Roger Hall plays) to screen roles that took in everything from adventure movies and landmark historical dramas (The Governor), to children's TV, sitcoms (Gliding On), and many voice-overs.
The late Margaret Thomson is arguably the first New Zealand woman to have directed films. Thomson spent much of her film career working in England, plus two years back in New Zealand at the National Film Unit. Her NFU short Railway Worker (1948) is regarded as a classic.
As Close to Home’s stern Don Hearte, Tony Currie became one of local television’s best known faces in the mid-1970s. The Scottish-born ex policeman got his start in historical dramas, including an award-winning portrayal of prime minister Richard Seddon. After signing on for Close to Home, Currie stayed with the soap for all of its eight years and 818 episodes, turning his hand to writing scripts along the way.
Tony Isaac played a major hand in creating some of the key TV dramas of 1970s Kiwi television. He produced New Zealand's first continuing television drama Pukemanu, co-created Close to Home, our first soap, and was one of the main forces behind The Governor, arguably the most ambitious TV drama yet made on New Zealand soil. Isaac passed away in May 1986.
Michael Noonan is a legend in New Zealand scriptwriting, and not just because he was amongst the first to prove you could actually make a living at it. Creator of landmark New Zealand shows The Governor and Close to Home, Noonan's work has often explored ideas of power and social injustice.
Although better known as a songwriter and a spirited champion of New Zealand music, Arthur Baysting made a number of contributions to the screen. In the 1970s he was a scriptwriter on breakthrough dramas Winners & Losers and Sleeping Dogs, while his white-clad alter ego Neville Purvis graced both cabaret stages and a short-lived TV series. He passed away on 3 December 2019.
Janet Frame (1924 - 2004) is an icon of New Zealand literature and her international reputation rests on an original, "edge of the alphabet" use of language. She was twice rumoured to be short-listed for the Nobel Prize, and was acclaimed as "one of the great writers of our time" (San Francisco Chronicle). Her life and work have notably been translated to screen.
Roger Donaldson is notable for spearheading the New Zealand film renaissance with Sleeping Dogs (1977). He has been busy directing in Hollywood for much of the period since. Donaldson's first Kiwi story since acclaimed drama Smash Palace (1981) was Burt Munro biopic The World’s Fastest Indian (2005) — the most successful New Zealand film on home soil until the arrival of Taika Waititi's Boy in 2010.
Michael Scott-Smith’s four decade career as a producer/director spanned everything from Compass and Close to Home to Crime Watch. In the 1970s he helped open the doors of television to many of the decade's emerging independent filmmakers. As head of drama for TV1, he oversaw a rush of new production — before stints in information programmes, and back at the production coal face.
Owen Hughes segued directly from university to a job at independent production company Pacific Films. Since establishing his own company Frame Up Films in 1977, Hughes has gone on to produce 40 plus documentaries and many dramas. Along the way he has nurtured the talents of a number of directors early in their careers, including Niki Caro, Fiona Samuel and Jessica Hobbs.