Peter Wells broke ground as one of the first New Zealanders to tell gay stories on-screen. Aside from his work as an author, he explored gay and historical themes in several acclaimed drama and documentaries — including pioneering TV drama A Death in the Family, colourful big screen melodrama Desperate Remedies and Georgina Beyer documentary Georgie Girl. Wells died on 18 February 2019.
Novelist and poet Anne Kennedy co-wrote two of the most acclaimed episodes of 1980s anthology series About Face: Danny and Raewyn, and Jewel's Darl. Jewel was based on Kennedy's first published short story, which won the Katherine Mansfield Award in 1983. She followed it by co-writing Alison Maclean's first feature Crush. Later Kennedy's script for detective tale The Monkey's Mask was nominated for two Australian awards.
Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.
Rowley Habib — also known as Rore Hapipi — was one of the first writers to bring a genuinely Māori perspective to New Zealand stage and screen. His play Death of the Land is seen as a landmark in the development of Māori theatre. In 1983 Habib won a Feltex Award for land rights drama The Protestors, part of a trio of pioneering one-off plays for television. Habib passed away on 3 April 2016.
Since completing a Bachelor of Performing Arts degree at Te Wānanga o Aotearoa, Renae Maihi has become an acclaimed director and writer of theatre, starting with Ngā Manurere, starring Keisha Castle-Hughes. The NZ Herald called it the "surprise jewel" of 2009. Maihi went on to co-write short film Redemption, which was invited to the Berlin and Sundance film festivals, then directed her debut short Butterfly. The 2017 NZ International Film Festival features two of her films: the New York-shot short Mannahatta, and collaborative feature Waru, where she was part of a team of eight female directors.
Within two years of acting in kidult TV adventure Sea Urchins, Kiwi Rebecca Gibney had set up shop in Australia. There she would find fame — and a long list of awards and nominations — thanks to a television CV which includes Wanted (which she also created), Packed to the Rafters, The Flying Doctors, mini-series Come in Spinner, and 21 Halifax tele-movies as forensic psychiatrist Jane Halifax.
As Close to Home’s stern Don Hearte, Tony Currie became one of local television’s best known faces in the mid-1970s. The Scottish-born ex policeman got his start in historical dramas, including an award-winning portrayal of prime minister Richard Seddon. After signing on for Close to Home, Currie stayed with the soap for all of its eight years and 818 episodes, turning his hand to writing scripts along the way.
German-raised Alexander Behse has produced a run of documentaries exploring Māori subjects, from ta moko to te reo Shakespeare, to acclaimed Tūhoe HQ story Ever the Land. Behse got an MA in production from UTS Sydney, and has many TV credits as an editor. He made his directing debut with 2012 TV documentary Nazi Hunter, and was at the helm of award-winning TV series Radar Across the Pacific.
Stewart Main is a director noted for his strong sense of visual style, and commitment to themes of individuality and sexuality. Alongside his own projects (including 2005 feature 50 Ways of Saying Fabulous), a fruitful partnership with Peter Wells has produced several noted dramatic and documentary films, including colonial-set bodice-ripper Desperate Remedies.