The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".
Written by Fiona Samuel (Marching Girls, Bliss, Home Movie) and produced by Ginette McDonald for television’s Montana Sunday Theatre, Face Value is a trilogy of monologues delivered by three separate women. While each woman’s story and background are vastly different, they are all united by their shared quest to find happiness amidst personal trauma. In A Real Dog, Carol Smith’s performance is spot-on as Lynette, a conflicted new-age hippie who struggles to recreate harmony when a new flatmate (and her estranged boyfriend) moves in.
For this One Network News story from 16 July 1998, Jo Malcolm reports on ailing Dragon singer Marc Hunter. Suffering from throat cancer, Hunter had been in Korea and Italy seeking alternative treatment with money raised by a benefit concert. On returning to Australia he fell into a coma. The report features a montage of the band’s classic songs, earlier clips of Hunter reacting to the diagnosis and a poignant performance from Hunter at the March benefit concert. The legendary, larger than life frontman died the day after this report went to air.
Mental health care is profiled in this 1992 episode of First Hand. Wayne Hussey is a member of the South Auckland Community Treatment Team, who is followed over the course of a day seeing his patients. They vary from a young woman struggling with bipolar disorder, to a woman living with schizophrenia, and a man who has adapted to independent life in the community. Kingseat Psychiatric Hospital becomes the voluntary home of one patient. The hospital was closed in 1999, and parts of the complex were controversially used for haunted house attraction Spookers.
After a young woman (Denise Maunder) falls pregnant, she decides to go against the tide of advice from her family and unsympathetic welfare authorities by keeping her baby. Misery and hardship ensues. Director Paul Maunder brought kitchen sink drama to NZ television with this controversial National Film Unit production. The story can claim to have effected social change, stirring up public debate about the DPB for single mothers. Keep an eye out for a young Paul Holmes as a wannabe lothario. Maunder writes about making it in this piece. Costa Botes writes about it here.
This documentary was made to mark the centenary of New Zealand women winning the right to vote, on 19 September 1893. It traces the history of Aotearoa’s world-leading suffrage movement, and interviews contemporary women in politics. They chart how far things have come, and reflect on the enduring double standards that women still face. Interviewees include Helen Clark (then leader of the Labour Party), Jenny Shipley, Dame Cath Tizard, Wellington Mayor Fran Wilde and visiting President of Ireland, Mary Robinson, plus mothers and high school students.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
Made before websites like Airbnb spurred a massive jump in homestay-style accommodation options, this documentary from 2000 visits New Zealanders who have chosen to open their houses to tourists. From Warkworth to Stewart Island, from farm stays to a gay-friendly house in Golden Bay, Kiwis talk about the positives of homestays — and the long hours. Two of the couples mention how their own relationship benefits from having visitors. Narrated by Jim Mora, The Real New Zealand was directed by Shirley Horrocks (hit documentary Kiwiana).
This 70s current affairs show does a cost benefit analysis of Trade Minister Warren Freer’s Maximum Retail Price scheme (MRP), which capped retail prices. Drawn from an era of economic theory poles that was apart from the market deregulation of the 80s, the investigation sets out to poll opinion in supermarket aisles, a grocery in Glenorchy, and factory floors (Faggs coffee, Cadbury chocolate). The checkouts are a battlefield between red tape and free range retail. The early animated sequence by Bob Stenhouse marked an early use of animation in a local TV documentary.