Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
Wayne Tourell is a prime contender for having the longest CV of any director in local television. Tourell began as an actor and presenter. The multiple Feltex award-winner has gone on to direct documentaries (Landmarks, Moriori), drink driving campaigns, teen movie Bonjour Timothy — not to mention episodes of Mortimer’s Patch, Shortland Street, Gloss and his beloved legal drama Hanlon.
There were times when the career of longtime National Film Unit director David Sims could have been cut short. Having survived close encounters with steam locomotives in mountainous terrain, he narrowly escaped being blown up, drowned and burnt alive at sea. Even filming a planned set-up on location had its hazards, as he found when his call of “action!” sent exploding rocks whistling by perilously close overhead.
During his 34 years as a National Film Unit cameraman, Kell Fowler filmed throughout New Zealand, and travelled as far afield as China and the South Pole. Career highlights included his work as cameraman and director of Oscar-nominated Antarctic film One Hundred and Forty Days Under the World (1964), and the filming of the sweeping three-screen vistas that featured in Expo 70 hit This is New Zealand.
Christine Jeffs made her name as one of New Zealand's foremost commercial directors. After winning attention with no dialogue short Stroke (1994), she made her feature film debut with coming of age tale Rain, which premiered at the Cannes Film Festival's Directors' Fortnight in 2001. Jeffs went on to direct Sylvia, featuring Gwyneth Paltrow as poet Sylvia Plath, and American indie title Sunshine Cleaning.
Throughout his 50 year career, John O’Shea was a pioneer and a champion of the independent New Zealand film industry. His name was synonymous with Pacific Film Productions, which he ran for over 20 years after Pacific founder Roger Mirams left for Australia. O’Shea was involved in the establishment of the New Zealand Film Commission, Ngā Taonga and the Wellington Film Society.
Bruce Morrison's extensive career as director, producer and sometime scriptwriter has crossed the gamut: from innovative arts programming and pioneer music videos, to the long-running Heartland series — plus feature films variously involving fast cars, riotous teens and a glamour-struck Donogh Rees.
Tim Balme burst onto the big screen as the hapless young man fighting off zombies with lawnmowers, in Peter Jackson's Braindead. He went on to roles on TV's Mercy Peak, Shortland Street and Maddigan's Quest, alongside gigs as a writer (Outrageous Fortune) and time as Head of Development for South Pacific Pictures.
John McKay is a veteran sound editor, sound designer, and mixer. He abandoned an early focus on directing to build a diverse, respected career in post-production. His credits include significant contributions to iconic films The Quiet Earth, Footrot Flats, Kitchen Sink, and Lord of the Rings. McKay is notable for an approach which combines creativity with a high level of technical craft and organisational rigour.
Tim Prebble is an alchemist of sound, adept at combining audio from many sources to evoke mood and emotion. His work has enhanced everything from feature films to television drama series, shorts, and documentaries. The common thread in his output is a deep sensitivity to theme and story.