This promotional travelogue, made for the Christchurch City Council, shows off the city and its environs. Filmed at a time when New Zealand’s post-war economy was booming as it continued its role as a farmyard for the “Old Country”, it depicts Christchurch as a prosperous city, confident in its green and pleasant self-image as a “better Britain” (as James Belich coined NZ’s relationship to England), and architecturally dominated by its cathedrals, churches and schools. Many of these buildings were severely damaged or destroyed in the earthquakes of 2010 and 2011.
Actor Madeleine Sami transforms into five very different Aucklanders in this Taika Waititi directed comedy series. Cheerleader Pasha is desperate to hang on to her youth; Linda tries too hard with her middle-aged clique; Azeem the Iranian taxi driver is obsessed with Māori culture; homeless Georgie makes a shock discovery, and gym instructor Jo secretly loves a female colleague. Rachel House, Rose McIver and Antonia Prebble appear in this series opener. Super City creator Sami (The Breaker Upperers) co-wrote the scripts, and won an Aotearoa award for Best Actress.
City Life screened from 1996 to 1998 and made a direct appeal to New Zealand's Gen X apartment-dwelling demographic. Following the lives of a tight-knit group of friends, and featuring racy shots of Auckland's K-Road and nightlife set to contemporary NZ pop music, City Life was NZ's answer to Melrose Place. In this excerpt from the first episode, the friends are thrown into conflict when one of their own (played by Kevin Smith) decides to marry outside the circle. Complications ensue when Smith shares a brief, but notorious, screen kiss with Charles Mesure.
The first movie from Otara-based Pele Nili — aka musician Siavani — is the music heavy story of a man trying to do right by his family and his community. After tragedy hits his family, Solomon (played by Nili) returns to the neighbourhood he grew up in, and makes it his mission to ensure his brothers and other local youth don’t make his mistakes. Originally filmed in Manukau in 2010, the "likeable, and often completely loveable" (Stuff's Graeme Tuckett) movie was self-funded — and inspired by workshops Nili ran in South Auckland, that provided training in the arts.
There's panic on the streets as 19-year-old tearaway Ska (Matthew Hunter) comes to terms with love and death in Auckland's 80s urban underworld. After an ultimately tragic attempt to 'rescue' his prostitute sister, Ska plots revenge at a rock gig ... with riotous results. Directed by Bruce Morrison when broken glass was still on the ground from the Queen Street riot, the film was inspired by a story from 16-year-old Richard Lymposs. In this teen spirit-infused excerpt, street-fighter Ska saves rich girl Stacy (Kim Willoughby), and meets her classy parents.
This National Film Unit travelogue, produced for the NZ Government Department of Tourist and Health Resorts, finds post-war Auckland basking in sunshine. Flowers bloom in parks and gardens, city streets bustle and public swimming pools are packed. Trams and flying boats are a reminder of a by-gone era in the city's transportation while a rug factory is a colourful if unexpected inclusion. Last stop is a visit to Kawau Island — home of Governor Grey's Mansion House — where the sun also shines and aquaplaning, sports and bush walks are the order of the day.
This reality show provides an eco-twist to the home DIY genre by giving households a green makeover. At each episode's end presenter Francesca Price gifts the house in cash what their earth-friendly conversion has cut from their bills. This household from the show’s first season is an Auckland flat of material girls; their power-hungry cosmetics and takeaways lifestyle gets audited by Price and builder Tristan Glendinning. Created by producer Carthew Neal, the WA$TED! format sold successfully overseas, and a US version screened for three seasons on Planet Green.
This 1983 Hamish Keith-presented documentary is subtitled 'Housing New Zealand in the Twentieth Century'. Part two picks up from Michael Joseph Savage’s 1930s state housing scheme. Keith argues that as the emphasis shifted from renting to owning, middle class suburbia became the foundation of Kiwi postwar aspirations. He looks at changing demographics in the cities — as home owners fled on newly built motorways — and argues that the suburban ideal has become bland and out of reach, as New Zealand once again becomes a country of “mean streets and mansions”.
In this two-part Lookout documentary from 1983, critic Hamish Keith explores how New Zealanders have housed themselves over the 20th Century. This first part builds to 1935: it begins in Auckland War Memorial Museum, with Keith asking how Kiwis would represent themselves if they were curators in the future. He presents the state house as the paramount Kiwi icon, and examines the journey from Victorian slums and Queen Street sewers to villas, bungalows and suburbia; plus the impact on housing of cars, consumerism, influenza, war, depression, and new ideas in town planning.
Between 1942 and 1944 thousands of American servicemen were 'in camp' in New Zealand, either before or after seeing action in the Pacific. This early National Film Unit documentary captures life in an Auckland military hospital, where wounded US soldiers went to recuperate. Servicemen take part in occupational therapies like 'Māori carving' and boat building, and frolick about in the harbour. There are shots of Auckland industries, a woollen mill and a weapon factory, and footage of a military parade in front of the Auckland War Memorial (now the Museum).