Set in Auckland’s Indian community and partly inspired by Bollywood movies, rom-com Stars in Her Eyes is the third feature for director Athina Tsoulis (Jinx Sister). Leila Alexander stars as Anousha, who uses her astrology column to try to start a romance with a bank teller she admires. Also appearing are comedian Eli Matthewson as Anousha's not-so-helpful best friend, and Colin Mathura-Jeffree as her brother, an ex cricket star. The film was shot with the help of over 100 students from Unitec, where Tsoulis has worked in a number of roles, including teaching film direction.
This 1976 TV2 report covers the launch of Gordon McLauchlan’s book Passionless People in Eketahuna, a town he had derided in newspaper columns as an epicentre of New Zealand conformity. Within the book’s pages the author infamously called Kiwis "smiling zombies" – lazy, smug, and a bunch of moaners. McLauchlan bravely visits the local pub, and stands in front of the 'hot pies' sign to muse about sexuality. Ex-All Black Brian Lochore is MC at the launch, where McLauchlan is put on mock trial in stocks at the town hall. Passionless People was a runaway best seller.
TV movie Rage recreates the 1981 Springbok tour, which saw violent clashes between protestors and police. Ryan O'Kane (Second Hand Wedding) plays the protestor whose girlfriend (Maria Walker) is actually an undercover cop who has infiltrated the anti-tour movement. The script was written by Tom Scott — who protested, in-between writing a humour column in The Listener — and his brother-in-law Grant O'Fee, who was a detective sergeant in Wellington. Rage was nominated for five NZ TV Awards, including Best One-Off Drama, Director (Danny Mulheron) and Actor (O'Kane).
This documentary uses archive footage and interviews to tell the story of motor-racing legends Bruce McLaren, Denny Hulme, and Chris Amon. The trio topped podiums in the sport's 'golden age' — one of those eras when unlikely Kiwi talent managed to dominate a truly global sport. The Team McLaren racing team that four times Grand Prix winner Bruce McLaren founded in 1966, has been the most successful in Formula One. That same year McLaren and Amon teamed up to win the 24 Hours of Le Mans, and in 1967 Hulme was Formula One world champion.
Prelude to Aspiring was the first National Film Unit title directed by legendary photographer Brian Brake, soon after he joined the Unit in 1948. It follows a group of climbers up the Matukituki Valley, west of Wanaka, towards Mt Aspiring for the opening of a new hut and a trudge through snow to resurrect a flattened shelter high up Mt French. The autumn alpine scenery is breathtaking even in black and white, and the film perfectly performs its role as one of a series of promotional ‘documentaries' made by the NFU.
Early Days Yet, directed by Shirley Horrocks, is a full-length documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."
This upbeat National Film Unit award-winner is about late New Zealand artist, conservationist, and rail enthusiast Barry Brickell. Filmed at his first studio and home in the Coromandel, it follows the progress of his large-scale works from start to finish. Accompanied by a jazzy soundtrack, Brickell works his clay alone in the sun. Amidst the five-finger and harakeke of the Coromandel bush, the making of New Zealand art has never looked more picturesque. Brickell died on 23 January 2016, at the age of 80. The short documentary was made as part of the Pictorial Parade series.
Flip & Two Twisters is Shirley Horrocks' documentary about New Zealand-born artist Len Lye. Motion maestro Lye's international reputation rests on his work as a filmmaker and kinetic sculptor, and his lively contributions to the London and New York avant-garde. The documentary explores Lye's career and ideas, with the help of historical footage and excerpts from his films. It includes footage of Lye in typically exuberant form outlining his process, introduces many of his kinetic works, and documents how some of his most ambitious plans are being realised in New Zealand.
Private Journeys / Public Signposts turns the camera on photographer Ans Westra. Dutch emigree Westra has captured iconic images of New Zealanders since the late 1950s, expressively observing Aotearoa societal changes, particularly Māori urban drift. This film explores her remarkable life and work, and includes commentary from family and friends, fellow photographers, and colleagues, as well as discussion of the Washday at the Pa controversy. Luit Bieringa, curator of Westra's retrospective photo exhibition, directed the film, his first.