This item from arts show Kaleidoscope looks at Vincent Ward's first two features, Vigil and The Navigator. The director talks about the madness of the Cannes Film Festival, echoes Jack Nicholson's view that women are "a lot smarter than men", and explains why a nuclear sub turns up in The Navigator. He visits his parent's Wairarapa farm, where they remember him as a straightforward and easygoing child. Fiona Kay provides unsparing memories of starring in Vigil as a child, and the film's co-writer Graeme Tetley admires Ward's courage in tackling "big issues" like guilt and betrayal.
The three day Nambassa Festival, held on a Waihi farm in 1979, is the subject of this documentary. Attended by 60,000 people, it represented a high tide mark in Aotearoa for the Woodstock vision of a music festival as a counterculture celebration of music, crafts, alternative lifestyles and all things hippy. Performers include a frenzied Split Enz, The Plague (wearing paint), Limbs dancers, a yodelling John Hore-Grenell and prog rockers Schtung. The only downers are overzealous policing, and weather which discourages too much communing with nature after the first day.
This short documentary follows refugee Mitchell Pham from a Vietnam War prison camp to a new home in New Zealand. Director Sally Tran — a 2013 Killer Films Internship Scholarship recipient — uses an interview with Pham as an adult, and live action mixed with animation to recreate the harrowing childhood journey. DIY more than CGI, the animation process was based on Vietnamese folded paper-craft. Requiring 20 volunteers, the 10,000 animated pieces of paper (and a rich score from The Sound Room) provide suggestive weight to Pham’s story of survival and courage.
This self-funded feature follows the travails of Lexi (Request Ahomana), a young Pacific Island Kiwi cleaning for a bitter elderly woman, and struggling to find her identity in the town of Oamaru. A meeting with a young man (Dean Hanns) provides her with a prospective ride out of town — but obstacles on that road include the young man's past, the gambling addict sister she shares a flat with, and finding the courage to chase her dreams. Lexi marks the first feature film written, directed and produced by Wayne Turner. In the excerpt, Lexis argues with her sister.
This fondly-remembered Pictorial Parade plunges down the famously steep grade of the Denniston Incline. The cable railway was the key means of transporting ‘black gold’ from the isolated Denniston Plateau to Westport. The engineering marvel fell 518 metres over just 1670 metres. It brought down 13 million tonnes of coal and many hardy families, despite notorious brake failures. This film was made just before the mine and railway ceased operating, as “old king coal” was supplanted by oil. Director Hugh Macdonald writes about making it, and a companion film, here.
Set in the East Coast town of Whāngārā, Whale Rider tells the tale of a young Māori girl, Pai (Keisha Castle-Hughes), who challenges tradition and embraces the past in order to find the strength to lead her people forward. Directed and written by Niki Caro, the film is based on Witi Ihimaera's novel The Whale Rider. Coupling a specific sense of place and culture with a universal coming-of-age story, Whale Rider became one of the most successful and acclaimed New Zealand films released internationally. It also won audience choice awards at the Sundance and Toronto Film Festivals.