Five-part series The New Zealand Wars took a new look at the history of Māori vs Pākehā armed conflict. It was presented by historian James Belich, who with his arm-waving zeal proved a persuasive on-screen presence: "we don't need to look overseas for our Robin Hood, our Genghis Khan, Joan of Arc, or Gandhi". The popular series reframed NZ history, and its stories of Hōne Heke, Governor Grey, Tītokowaru, Te Whiti, Von Tempsky and Te Kooti, easily affirmed Belich's conviction. The New Zealand Wars was judged Best Documentary at the 1998 Qantas Media Awards.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
Great War Stories is a series of 35 four-minute documentaries remembering New Zealanders in World War l. The first season debuted in 2014, a century after the war began. Screening during TV3's prime time news, the bite-sized docos chronicle Kiwi experiences in the conflict, from soldiers, pilots, nurses, rugby players and war horses, to tragedies on land and sea. NZ Herald writer Greg Dixon praised the series as "an object lesson in how a tiny part can speak for the whole". Great War Stories was directed and produced by Anna Cottrell (Children of Gallipoli).
Written by Tom Scott and Greg McGee, South Pacific Pictures-produced Fallout was an award-winning two-part mini-series dramatising events leading up to NZ’s 80s anti-nuclear stand. PM Robert Muldoon (Ian Mune) calls a snap election when his MP Marilyn Waring crosses the floor on the ‘no nukes’ bill, but his gamble fails, and David Lange's Labour Party is elected. Lange (played by Australian actor Mark Mitchell) is pressured from all sides (including a bullish US administration) to take a firm stance on his anti-nuclear platform. He finally accepts there is no middle ground.
Doves of War is a political thriller revolving around a group of ex-Kiwi soldiers and their involvement in a war crime committed 10 years prior. A discovery of a mass grave in Bosnia forces ex-SAS Sergeant Lucas Crichton (Aussie actor Andrew Rodoreda) to revisit a past he and his comrades would rather bury. Also on the trail is ambitious Hague prosecutor Sophie Morgan. Action travels from Europe to upmarket Auckland, Wellington nightclubs, West Coast bush, and central Otago. Written by Greg McGee (Fallout, Erebus), it screened for one season on TV3.
Greenstone is the tale of a beautiful, missionary-educated Māori woman (Simone Kessell) whose romantic life is subject to the shifting loyalties of her father, Chief Te Manahau (George Henare). The cross-cultural elements of this ambitious colonial bodice-ripper were reflected off-screen as well: created by Greg McGee in response to a call by TV One for a local drama 'saga', the series saw major English creative input through being developed as a co-production with the BBC. After the withdrawal of BBC funding, the Tainui Corporation helped fund the eight-part series.
This seven-part documentary series chronicled the history of modern Māori music, from the turn of the century and Rotorua tourist concert parties, through to the showband era (Howard Morrison Quartet, Māori Volcanics, Māori Hi-Five) and reggae and hip hop. The programme ranged from ‘Ten Guitars’ to Tui Teka, from Guide Rangi doing poi to The Patea Māori Club, from opera singer Kiri Te Kanawa to Upper Hutt Posse, Ardijah, Herbs and Moana and the Moa Hunters. The acclaimed 1990 series was directed by Tainui Stephens (My Party Song, The New Zealand Wars).
The National Film Unit was set up in 1941 to publicise New Zealand’s war effort. The unit’s output soon evolved into the Weekly Review, a weekly reel screened in cinemas. Confusingly the first Weekly Review in October 1942 was named No. 60. It was the principal NZ film series produced in the 1940s. The series ended in August 1950 with the 459th issue. The reviews were a mix of newsreel and general interest stories and occasionally, full-reel documentaries. Some were later re-issued (without the Weekly Review title) for screening in educational and overseas markets.
New Zealand Mirror was a National Film Unit 'magazine-film' series aimed at a British theatrical audience. Mostly re-packaging Weekly Review and later, Pictorial Parade content for receptive UK eyes, it also generated a small amount of original content. The series covered items showcasing NZ to a British market and as such has some interest as a post-war representation of New Zealand's burgeoning sense of national identity, from peg-legged Kiwis and children feeding eels, to the discovery of moa bones, to pianist Richard Farrell.
This miniseries was made for the centenary of New Zealand’s involvement in the Gallipoli campaign. Created by Gavin Strawhan and Briar Grace-Smith, the six one hour episodes explored the impact of World War l on characters connected to a Pākehā family. Each episode was framed around a letter written home. The characters include a nurse and doctor caring for wounded in Egypt, a lawyer turned officer in Gallipoli and his wayward brother, and a Māori preacher turned soldier and his sister. Directed for TVNZ by Peter Burger, the series was produced by Robin Scholes.