Andrew Adamson, NZOM, began his career at Auckland computer animation company The Mouse that Roared. After moving to the States and working in visual effects, he won fame in 2001 after co-directing Shrek, the first film to win an Academy Award for best animated feature. Adamson has returned home to shoot the first two installments of the Chronicles of Narnia, followed by Lloyd Jones novel Mister Pip.
Geoff Jamieson was working as a mechanic in Queenstown when he was asked to help out on landmark 70s television series Hunters's Gold. So began a busy career as a camera grip on a run of classic TV dramas, as well as the ambitious shoots for movies The Quiet Earth and The Piano. Jamieson passed away on 24 May 2016.
Jane Campion is one of the most dynamic — and applauded — filmmakers to emerge from Australasia. Campion's CV includes Cannes-winning road trip Peel, An Angel at My Table, based on the life of writer Janet Frame, and award-winning mini-series Top of the Lake. With her twisted settler romance The Piano (1993), she became the first woman to take the top award at the Cannes Film Festival.
Two of Louis Sutherland’s short film collaborations with Mark Albiston have been invited to Cannes: 2007 drama Run (which Sutherland also stars in), and The Six Dollar Fifty Man — both won special mentions. Their 2013 feature film Shopping screened at Sundance and Berlin, where it won a Grand Prix. The drama school grad’s acting talents have graced TV's The Insiders Guide to Love and Seven Periods with Mr Gormsby.
Producer Nik Beachman worked on a run of Cannes Film Festival successes in the mid 2000s, as executive producer of short films Fog, Run and Nature's Way (Run was runner-up in 2007 for Cannes' top prize for shorts, the Palme d'Or). Beachman began his screen career as an Assistant Director. In 2000 he produced three short films in a single year. On the feature front, he was part of the producing team on Lee Tamahori's Mahana and 2018's Vermillion. Beachman's production company Thick as Thieves has worked on many high-profile commercials, including a Utah-shot Hallensteins ad featuring motorcyclists in suits.
John Maynard is a highly successful producer of more than 30 years experience, both here and across the Tasman. He is recognised for his support and encouragement of emerging talent, often with risky and original films. Notably, he helped launch the feature filmmaking careers of directors Vincent Ward and Jane Campion.
Using the power of documentary film Frank Chilton made a difference to the lives of disabled children in New Zealand and around the world. The films he directed for the National Film Unit won many awards and he was honoured by the Queen with an OBE for services to the handicapped.
The multi-talented Jackie van Beek emerged from Wellington’s 90s theatre scene. After directing a run of award-winning shorts, her first feature The Inland Road was invited to the 2017 Berlin Film Festival. She went on to co-direct, co-write and co-star in comedy The Breaker Upperers, with Madeleine Sami. As an actor, van Beek is probably best known for her role in What We Do in the Shadows, as a vampire groupie.
His name was synonymous with entertainment in New Zealand. Dubbed Ol' Brown Eyes — Māoridom's version of Frank Sinatra — Howard Morrison's voice and charisma carried him through decades of success both here and abroad. From the Howard Morrison Quartet to time as a solo performer, Morrison's take on songs like 'How Great Thou Art' ensured his waiata an enduring place at the top of local playlists.
A pioneer of the commercial use of 16mm film in post-war New Zealand, Robert Steele is arguably a lost name in the local screen industry. A portrait photographer who was making amateur films in 1930, he spent several years in his native Australia before returning to NZ for good in 1937. Steele screened his films at workplaces and trade fairs, and was a major producer of commercials in the first decade of Kiwi television.