Colin Tapley

Actor

Dunedin-born actor Colin Tapley found character parts gave his movie career longevity. Tapley argued that the average time for a leading man in 1930s Hollywood was seven years. He played supporting roles in pre-World War II Hollywood films, and after the war extended his career into the late 60s with performances in British movies and TV. His best remembered film is 1955 classic The Dam Busters.

Peter Metcalf

Editor

Peter Metcalf has four decades of experience in making it all look seamless. After 20 years in state television, he became TV3’s first Head Video Editor in Wellington. His credits include classics like Country Calendar and Kaleidoscope, plus Great War Stories, 35 short documentaries for TV3 commemorating the First World War. He also helped launch successful post-production suite Blue Bicycle Flicks.

Louise Wallace

Presenter, Actor, Reporter

Eclectic certainly describes Louise Wallace’s screen career: from baseball cap-wearing host of Mobil Sport, to presenting and reporting for current affairs programmes 60 Minutes and 20/20, to headline-grabbing reality TV host and participant (The Weakest Link, Celebrity Treasure Island) and acting (as a judge in Street Legal). In 2016 she was cast in Real Housewives of Auckland.

Paul Horan

Producer, Writer

Paul Horan co-founded the NZ Comedy Festival and The Classic Comedy Bar, kickstarting a vital Auckland comedy scene — and his own successful trans-Tasman TV career. His credits include The Topp Twins, Super City, and Australia's Rove Live. After helping develop prime time formats like The Project, his company Slightly Uncomfortable Productions has specialised in hybrid news comedy shows.

Lew Pryme

Performer

Lew Pryme was a popular New Zealand performer, who appeared in big screen musical Don't Let it Get You and on sixties television show C'mon.  After stints as a music promoter and agent, Pryme played a part in bringing the entertainment and sports worlds together as executive director of the Auckland Rugby Union - introducing cheerleaders, mascots and music entertainment to rugby fans.

Barbara Ewing

Actor, Writer

New Zealand-born actor Barbara Ewing attracted early notice in 60s British horror films, and became a UK household name as buxom Agnes Fairchild on TV comedy Brass. Ewing was raised in NZ, before leaving to train at RADA in London. In 1979 she won a Feltex Award as the lead in NZ returning expat drama Rachel. Ewing has written plays and several acclaimed novels, including Victorian theatre-set bestseller The Mesmerist.

Tim Balme

Actor/ Writer

Tim Balme burst onto the big screen as the hapless young man fighting off zombies with lawnmowers, in Peter Jackson's Braindead. He went on to roles on TV's Mercy Peak, Shortland Street and Maddigan's Quest, alongside gigs as a writer (Outrageous Fortune) and time as Head of Development for South Pacific Pictures.

Peter Montgomery

Commentator

Peter Montgomery’s colourful and vibrant commentaries made him “the voice of New Zealand yachting”. Through the 1980s and 1990s, Montgomery played a major part in the sport’s move to mass popularity and had a central role in radio and TV coverage of Team New Zealand’s America’s Cup campaigns. On dry land, he has covered many other sports, and made the Eden Park side-line his own over two decades of rugby commentaries. 

Margaret Moth

Camera

Margaret Moth was the first female camera operator to be employed by state television in New Zealand. Her natural curiosity and desire to experience history as it unfolded led her from a career in local news and documentaries to working for American cable channel CNN, documenting war zones and major international events from Kosovo to Kuwait. 

Karen Sims

Journalist

A newspaper journalist by training, Karen Sims began her TV career on South Pacific Television’s News at Ten. In the early 80s she moved into presenting, with current affairs shows Eyewitness and Foreign Correspondent. She co-presented the nightly Eyewitness News alongside David Beatson, but continued to work as a journalist — and expected to be judged on her field stories and studio interviews, rather than as a celebrity.