In this short James Rolleston (Boy) stars as a Kiwi lad who banters with an elderly bearded fulla (Bruce Allpress) who claims to be God; the 'BMX Kid' challenges him to a Lake Wakatipu bomb competition to prove it. Kiwi stuntman/director Tim McLachlan's film was a finalist in Your Big Break, a filmmaking contest run by Tourism New Zealand which attracted over 1000 scripts from around the globe. Five finalists were given the chance to turn their scripts into a short film. The brief was to "capture the spirit of 100% Pure New Zealand — the youngest country on earth".
This sci-fi telefeature for kids follows the adventures of runaways Peter (Toby Laing) and Maggie (Toni Driscoll), who meet when Maggie’s attempt to get Picnic bars on a five finger discount go awry and "rich brat" Peter is on the lam on a 10-speed. After falling into a grave of golden light at a farm cemetery, they wake up in the house of the strange Piper family. Laing is now trumpeter for Fat Freddys Drop, and a young Kerry Fox appears briefly as a policewoman in the opening. Scripted by veteran Ken Catran, the telefeature was re-cut from a four-part series.
"A social satire about an entire Antipodean generation, comfortable with what it knows best." London, 1983. It's time for a party. A group of young New Zealanders have arrived at the other end of the world to drink, play Kiwi music, search for shelter, and talk about other New Zealanders. Scripted by playwright Fiona Bartlett, this ambitious OE story plays out in one single ten minute shot (Three takes were printed). Director Jonathan Brough later directed episodes of Outrageous Fortune, The Pretender and short film No Ordinary Sun.
Two decades before the animals of Black Sheep run amok, comes this Sunday night horror about a couple trapped in the countryside as the sheep start getting restless. In between encounters with a cheerful butcher and a man of God, we learn that New Zealand has undergone revolution: anyone who farms or harms animals is now branded a criminal. Directed by Costa Botes; scripted by poet and lawyer Piers Davies, who co-wrote Skin Deep (plus cult movie The Cars that Ate Paris, with acclaimed Australian director Peter Weir).
New Zealand, 1903. A veteran of the Boer War (Sexy Beast’s Ray Winstone) is hired to hunt a Māori seaman (Temuera Morrison), who has been framed for murder. So begins a cat and mouse chase where pole position keeps changing, and the South African is pressed to open up about his past. Directed by Brit Ian Sharp (Mrs Caldicot’s Cabbage War) and scripted by Dutch-born emigre Nicolas van Pallandt — who died before it got to the screen —Tracker was one of the last productions to win cash from the UK Film Council. The extras include interviews with both lead actors.
On the eve of the 1976 Montreal Olympics, this Keith Quinn-scripted profile traces the career of athlete John Walker, from being a training averse teen at the Manurewa Harrier Club to his world mile record triumph in Göteborg, Sweden. Walker still smarts from his second place to Filbert Bayi in the 1500 metres at the 1974 Commonwealth Games. What are euphemistically referred to as "political implications" (Kiwi sporting ties with South Africa) have prevented further match-ups — and they'll ultimately remove the Tanzanian from the race so keenly anticipated here.
In Geoff Steven's Kiwi riff on the European art film, a vulcanologist (Brit character actor Nigel Davenport) roams the Volcanic Plateau accompanied by a journalist, a photographer and escapees from a cholera quarantine. Steamy philosophical musings and symbolic intent made for a marked departure from the realism of the NZ feature film renaissance (e.g. Steven’s own Skin Deep). The second feature produced by John Maynard (The Navigator), this moody allegorical tale was co-scripted by Czech writer/designer Ester Krumbachova and Czech-based Kiwi Michael Havas.
In this acclaimed comedy series the life of a lawyer goes to the dogs, when his father’s death throws him into Auckland’s low-rent greyhound racing scene. In the second to last episode, Will’s mongrel crew have a new dog, trainer Marty does community service and Will takes on a retail job. The Downlow Concept production screened late Friday nights on TV3. Stuff television critic Chris Philpott thought it the best scripted comedy New Zealand had produced to date. Hounds won Best Comedy at the 2012 NZ TV Awards.
Barney Blackfoot (Ian Watkin) is a mean stepfather who married Billy and Lucy's mother under false pretenses, later revealing his evil nature. Barney is helped in his exploits by his friend (a moving wardrobe), and together they set out to destroy Lucy and Billy's happy home. Designed in soft sculpture (Cabbage Patch Kids style) and filmed in live action with special effects, this Yvonne Mackay-directed short film is aimed at children and is without dialogue or narration. The early Gibson Group film was scripted by Ian Mune and scored by Jack Body.
Mystery and menace abound in this debut film from Alison Maclean (Crush, The Rehearsal). Made when Maclean was an Elam art student, the experimental short plays with gender and racial stereotypes by constantly thwarting narrative expectations. What there is of a plot consists of a woman emerging from the sea and a 'centrepiece' pursuit leading to a confrontation between two characters: a man and a woman. Scripted, shot and edited by Maclean, it marked the beginning of a fertile collaboration between Maclean and producer Bridget Ikin.