Rewa Harre's work as camera operator and cinematographer encompasses documentary, short films, commercials, and a long run of dramas for the big and small screen. Harre has worked extensively with directors Sima Urale (shooting her acclaimed short O Tamaiti, and winning a Qantas Award in 2009 for her debut feature Apron Strings) and Athina Tsoulis. Harre made his own feature debut with her 1998 romp I'll Make You Happy.
My most preferred director of photography is a wonderful man: Rewa Harre; [he] has the patience and peaceful nature of the Dalai Lama. Director Sima Urale
Set in Auckland’s Indian community and partly inspired by Bollywood movies, rom-com Stars in Her Eyes is the third feature for director Athina Tsoulis (Jinx Sister). Leila Alexander stars as Anousha, who uses her astrology column to try to start a romance with a bank teller she admires. Also appearing are comedian Eli Matthewson as Anousha's not-so-helpful best friend, and Colin Mathura-Jeffree as her brother, an ex cricket star. The film was shot with the help of over 100 students from Unitec, where Tsoulis has worked in a number of roles, including teaching film direction.
Twenty-four year-old barman Dave finds his life turned upside down when he meets the girl of his dreams — Cara, 14 years his senior, and the owner of three kids. Over two seasons, the light-hearted drama explored whether their live-in relationship could survive the weight of low expectations, and her unruly family. Created by Kate McDermott (This is Her), Step Dave starred Swedish emigre Sia Trokenheim (2014 film Everything we Loved) and Brit born Jono Kenyon. Interest in the format encompassed the Ukraine — which remade the show in 2016 — France, Hungary and Greece.
Described by co-star Neill Rea as the "little show that could", The Brokenwood Mysteries has screened in over 15 countries and and involved a long run of fictional murders. Each feature-length episode of this Prime TV crime drama is a standalone murder mystery, set in a small Kiwi town. Neill Rea (Scarfies) stars as veteran detective Mike Shepherd, who works alongside Detective Kristin Sims (played by Fern Sutherland from The Almighty Johnsons). Backing up the pair are Detective Sam Breen (Nic Sampson from Funny Girls) and Russian pathologist Gina Kadinsky (Cristina Ionda).
In the first episode of comedy drama Step Dave, solo Mum Cara (Sia Trokenheim) finds herself rescued by womanising barman Dave (Jono Kenyon), after a disastrous blind date ends in a sprained ankle. Dave is convinced he's met 'the one'. Cara's daughters and mother in-law (Lisa Harrow) are horrified. And Cara fears there isn't enough time in her busy life for a man who calls her favourite song "ancient". Meanwhile Dave's flatmate is falling for the workmate who has stolen his desk. Created by Kate McDermott, Step Dave screened for two seasons — and was later remade in Russia.
When fishermen reel in a dead body in small town Brokenwood, Detective Mike Shepherd can't help but crack a joke: "I love a catch. Probably the one they wish had got away." In this excerpt from very first episode 'Blood & Water', new cop in town Shepherd (Neill Rea of Scarfies fame) pairs up with Detective Kristin Sims (Fern Sutherland from The Almighty Johnsons) to try to figure out what happened to drunk ol' Nate Dunn (Chris Sherwood). The detectives became a permanent team as the Prime TV series continued, working on deaths that plague the area.
As the poster puts it, The Pā Boys is "about 'life, death and fu**ing good music'. It follows a Wellington band playing East Coast and Northland pubs, as they head for Cape Reinga. The trio find themselves on a roots journey that's both musical and personal (mateship, whānau, whakapapa). The cast includes singer Francis Kora, with songs by Warren Maxwell. Released in Kiwi cinemas on Waitangi Day 2014, Himiona Grace's first feature won positive reviews, and a Best Film gong at the 2014 Wairoa Māori Film Festival. Ainsley Gardiner (Boy) and Mina Mathieson (Warbrick) produced.
Family, friends and former foe joined Helen Clark before the cameras for this TV3 documentary, which charts her journey from Vietnam protestor through low-polling Labour Party leader, to long-reigning PM and the UN. In this excerpt, Clark and biographer Denis Welch recall how after becoming opposition leader, Clark was advised to make various changes to her hairstyle and presentation. Featuring appearances by John Key, Don Brash and media-shy husband Peter Davis, the two-part doco was helmed by Dan Salmon and artist/director Claudia Pond Eyley.
This often confronting documentary observes a Māori restorative justice model through the eyes of straight-talking Mike Hinton, manager of Restorative Justice at Manukau Urban Māori Authority. The bringing together of victims (including wider whānau) and offenders may offer an alternate way forward for "a criminal justice system failing too many and costing too much”. Restoring Hope kicked off Māori Television’s 2013 season of Sunday night documentaries. In a Herald On Sunday preview, Sarah Lang argued it was “enough to restore hope in local documentary-making.”
In this 13 episode series by veteran TV scriptwriters Rachel Lang and James Griffin (creators of Outrageous Fortune, The Almighty Johnsons) Outrageous stars Antonia Prebble and Siobhan Marshall are cast east into Auckland's CBD, where they team up to solve a murder. Along the way the odd couple (office temp and victim's best friend) unite to unravel dubious goings-on in the post-crash Auckland financial world, and team up the people working behind the scenes against the corruption. The 2013 series was produced by Chris Bailey for South Pacific Pictures.
In this 2013 murder mystery from writers Rachel Lang and James Griffin (Outrageous Fortune, Almighty Johnsons), Outrageous stars Antonia Prebble and Siobhan Marshall are cast east to Auckland's CBD as a sleuthing odd couple. This opening 10 minutes of the TV3 series begins with a body floating in the Viaduct. Then temp Jane March (Prebble) finds more drama than stationary in her first day at a law firm: her predecessor — Rose — is dead rather than on holiday, and she meets Rose’s brassy best mate Linda (Marshall) when she barges in to collect Rose’s possessions.
This homegrown Erin Brockovich story follows former Whakatane sawmill worker Joe Harawira and his long battle to reveal the impact that workplace toxins have had on his community. In the 80s after being afflicted by health issues, Harawira noticed co-workers getting sick. In 1988 he helped found SWAP (Sawmill Workers Against Poisons) and began investigating the effects of exposure to dioxins, a by-product of timber treatment. The Joe versus the mills crusade screened on Māori Television, and won Best Popular Documentary at the 2012 NZ Television Awards.
This first episode of the award-winning Māori Television series looks at the influence of the idea of 'the village' on Māori architecture. Architect Rau Hoskins is guide; he ranges from traditional designs, such as Rotorua's Whakarewarewa thermal village, to Rua Kenana's extraordinary circular meeting house — with its club and diamonds decor — built on an Urewera mountainside. Hoskins ends up at Wellington's 26 metre high Tapu Te Ranga Marae, made from recycled car packing cases. The episode won Best Information Programme at the 2011 Aotearoa Film and TV Awards.
This episode of the Māori Television series looks at the place of the wharenui in Māori architecture. Rau Hoskins explores the origins and meaning of the structure, and looks at some iconic examples: a replica pataka being built in Hamilton Gardens; te hau ki turanga (the oldest surviving example of a wharenui) controversially taken by colonial forces, now displayed at museum Te Papa Tongarewa in Wellington; and Ngākau Māhaki at Auckland's Unitec — designed by master carver Lyonel Grant and replete with dashboard lights from 70s Holdens.
Created by Outrageous Fortune’s James Griffin and Rachel Lang, this South Pacific Pictures-produced TV3 dramedy is about a family of Norse gods who wash up in 21st Century New Zealand. Emmett Skilton stars as Axl aka Odin, who must restore his brothers' lapsed superpowers and find his wife Frigg ("no pressure, then"). But he is thwarted by Norse goddesses and Māori deities. The combo of fantastical plot and droll Kiwi bloke banter won loyal fans, who successfully campaigned for a third (and final) season. Johnsons screened on the SyFy channel in the US in 2014.
The award-winning directing debut of actor Tammy Davis (better known as Outrageous Fortune’s Munter) is a South Auckland-set Christmas tale. Young Vinnie (Darcey-Ray Flavell-Hudson of Ghost Chips fame) and Jonah (James Ru) are bored on the mean streets — tagging, BMX-ing — when Jonah peer pressures Vinnie to join him in breaking and entering a house. When they find more than Christmas pressies inside, it tests mateship, moral codes and festive spirit. Crowned Best Film at Flickerfest, Ebony Society was selected for the Berlin and Sundance film festivals.
In the 1950s thousands of Pacific Islanders came to Aotearoa to meet a labour shortage. They faced racism, and in the 1970s, notorious dawn raids by police. In 1971 a group of young gang members and students set up the Polynesian Panthers to stand up for the rights of the Pasifika community. They ran food co-ops, homework centres, and lobbied for support services. In this Dan Salmon-directed documentary, presenter Nevak Rogers explores the inspirations, events (Bastion Point, Springbok Tour) and legacy of the movement co-founded by her uncle Will 'llolahia.
This short film presents Dave, a tramper at a South Island high country tarn, with a chance to make his mark on the map. But will the stars (and satellites) align to realise his ingenious idea? Made by director and editor Rajneel Singh, Blank Spaces was one of five finalists in 'Your Big Break': a 2010 filmmaking contest run by Tourism New Zealand that gave the finalists a chance to have their script realised with the help of producer Barrie Osborne (The Matrix, The Lord of the Rings). The brief was to "capture the spirit of 100% Pure New Zealand — the youngest country on earth".
Starting in the questioning times of the late 60s, many New Zealanders began leaving town to set up their own communities, in search of alternative ways to live. This then and now documentary travels to communes long gone and still active, and tracks down many of those involved. Tim Shadbolt describes a time when people questioned "everything fearlessly ... without reserve and without restraint". The back to the land approach brought both satisfaction and fatigue. Dirty Bloody Hippies played to full houses at NZ's Documentary Edge Festival.
This short follows Joe Warbrick (Calvin Tuteao, from Nights in the Gardens of Spain), captain of the New Zealand Natives rugby team, as he tries to rouse his battle-weary players to head unto the breach once more, for a test against England. It’s midwinter during the trailblazing, 17 month long 1888-89 tour which left a black jersey legacy. In a changing room that resembles a casualty ward, Warbrick draws breath and leads a stirring haka. Made by brothers Pere and Meihana Durie, Warbrick inspired the All Blacks the day before they demolished Australia by 33-6 in 2009.
In Samoan-born director Sima Urale's first feature, two mothers from very different Aotearoa cultures find the courage to confront the secrets of the past, in order to set their sons free. Hard-working Lorna runs an old-fashioned cake shop and lives with her unemployed son. For Anita, star of an Indian cooking show, things come to a head when her son decides to meet her estranged sister Tara, who runs a no-frills curry house. Apron Strings debuted in the Discovery Section of the 2008 Toronto Film Festival. It won four Qantas awards, including for actors Jennifer Ludlam and Scott Wills.
A documentary about the fashion industry in Dunedin - a city that seems to turn out more than its fair share of fashion designers. Made for TVNZ’s Artsville strand, the doco features designers Margi Robertson (NOM*d), Tanya Carlson (Carlson), Veronica Keucke (Keucke) and Juliet Fay (Aduki). Prominent fashion journalist (turned author) Stacy Gregg talks about how Dunedin is the source of the "dark intellectualism of New Zealand fashion". The southern styles are set to a soundtrack of Flying Nun bands, and there are excerpts from some classic Nun clips.
In this intimate documentary painter Michael Smither lays bare his life — from a stern Catholic childhood in New Plymouth to the inspiration of Central Otago to his senior years in Otama Beach, collaborating on natural artworks. Smither is best known for his unflinching portraits of family life, works like 'Sarah with Baked Beans' which capture the untamed energy of small children. Smither acknowledges the hardship behind these famous paintings, and the toll it took on his first marriage. Ex-partners (including novelist Rachel McAlpine) open up about their time with Smither.
“If this tale is about anything it’s about two words: Kiwi actor.” In this assured, at times offbeat documentary, Ian Mune takes us on a personal tour through his various lives as actor, director, teacher and more. He revisits early theatrical stomping grounds, and talks about how acting with Sam Neill in breakthrough movie Sleeping Dogs taught him “to stop pulling faces”. Mune also reminisces about directing movies comical, terrible and ambitious, and complains about the system of developing local films. There is also rare footage of his performances in 70s TV dramas Derek and Moynihan.
A Moment in Time is an armchair interview with historian Michael King OBE filmed in 1991. King discusses his early influences, motivation, and distinctive publications. King died in a car accident with his wife Maria Jungowska in 2004, and his reflections in A Moment in Time are testament to the tragedy of that loss: "We've got to be able to trace our own footsteps and listen to our own voices or we'll cease to be New Zealanders, or being New Zealanders will cease to have any meaning."
Wedding photographs are attempts to create and preserve perfection, taken under pressure. Can the results be art as well as personal history, or are they neither? Such questions are the focus of this Artsville doco, which benefits from insights by a multi-cultural cast of wedding photographers. Geoffrey Heath questions the reality of glamour and romance in some of his own art photography, while labouring to capture beauty in his wedding work. Others recall the challenges of getting good shots amidst drunkenness, dysfunctional families, and grooms in their undies.
In this documentary 'Naked Samoan' Oscar Kightley, and Māori radio/TV personality Nathan Rarere use DNA technology to trace their families' ancestry. They discover that their forebears originated in Taiwan before migrating to the Pacific via Vanuatu (and the Cook Islands, for those going on to Aotearoa). On the DNA trail they meet locals and find striking cultural similarities — even in Taiwan, where the indigenous people look Polynesian, and provide a haka-like welcome. The film won top honours at the International Oceania Documentary Film Festival in Tahiti.
A taonga in Māori culture is a treasured thing, whether tangible (eg. a letter, photo, or heirloom) or intangible (eg. a family story). This series uses taonga — whose protection is enshrined in the Treaty of Waitangi — as a starting point to tell dramatic Māori stories from the last 150 years. Weaving documentary techniques with re-enactments, Taonga features the stories of Guide Sophia, Sir Maui Pomare and Penetito Hawea among others. It screened on Māori Television in 2006, and featured actors Ian Mune, Rawiri Paratene, Taungaroa Emile and Miriama McDowell.
A taonga in Māori culture is a treasured thing, whether tangible (eg a letter, photo, or heirloom) or intangible (eg a family story). Māori Television series Taonga wove documentary techniques with re-enactments, to tell stories of taonga. This full-length episode sees the arrival of a dramatic telegram for a woman (Miriama McDowell from Hope and Wire) whose husband (Tama Tū's Taungaroa Emile) is off fighting during World War ll. Michael Bennett was nominated for a Qantas Award for Best Non-Drama Direction for the episode.
Gladiator: the Norm Hewitt story is the story of former All Black hooker Norm Hewitt's battle with alcoholism and his journey to redemption. After disgracing himself, a tearful public apology became a personal "defining moment" for Hewitt: he reinvented himself as a youth worker and ambassador for Outward Bound. Directed by Michael Bennet, shot by Rewa Harre and based on the best-selling biography by Michael Laws the doco takes him to meet legendary youth worker Mama Teri on the streets of South Auckland, and chronicles Hewitt's life change.
Historian Michael King's opus was a bridge between Māori and Pākehā; he turned Aotearoa's history into an unprecedented publishing bestseller. History Man traces King's own past, to understand the man and his passion for his work. This doco was commissioned only weeks before King and his wife were tragically killed in a car accident. Nevertheless it is a detailed portrait of a much loved and missed New Zealander. It is another collaboration from this producer/director team, whose subjects include Michael Houstoun, Ian Mune and Barry Crump.
Loosely based on the case of a real-life computer dealer who acquired international bank records and later died mysteriously on Auckland Harbour Bridge, Spooked marked Geoff Murphy’s first local movie in 15 years (after time directing in Hollywood). Everyman Kevin (Christopher Hobbs) is caught up in a barrage of intimidation after buying some used computer equipment and unwittingly receiving corporate secrets; Cliff Curtis plays the journalist investigating his case. There are also rare cameos by director Vincent Ward and Goodbye Pork Pie star Kelly Johnson.
"E tu stand proud, kia kaha say it loud", Dean Hapeta's lyrics typify the socio-political messages in NZ's early rap music. The four elements of hip hop: breakdancing, graffiti, DJ-ing and rap are examined through interviews with key players in the hip hop scene (including King Kapisi, Che Fu, Upper Hutt Posse). A recurring theme in the Sima Urale-directed documentary is that local hip hop artists are less interested in the "girls, booze and bling" school of hip hop, and more interested in using their art to make a political statement.
This episode of arts show Mercury Lane features legendary musician Bill Sevesi, and poet Sonja Yelich (mother of musician Lorde). Sevesi takes centre stage: various musician friends join him to reminisce about packing Auckland dance halls in the 50s and 60s (at least until the arrival of 10 o'clock closing). After celebrating his 79th birthday, Sevesi is still as upbeat and music-obsessed as ever, especially when it comes to his beloved steel guitar and ukulele. In the final clip, Sonja Yelich performs her poem Teeth, with wry accompanying visuals from director Fiona Samuel.
Mercury Lane was a story-driven arts show that generally included a cluster of short documentaries, poetry and musical performances in each hour-long episode. This episode of the Greenstone-produced arts series features Sam Hunt interviewing acclaimed New Zealand poet Alistair Te Ariki Campbell. Campbell discusses his early childhood in the Cook Islands as the child of a Pākehā father and Polynesian mother, and reads a selection of poems. The programme ends with Auckland pianist Tamas Vesmas playing a Debussy prelude at the Auckland Art Gallery.
With each chilling tale "of the unexplained and unexpected" introduced by Temuera Morrison Rod Serling-style, Mataku was described as a Māori Twilight Zone. The award-winning bilingual series explored dramatic tales steeped in the supernatural world of Māori. Mataku was produced by Māori writers, directors and actors; and was a strong international and domestic success. Tension mounts in the excerpt from episode nine from the second series: when a group of old mates reunite to go fishing one of them has a long-kept secret, and terror lurks in the deep.
Described as a "Māori Twilight Zone", Mataku was a series of half-hour dramatic narratives steeped in Māori experience with the "unexplained". Two South Pacific Pictures-produced series screened on TV3; a later series screened on TV One in 2005. Each episode was introduced by Temuera Morrison Rod Serling-style. The bi-lingual series was a strong international and domestic success; producer Carey Carter: "Our people are very spiritual ... and here we are ... turning it into stories so that the rest of the world can get a glimpse of that aspect of our culture."
Produced by Greenstone Pictures, Mercury Lane was a story-driven arts show that screened late on Sunday nights on TV One, from 2001 until 2003. Each hour-long episode of this 'front-person free' show included a cluster of short documentaries covering a wide range of subjects including poetry, visual art, music and performance.
They came, they battered, they bickered. Peter Hudson and David Halls were as famous for their on-screen spats as their recipes. The couple ("are we gay? Well we're certainly merry") turned cooking into comedy, and won Entertainer of the Year at the 1981 Feltex Awards. This 73-minute documentary explores their enduring relationship and tragic passing — from memorable early days entertaining dinner guests at home and running a shoe store, through to television fame in NZ and the UK. The interviews include close friends and many of those who worked with them in television.
This 2001 Mercury Lane episode is based around pieces on author Maurice Shadbolt, and OMC producer Alan Jansson. With Shadbolt ailing from Alzheimer’s, Michelle Bracey surveys his life as an “unauthorised author” (Shadbolt would die in 2004). Next Colin Hogg reveals Jansson as the “invisible pop star” behind OMC hit ‘How Bizarre’ and more. The show is bookended by readings from Kiwi poets: Hone Tuwhare riffs on Miles Davis, Fleur Adcock reads the saucy Bed and Breakfast, and Alistair Te Ariki Campbell mourns a brother who fought for the Māori Battalion.
Director Sima Urale's follow-up to her Venice-winning short O Tamaiti swaps a Samoan child's eye view for that of an elderly Pākehā couple. In this moving confrontation with the taboos of aging, the husband struggles to care for his ailing wife and refuses their children's demands that they move into care. Exquisite attention to details and tender performances mark this tale of love accommodating the reality of death. Still Life was the first Kiwi film to take the top short award at the Montreal Film Festival; it also got a Special Mention at the Locarno fest in Switzerland.
Actor, writer and director Fiona Samuel explores the loss of virginity in her first documentary. Seven women — aged from 19 to 89 — talk frankly about their 'first time' and how it affected their lives. For some, it was a rite of passage for better or worse, but for others there have been life changing consequences. Expressive recreations provide texture for stories that are compelling but never voyeuristic. In a rare example of a conjugal screen one-two, Murray Keane, Samuel’s husband, explored the same topic with seven men for a companion piece in 2002.
Described as a “tour of duty at knee height” this short film sees a bunch of boys playing war games confronting reality on a rural New Zealand ‘battlefield’. Actor turned director Murray Keane described the film as an atonement for putting a rubbish bin atop a local war memorial when he was a boy. It was nominated for Best Film and Best Script at the Nokia NZ Film Awards. The young cast includes Daniel Logan (young Boba Fett in Star Wars Episode II: Attack of the Clones) Tyler Read (Shortland Street’s Evan Cooper) and Elliot Lawless (The Bridge of Terabithia).
In this dark short film, an isolated rural idyll is spoiled when a farmhand (Craig Hall) gets ideas above his station. There will be blood in the barn as the interloper puts new meaning into dirty dairying, and upturns the lives of farmer Ken (Ross Harper), his wife (Sara Wiseman) and Ken’s simple sibling (Leighton Cardno). Director Andrew Bancroft’s earlier short Planet Man (an award-winner at Cannes) was set in a dark future; Home Kill takes the dystopia to the heartland with gothic horror glee, depicting farm life in a way that is unlikely to be endorsed by Fonterra.
This TV drama follows a whānau taking a claim to the Waitangi tribunal, over plans by a Pākehā neighbour to build a resort on disputed land. Ngā Tohu jumps between the present day and 1839/40, when Māori chiefs were canvassed to support the Treaty of Waitangi and a settler makes an equivocal land deal with Chief Tohu (George Henare). The exploration of the Treaty's evolving kaupapa is effectively humanised by an age-old love story, and it scored multiple drama gongs at 2000's TV Awards. Director Andrew Bancroft wrote the teleplay with playwright Hone Kouka.
A dark and mystery-filled drama about a 70s hippy (Danielle Cormack) who falls in love with a Vietnam vet (Kevin Smith). But has fate brought them together, only in order to drive them apart? And what exactly happened to their child? This twist-filled tale of seances, damaged people, and conflicting versions of truth marked the directorial debut of short filmmaker Christine Parker. At the 1999 New Zealand film awards, Channelling Baby was nominated in six categories, including best actress and best original screenplay. Read more about the film here.
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.
During a stint in prison for importing drugs, Bill Payne reinvented himself and became a writer. Payne went on to write Staunch (an acclaimed non-fiction book about gangs), short stories, a play, and two short films. Bella was the first. It follows life behind bars for Bella (Mitch Thomas), a defiantly proud transsexual and part-time tattooist, whose mere presence arouses the ire of one of the prison guards. But the guard's taunts are more complicated than they appear. The guard is played by Tim Gordon, who would later play All Blacks coach Graham Henry in telemovie The Kick.
The light-hearted but star-heavy I'll Make You Happy unapologetically showcases a group of Auckland prostitutes, united by girl power — and a general distaste for their pimp (Michael Hurst). Jodie Rimmer dons many wigs and personas as Siggy, the spunky young sex worker who fends off Hurst's pleading advances, while pulling a nerdy banker (Ian Hughes) into her plans for a game-changing heist. The eclectic soundtrack is heavy on electronica, while the cast includes Rena Owen, Jennifer Ward-Lealand, dancer Taiaroa Royal, and a one-minute cameo by Lucy Lawless.
In the theatre world of the 70s and 80s, playwright Mervyn Thompson was an outspoken figure. He wrote, directed, and acted in theatre that presented New Zealand working class history and experience. This doco features a rare interview with Thompson before he died in 1992, as well as footage from his last work Passing Through (1991). Thompson discusses his upbringing on the West Coast of the South Island, his approach to theatre, and alludes to some of the controversies that beset his career.
Intergenerational warfare, mad aunts, bored teens, affairs, abortions and the ache of regret are on the menu in place of sausage rolls in Home Movie. A christening is the crux around which a family does its best to pull apart at the seams. Performances and a script attuned to the details of domestic disturbance don't hold back (America's Funniest Home Videos this ain't). Directed and written by Fiona Samuel, it was part of TV One's Montana Sunday Drama series. It won best actor, actress and TV drama at the 1998 NZ Film and TV Awards. Samuel writes about making Home Movie here.
"Maybe if we looked after our living as well as we do the dead, he'd still be here." After returning to his marae from the city, Mana (Cliff Curtis) finds himself caught up in arrangements for a tangi. But when another local commits suicide, Mana finds himself caught between traditional values and his own sense of right. Meanwhile in the forest, it seems that other powers may have the final word. The short film also features George Henare. It was written and directed by former DJ and commercials director Poata Eruera.
"It was the beginning of the end of the world..." Award-winning actor Tim Balme (Braindead) narrates this rain-lashed tale of being trapped in a world where all the women have disappeared. The film noir stylings, Blade Runner climate and tough-talking dialogue come to the fore when Balme encounters a beautiful woman with an attitude (Balme's real-life partner Katie Wolfe), and finds desire playing tricks with his mind. Planet Man was judged best short film in the Critics' Week section of the 1996 Cannes Film Festival.
Blessed with a top-notch cast, this hour long drama chronicled the final 48 hours of leave before three soldiers head to Bosnia. One soldier is forced to share a car with the man who caused his demotion; the trio go on to use their break for various encounters with lovers, families and strangers. Based on a story by Richard Lymposs, whose experiences helped inspire 1986 teen rebel movie Queen City Rocker, The Call Up was shown as part of the debut season of one-off Kiwi dramas which screened in primetime, on the Montana Sunday Theatre. This excerpt features the opening 10 minutes.
A social cricket match in Cornwall Park needs a third umpire after a bogan's dog swallows the ball in this short film. As the men in white struggle to field the ball, a statistics-obsessed sport crosses absurd boundaries. A line-up of contemporary NZ comedic talent features on the field— plus New Zealand Black Caps cricketers (and 1992 World Cup bowlers) Chris Pringle and Willie Watson. Bradman was written and directed by Peter Tait (actor in classic shorts The Singing Trophy and Kitchen Sink). The film includes classic song ‘Bradman’ by Australian singer Paul Kelly.
Ada (Holly Hunter) has been mute since she was six. She travels from Scotland with her daughter (Anna Paquin) and her grand piano to colonial New Zealand, for an arranged marriage. When her husband, a stoic settler (Sam Neill) sells the piano to Baines (Harvey Keitel), Ada and Baines come to a secret agreement. She can win her piano back key by key by playing for him, as he acts out his desire for her. An especially big hit in Europe, Jane Campion's Oscar-winning tale of sexual emancipation in the bush is the only NZ film to have won the top award at the Cannes Film Festival.
One of the gentler songs on Shona Laing's 1992 album New on Earth, this warm, Latin-tinged number is in polar opposition to the staunch, synth-laden stylings that won attention on her previous release South. Karyn Hay's purposefully minimal clip concentrates exclusively on Laing, highlighted by red and blue filters as she plays acoustic guitar. Elsewhere, the stylised symbols seen on her face form part of an interstellar background. Laing has called New on Earth "the best record I ever made". Mercy of Love won Laing her second Silver Scroll songwiting award in 1992.
This dramatised documentary looks back to 1955, when a female bottlenose dolphin began appearing regularly in Hokianga Harbour, close to the town of Opononi. Opo became a national celebrity, but died in controversial circumstances on 9 March 1956, the suspected victim of bombing by local fisherman. Directed by Steve La Hood (Numero Bruno, Swimming Lessons), the film recreates events of the summer and explores the belief of local Māori that Opo was a messenger sent by Kupe to unite the people. It includes interviews and extensive archival footage of Opo.
By focussing on a single complaint of sexual abuse made by an 11-year-old girl against her mother’s partner, this docudrama examines the work done by social workers at the former Department of Social Welfare (now Child, Youth and Family). The victim and her family are actors but the social workers are real people who talk frankly about the confronting situations they face in a “damned if you do, damned if you don’t” job. The issues are canvassed sensitively by Pamela Meekings-Stewart; Former Māori Language Commissioner Haami Piripi plays the victim’s father.
In this full-length Heartland episode, Gary McCormick travels to New Zealand's southernmost community: the town of Oban on Stewart Island's Half Moon Bay. Another gently discursive ramble through time and geography is held together by a focus on the island's annual Festival of The Sea, and appearances by a range of locals from fishermen to conservationists. The highlight of this marine mardi gras is the drag competition ‘Miss Catch of the Day', where hairy blokes dress like sheilas and walk on stage. Thankfully Gary keeps his pants on.
In this film, late choreographer Douglas Wright's work Gloria is captured on camera by Alun Bollinger, in a rare directorial effort from the legendary Kiwi cinematographer. Antonio Vivaldi's Gloria RV589, a hymn praising the birth of Christ, plays behind a yellow and black flurry of limbs and gestures. The journey from gymnastic leaps to rest, marks the cycle of life. The work was shot soon after Wright returned from his dance OE and formed the Douglas Wright Dance Company. The screening attracted attention from morals groups worried about nudity on television.
In 1989 dancer Douglas Wright returned home to choreograph and form his own company. This half-hour TV documentary, marking the launch of his work Gloria, looks back on a blossoming career that began at 21 — when he took up ballet to overcome a heroin addiction. After becoming a star with Limbs, Wright joined prestigious troupes in London and New York. Now, as opening night looms, he is acutely aware of the danger of pushing his dancers too hard as he fights to get the best out of them on an ambitious, demanding piece. Douglas passed away in November 2018.
This documentary looks at the life and work of acclaimed author Patricia Grace. Filmed at home, on marae and in classrooms, Grace discusses her writing process, her Hongoeka Bay upbringing, her children’s books, criticism of her work, and her Māori identity and belonging to the land (a theme of her then-recently successful novel Potiki). In particular she affirms the importance of writing from experience. The film features interviews with publishers and friends, and excerpts from Grace's stories are read and dramatised, including At the River, The Hills and Mutuwhenua.
A teenage boy's unorthodox relationship with his father (Wi Kuki Kaa) is explored as he learns about hypocrisy in this E Tipu e Rea edition, written by Bruce Stewart and starring Faifua Amiga as Thunderbox Junior. After establishing a reputation as a highly successful director of commercials, this was Lee (Once Were Warriors) Tamahori's first attempt at the helm of a longer drama. "You tend to get a bit of experience making people laugh when you direct commercials,' he said. "One thing I'm sure of is that people like to laugh at themselves."
In a nod to his theatre training, Whale Rider actor Rawiri Paratene (then better known as a presenter on Play School) unveils three stories to a marae audience. A bored schoolboy (Faifua Amiga) banters with a sarcastic teacher; a musical number features a prostitute (Rena Owen) and her client; and a young girl and her grandfather prepare and wait for the body of her father at the pā. This was the first screen drama directed by Don Selwyn, who argued "what Rawiri is saying in his script is that there are lots of things Māori which are left out of the education system."
Constance centres on a young woman who attempts to escape the staid world of 40s Auckland, by embracing glamour and passion. After meeting a photographer, her aspirations of stardom are brutally fractured. Directed by Bruce Morrison, the movie echoes the style of Hollywood melodrama, while simultaneously critiquing the dream. Donogh Rees was widely praised in the title role as a protagonist who lives in a fantasy world, with one review describing her as “New Zealand’s answer to Meryl Streep”. New York's Time Out called the film "lush and exhilarating".