Bill Sheat has applied his legal and organisational skills across the arts in Aotearoa, to influential effect. He was pivotal in the setting up the NZ Film Commission, and was its inaugural chair from 1978 to 1985. Sheat also spent time as chair of the Queen Elizabeth ll Arts Council, helped fund John O’Shea's 1960s musical Don't Let it Get You, and played a role in ushering Geoff Murphy’s Goodbye Pork Pie to the screen.
Bernie Allen, QSM, was a professional musician and teacher before beginning his TV career as musical director of popular 60s show C’mon. He continued on to Happen Inn, followed by a vast number of shows as composer or music director over the next two decades. His score for Hunter’s Gold won an APRA Silver Scroll; his arrangement of ‘Hine E Hine’ accompanied the classic Goodnight Kiwi animation.
Using the power of documentary film Frank Chilton made a difference to the lives of disabled children in New Zealand and around the world. The films he directed for the National Film Unit won many awards and he was honoured by the Queen with an OBE for services to the handicapped.
Almost everyone in New Zealand over "a certain age" will remember Marama Martin. For 10 years from 1965 she was a continuity announcer on NZBC Television (when it was the only channel). She was there for the first network broadcast, and was the first person to be seen in colour on New Zealand television. Martin passed away on 10 July 2017.
Hugh Macdonald began his long, award-studded career at the National Film Unit, where at 25 he directed ambitious three-screen spectacular This is New Zealand (1970), which was seen by 400,000 New Zealanders. In the 80s he produced Oscar-nominated short The Frog, the Dog, and the Devil and established his own company, continuing a busy diet of commercial films, train documentaries and animation.
Globetrotting New Zealander Len Lye was a gifted innovator in many areas of the arts — film, painting, sculpture, photography, and writing. Inventing ways to make films without a camera, he became one of the pioneers of the genre later known as the music video. Later he moved to New York's Greenwich Village and became a leading figure in the kinetic art movements of the 1950s and 60s.
Ian Fraser made his name in the late 70s as one of New Zealand’s most respected interviewers, facing off against everyone from Robert Muldoon to the Shah of Iran. In 2002, after time spent in public relations and as head of the New Zealand Symphony Orchestra, he returned to Television New Zealand — this time as its chief executive.
Lani Tupu, sometimes credited as Larney Tupu or Lani John Tupu, is the first Samoan to have starred in a Kiwi television series; in 1985 he segued from theatre onto the screen, to play doctor David Miller on period TV drama Country GP. The New Zealand-raised Samoan then relocated to Australia, where his many screen roles include Lantana, sci fi success Farscape, and a TV reboot of Mission Impossible.
An upbeat and hugely positive character, Jim Booth is best known as the Film Commission boss who gave Peter Jackson his big break. He later became Jackson’s producer, completing three films before succumbing to cancer in 1994.
A journeyman actor for many years, Peter McCauley is a familiar face on both sides of the Tasman, with a long string of roles in film and television. His gruff, craggy image belies a capacity for sensitivity, and his rich sonorous voice has flattered many a script over the years.