Annie Goldson, NZOM, is probably New Zealand's most awarded documentary filmmaker. Her work — including the feature-length An Island Calling, Brother Number One and Kim Dotcom: Caught in the Web — often examines the political through the personal. Goldson's films have played widely overseas, and won awards in New Zealand, England, Spain, France, the Philippines and the United States.
With a career spanning half a century, there's not much in the entertainment industry John McCready hasn't seen. From record company A&R to radio management and TV programming McCready built a reputation as a tough competitor with his finger on the pulse of public taste.
After first picking up a guitar while growing up in South Africa, Tom Fox went on to become a session guitarist and award-winning music producer. Emigrating to New Zealand in 2003, he met Kiwi musician Marshall Smith, and they set up company The Sound Room in Auckland. Since then the duo have collaborated on music and sound mixes for almost every type of screen project, from a long run of commercials, to arcade games and documentaries — including award-winning Cambodian tragedy Brother Number One and the quirky, music-heavy Hip Hop-eration and The Coffin Club.
Intrepid cinematographer Jacob Bryant has shot everywhere from Iraq and Afghanistan to the mean streets of Auckland (Super City). His work with leading documentary makers has been nominated for multiple screen awards. An episode of TV show Ends of the Earth shot in Afghanistan won Bryant a 2007 Qantas Award; he also shared a Documentary Edge gong for filming Finding Mercy in Zimbabwe.
Te Radar — also known as Andrew Lumsden — is a writer and presenter who brings a comic touch to documentaries and reality shows. Since starting as a stand-up comedian, his work has spanned everything from intrepid journeys to history shows, to sustainable living hits Radar's Patch and Global Radar.
David Coulson trained to be a director, but instead discovered a passion for editing. He joined TV One and worked on a range of programmes including Mortimer's Patch, before going freelance in the early 80s. Since then he has won awards for his work in feature films and commercials, and established an ongoing working relationship with Niki Caro, editing all her features from Whale Rider onwards.
Mātai Smith began his screen career reporting on Marae. He was a long-running host of pioneering te reo children's show Pūkana and later co-hosted breakfast TV staple Good Morning (where he introduced te reo, and was hypnotised). Smith fronted popular Māori TV talent quest Homai Te Pakipaki, winning Best Presenter at the 2012 NZ TV Awards. He is currently Native Affairs’ Australian correspondent.
Ainsley Gardiner, MNZM, has been a producer on a run of successful short films and hit movies. She worked with Taika Waititi and Cliff Curtis on Oscar-nominated short Tama Tu, and features Eagle vs Shark and Boy. Then Gardiner launched Miss Conception Films with fellow producer Georgina Conder. Their work includes hit comedy The Breaker Uppers and documentary She Shears.
Peter Blake introduced more local content to popular music shows Ready to Roll and Radio with Pictures at a time when covers of overseas songs were the norm. The longtime musician began in television via 1970s music programme; Grunt Machine, and ended up in charge of a stable of shows. He has also composed music for everything from TV One's nightly News theme to drama Shark in the Park.
Veteran presenter Peter Williams has been working continuously in broadcasting ever since starting in radio as a teen. In 1979 he joined TV One as a sports show host and commentator, and went on to present from the Olympics and the Rugby World Cup. In the mid 90s the longtime cricket fan began a move into news; these days he reads the news on Breakfast and for primetime weekend bulletins on TV One.