Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
Serial Killers pokes fun at a group of characters that write for a Shortland Street-esque TV soap called Heart of Hearts. Around the "table of pain" sit irrational Pauline (Robyn Malcolm, who claimed a 2005 Qantas Award for her performance), in the midst of a messy divorce from series co-creator Alan (John Leigh); boozy ex-nurse Simone; name-dropper Matt (Oliver Driver); and ditzy ingénue Elaine. Created by prolific writer James Griffin (Outrageous Fortune, Gloss, Mercy Peak, Shortland Street etc) and based on his award-winning play, it screened in 2005.
All Things Being Equal was an early TVNZ sitcom written by future Gloss creator Rosemary McLeod. Screening on Friday nights the 70s gender politics satire was a one-off NZ TV experiment, broadcast live-to-air from Avalon Studios (a second series ditched the live shoot). Ginette McDonald and Bruno Lawrence had made their screen debut together in Pukemanu and were reunited by series director Ross Jennings. When film director Roger Donaldson saw Bruno on the show, it led to Lawrence being cast as Al Shaw in Smash Palace — his career-defining big screen role.
Homeward Bound was TV3’s bid for New Zealand on Air funding for a local soap opera. Set around the lives of the rural Johnson family, 22 episodes were produced for the then-nascent network (the series ultimately lost out to TVNZ’s Shortland Street). Created by Ross Jennings and written by Michael Noonan, it represented a move back to a small town way of life after the Gloss-y urban excesses of the 1980s; it also explored pressures facing country communities following the stock market crash. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.
This two-part mini-series is set in an 80s 'New Auckland' world of mirror glass and murderous corporate conspiracy. British actor James Faulkner (latterly Bridget Jones' Uncle Geoffrey) plays a shady developer with a smash and burn approach to urban planning. Blocking his utopian waterfront scheme is a cafe. The inheritors of the greasy spoon — and a racehorse — are a duo of feisty femmes: working class Tammy (Annie Whittle), and art consultant Joanna (Miranda Harcourt). The Shadow Trader marked an early producing credit for Finola Dwyer (An Education).