Peter Hayden’s long storytelling career spans fact, fiction, feather and fur. Hayden has worked extensively behind the scenes on a run of nature documentaries, made for company NHNZ. His acting career includes roles in classic goldmining drama Illustrious Energy and Maurice Gee series The Fire-Raiser. In 2017 Hayden was made a Member of the New Zealand Order of Merit, for services to film and television.
When John Hyde first sought work in television he was advised to "get into the cutting room". His first job was as an editor at Television New Zealand, but Hyde soon made the jump to directing and producing. Today he reaches huge international audiences, helping command documentaries and reality series that focus on massive architectural structures, and showcase the wonders of the natural world.
Ash Turner is a production designer and art director with over 20 year's experience contributing to award-winning features and television dramas, plus short films, commercials and live events. His work includes design for the films Snakeskin, A Song of Good, and Planet Man, as well as award-winning TV drama Ngā Tohu: Signatures.
Veteran wildlife cameraman Robert Brown has filmed everything from polar bears to pukeko in places from the Arctic to the Antarctic. He shot the rare bird stories that led to the formation of state television's Natural History Unit (later NHNZ), and contributed to classic BBC David Attenborough series, such as Life on Earth and The Living Planet. In 1981 he won a Feltex Award for his work on Wild South.
Veteran producer Michael Stedman, ONZM, was commander of Dunedin's Natural History Unit and head of programme production for TVNZ — at the same time. In 1997 he helped arrange the deal that saw the unit sold to Fox Television and renamed NHNZ, while still keeping its main base in New Zealand. Stedman became managing director of one of the world's largest producers of wildlife and factual programming.
Always happy to share his face with a wētā, entomologist and 'Bug Man' Ruud Kleinpaste is one of the insect world’s best friends. After moving to New Zealand from Holland in 1978, his work with MAF created a media profile for him which led to a long-running radio show, and a television career that saw Buggin’ with Ruud, his show for American cable network Animal Planet, screen in over 60 countries.
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
Hugh Macdonald began his long, award-studded career at the National Film Unit, where at 25 he directed ambitious three-screen spectacular This is New Zealand (1970), which was seen by 400,000 New Zealanders. In the 80s he produced Oscar-nominated short The Frog, the Dog, and the Devil and established his own company, continuing a busy diet of commercial films, train documentaries and animation.
Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.
Paul Stanley Ward won a Qantas Award for his first short film script: 2008's The Graffiti of Mr Tupaia. After an OE that took in a Masters in Literature at Oxford University and work for the Discovery Channel in the United States, he returned home to write for Kiwi settler show Here to Stay, plus policing documentary Undercover. Later came shorts Choice Night and Cold Snap, which was selected for the 2013 Venice Film Festival. Ward was founding editor of NZ On Screen. The longtime nature lover went on to create kids nature app Wild Eyes, and Capital Kiwi, whose mission is to return kiwi to the wilds of Wellington.