Kaitangata Twitch follows 12-year-old Meredith, who sees eerie visions as a Governors Bay island is drilled for mining. The Māori Television series was adapted from a Margaret Mahy story by long-time collaborator Yvonne Mackay. Mahy makes a rainbow-wigged cameo in this episode where the locals protest a subdivision, and Meredith apprehends the island's 'twitch'. Newcomer Te Waimarie Kessell stars, with Charles Mesure and George Henare. The mix of the Māori concept of wairua with a willful 21st Century teenage heroine won a Remi Award at Worldfest-Houston 2010.
For her first feature, writer/director Gillian Ashurst wanted a “big wide road movie; big skies; big long roads.” Cruising the Canterbury landscapes are small-town dreamers Alice (Heavenly Creature Melanie Lynskey) and Johnny (future Almighty Johnson Dean O’Gorman). But the duo’s adventures go awry after encountering a charming American cowboy. Reviews were generally upbeat: praising the talented cast, plus Ashurst’s ability to mix moods and genres. Snakeskin won five awards at the 2001 NZ Film and TV Awards, including best film and cinematography.
A documentary about author Janet Frame based on the eponymous biography by Michael King. It travels through the familiar Frame themes - her alleged mental illness, family tragedies, overseas stays, how she began writing. Its value, and fresh insight, lies in the interviews with Frame's close friends and key figures in her life. They shed light on her personality and achievements. King in particular provides a considered, often-amusing account of Frame's life. This was his last interview for film; he was killed in a car accident in 2004.
Central Otago’s broad, dry landscape is dominated by an extreme climate; it is scarred by wind, ice and industry. Deep mining shafts and long rusted sluicing guns pepper this second stage of Peter Hayden’s traverse across latitude 45 south. He visits the quartz covered Mt Buster, NZ’s highest diggings, where unseasonal blizzards often claimed miners’ lives. The layout of Naseby’s graveyard yields information on the hierarchy of the goldfields. The flora includes mountain totara, carnivorous sundews and a heather variety that grows horizontally. Hayden won a GOFTA award for his script.
This film tells the story of the world’s rarest wading bird, the black stilt (kakī). With its precise beak and long pink legs the stilt is superbly adapted to the stony braided riverbeads of the McKenzie Country, but it is tragically unable to deal with new threats (rats, ferrets, habitat loss). An early doco for TVNZ’s Natural History Unit, the magnificently filmed drama of the stilt’s struggle for survival makes it “stand out as a classic of its genre” (Russell Campbell). It won the Gold Award at New York’s International Film & TV Festival (1984).
In this famous edition of current affairs show Gallery interviewer Brian Edwards turns conciliator in a long-running industrial dispute. Post Office workers had imposed a go-slow after wage negotiations broke down. Producer Des Monaghan managed to get the Postmaster General Mr McCready and Mr Reddish of the Post Office union into the studio together. In the interview’s final minutes Edwards forced an agreement between the two men to stop union action and go back into mediation. This programme won Edwards a Feltex Award for ‘Best Performance as Frontman’.
This post-war Weekly Review boards a RNZAF Dakota flying “the longest air route in the world”: a weekly 17,000 mile ‘hop’ taking mail to Jayforce, the Kiwi occupation force in Japan. Auckland to Iwakuni via Norfolk Island, Australia (including a pub pit-stop in the outback), Indonesia, the slums of Singapore, Saigon, Hong Kong; then Okinawa, Manilla and home. Director Cecil Holmes’ pithy comments on postcolonial friction and rich and poor avoided censorship, but won a warning not to rock the boat. The next year he was controversially sacked from the National Film Unit.
This homegrown Erin Brockovich story follows former Whakatāne sawmill worker Joe Harawira and his long battle to reveal the impact that workplace toxins have had on his community. In the 80s after being afflicted by health issues, Harawira noticed co-workers getting sick. In 1988 he helped found SWAP (Sawmill Workers Against Poisons) and began investigating the effects of exposure to dioxins, a by-product of timber treatment. The Joe versus the mills crusade screened on Māori Television, and won Best Popular Documentary at the 2012 NZ Television Awards.
This magazine newsreel mixes buried treasure with a classic Brian Brake-shot performance piece. Opener 'The Long Poi' captures a poi dance. In 'The Buried Village' tourists examine fireballs and Māori stone carvings buried in the 1886 Tarawera eruption. The final piece showcases the talents of Kiwi pianist Richard Farrell and director Brian Brake. Brake's moody studio lighting and lively compositions frame this performance of a Chopin waltz. Farrell would die after a car accident in the United Kingdom in 1958 — the same month Brake won his first big spread in Life magazine.
The adage that in a long-term relationship things can get a little like clockwork is given a twist in Time for Change. A simmering spousal feud between two wooden figurines on the town clock of an Austrian village, comes to a head with unexpected results. Lederhosen, accordions, and desire for a young blonde are oiled with a keen sense of black humour. Made by students in the 3D course that director James Cunningham teaches at Media Design School, the film won viewers online, selection for SIGGRAPH, and a Big Kahuna (best animation) at the Honolulu Film Awards.