Spending 13 years in one job is a very long time these days, so imagine the pressure of commissioning TVNZ shows for all that time. Kathryn Graham did just that across a diverse portfolio of programmes. The former television director was TVNZ's first Commissioning Editor of Māori and Pacific content, and the first Kaikotuitui Rangapu (Programme Commissioner) at Māori Television.
Producer Meg Douglas began in television as a teenage reporter, before heading behind the camera as an adult. Since then she has worked in a variety of roles — from researcher, writer and production manager, to producer and director. In 2005, Douglas started her own production company, Scottie Productions, which has netted several awards.
Don Selwyn, ONZM, was an actor, casting director and mentor to a host of talented Māori who went on to work in film and television. Selwyn’s long acting resume includes the 1970s historical epic The Governor and police show Mortimer’s Patch. He also directed The Māori Merchant of Venice, the first film feature in te reo Māori.
A veteran figure in Māori broadcasting, Waihoroi Shortland has also been an actor (Rain of the Children, Boy), scriptwriter (Crooked Earth) and Māori advisor (The Piano). In 2003 he won the NZ Film Award for Best Actor, after playing Shylock in movie The Māori Merchant of Venice. In 2015 he became the first chair of Te Mātāwai, the organisation charged with revitalising te reo on behalf of Māori.
Dunedin businessman and artist, Fred O’Neill, whose hobby of making quirky animated films brought him international recognition, sent his Plasticine hero to Venus thirty years before Nick Park got Wallace and Gromit to the Moon. O’Neill’s films encouraged children not to take up smoking, brought Māori legends to the screen in a novel way, and entertained young viewers in the early years of New Zealand television. Image credit: Stills Collection, Ngā Taonga Sound & Vision. Courtesy of the Fred O'Neill collection.
The late Tama Poata's wide-ranging contributions to our culture can be glimpsed through his appearances on-screen: from Poata's campaigns for Māori land rights (in 1975 doco Te Matakite O Aotearoa) and against the Springbok tour (Patu!), to his many acting roles, his move into documentary-making, and as writer of landmark 1987 movie Ngati — the first feature written (and directed) by Māori.
Throughout his 50 year career, John O’Shea was a pioneer and a champion of the independent New Zealand film industry. His name was synonymous with Pacific Film Productions, which he ran for over 20 years after Pacific founder Roger Mirams left for Australia. O’Shea was involved in the establishment of the New Zealand Film Commission, Ngā Taonga and the Wellington Film Society.
Ronald Sinclair began his movie career at age 11 as Ra Hould, when he appeared in Down on the Farm (1935), a contender for New Zealand’s first feature-length drama made with sound. The following year he went to Hollywood, where MGM changed his name to Ronald Sinclair for movie Thoroughbreds Don’t Cry. After war service with the US Army he worked for more than two decades as a film editor.
Toby Mills began as an actor (eg. short films Mananui and The Find). After managing theatre company Te Rakau Hua o te Wa o Tapu, he took up directing, and in 2000 was awarded for series Nga Morehu, which profiled Māori elders. Mills works often with his partner Moana Maniapoto; together they have won awards for docos on Syd Jackson and carver Pakaariki Harrison. Mills also helmed te reo short Te Po Uriuri.
Co-creator of anthology series Mataku, Bradford Haami is a producer, director and scriptwriter as well as an author, lecturer and Māori historian. His passion for storytelling and expertise in Māori culture has seen him work on television productions and act as a consultant to numerous local and international drama, documentary and features over the past two decades.