Robert Lord was writing full time at a point when few Kiwi playwrights made a living from their work. In 1988 he turned his play Bert and Maisy into a television series. He also had scriptwriting credits on TV's Peppermint Twist and big screen period drama Pictures. Lord's classic play Joyful and Triumphant was dramatised for television in 1993, soon after his death at age 46.
Richard Lord followed his Bachelor of Science (geography major) with a diploma in digital post production. Since then he has displayed his editing talents on feature-length documentaries. After environmental doco Water Whisperers Tangaroa, he went on to win a NZ Television Award with quake chronicle When a City Falls (editing alongside Ken Sparks). He followed it with acclaimed Antarctic doco The Last Ocean.
Ngila Dickson, ONZM, has designed costumes for vampires, university professors, fertility cults, and wizards in pointy hats. And that's only counting the work she has done for Kiwi filmmakers. Since sharing an Academy Award and a BAFTA for The Lord of the Rings trilogy, Dickson has contributed her costume prowess to movies in Japan, Germany, South Africa and Los Angeles.
Fran Walsh is an Academy Award-winning screenwriter, film producer and musician. She has collaborated with her partner Peter Jackson on all his films since Meet the Feebles (1989), and was nominated for her first Oscar after co-writing Heavenly Creatures (1994). In 2004, Walsh shared three Oscar wins for her work on the final episode of the Lord of the Rings.
After boning up on set design at TVNZ and the BBC, Palmerston North-born Grant Major has gone on to design movies for Peter Jackson and Niki Caro. His work as a production designer on epics Lord of the Rings and King Kong resulted in a run of international accolades, including an Academy Award for Return of the King.
Art department veteran Dan Hennah worked on a range of screen projects before becoming an art director and set decorator on The Lord of the Rings trilogy. Five times Oscar nominated, he won an Academy Award for his work on The Return of the King. Since then Hennah has graduated to production designing on a number of features, including taking on the job for Peter Jackson's three-parter of The Hobbit.
Philippa Boyens (incredibly) began her screenwriting career with The Lord of the Rings trilogy. Before then the long-time Tolkien fan had worked mainly in theatre. Return of the King won Boyens an Oscar, a BAFTA, and many other awards. She next worked with Jackson and Walsh on King Kong, and an adaptation of novel The Lovely Bones. Boyens returned to Middle-earth for The Hobbit.
Andrew Niccol is one of the rare Kiwis to have made a career in Hollywood, and to boot he has done so largely with films based on his original ideas. His directing debut was dystopic GE future tale Gattaca, and he wrote one of the most acclaimed films of the 90s, reality TV saga The Truman Show. He has directed A-list actors Al Pacino, Ethan Hawke, Uma Thurman, Nicolas Cage, and Justin Timberlake.
Peter Jackson has gone from being a shy, unknown fanboy making pastiche versions of his favourite fantasy movies, to a renowned master of his craft; from Pukerua Bay to Wellywood: today he has few peers in the realm of large scale filmmaking.
Special effects man and designer Richard Taylor got his break making puppets for 1980s comedy series Public Eye. He has gone on to become a key part of the Weta effects empire, supervising the creation of orcs, zombie mishaps and miniature cities for movies and TV shows. A passionate advocate for Kiwi talent, Taylor and his team have scored five New Zealand screen awards, four BAFTAS and five Academy Awards.