Barry Crump's iconic deer hunting yarn A Good Keen Man captured Kiwi imaginations. Published in 1960, it quickly sold 300,000 copies, and with Crump cast as an "ironic, laconic sort of super-bushman", made him a legendary literary figure. This excerpt from the award-winning documentary looks at Crump's upbringing and early success as a writer. The full 72-minute documentary covers everything from his fractured family relationships, violence, a life-changing incident on a bush camp, and discovering religion, to the ads for Toyota that reignited Crump's profile in the 80s.
Made by the NZ Broadcasting Corporation in the mid 1960s, this half hour TV documentary sets out to summarise New Zealand. More than a promotional video, it takes a wider view, examining both the country’s points of pride and some of its troubles. In a brief appearance Barry Crump kills a pig, although the narration is quick to point out that the ‘good keen man’ image he epitomises is also a root of the country’s problem alcohol consumption. The result is patriotic, but certainly not uncritical. Writer Tony Isaac went on to make landmark bicultural dramas Pukemanu and The Governor.
This feature documentary goes beyond the supermarket deep freeze, to look at the stories behind the meat that ends up on our plates. The film is built around three farmers and a hunter: industrial pig farmer Ian, who argues profit is not his main motivation, straight-talking 'one-woman farming operation' Jill, chicken farmer Tony (who discusses killing 1000 chickens a week), and deer hunter Josh, who thinks that many lack awareness of how food gets to their plate. Directed by David White (short film I Kill), Meat can be watched in full via The NZ Herald website (see link below).
Taken from an unflinching anti-drink driving road safety campaign, this 1982 ad was made for the Ministry of Transport by Kiwi ad company Silverscreen. The concept was inspired by controversially imagined scenes in Oscar-winning 1979 Vietnam movie The Deer Hunter, in which US soldiers are forced to play Russian roulette by their Vietcong captors. The idea of equating the risks of drunk driving with Russian roulette has been repeated many times since, including campaigns by advertising agencies in Thailand and Italy.
Heart of the Stag showed that director Michael Firth could handle actors as well as skis (his first film, ski documentary Off the Edge, was Oscar-nominated). Bruno Lawrence stars as a man working for a King Country farmer (Terence Cooper), who romances the farmer's adult daughter (Mary Regan) and starts wondering about the strained family dynamic. A rare drama dealing with incest, Heart of the Stag was praised by The LA Times as "electrifyingly good". The NZ Herald said it handled a delicate subject without compromise. Metro voted it the best Kiwi film of 1984.
Australian producer Antony Ginnane brought this $6 million romp to New Zealand, after Aussie union Actors Equity objected to the four lead roles going to foreigners. Deer hunting heroes Donald Pleasance (Halloween) and Ken Wahl (six years before becoming TV's Wise Guy) race around in helicopters and jet boats, after discovering a half-sunken WWll plane. This opening excerpt indicates the film's mixture of action, comedy and Southern scenery. Zephyr helped establish Aotearoa's reputation as a place to film; Ginnane and Kiwi John Barnett produced further projects together.
This 1983 documentary looks at the (then booming) export of deer antler velvet from New Zealand farms to Asia where the “horns of gold” are highly valued as an aphrodisiac and cure-all tonic. The doco captures the hazards of the trade: from bulldogging (hunters leaping from helicopter skids onto wild deer), to volatile markets in Hong Kong and Korea. The players include a triad of Asian middlemen “who make the millions”, and Kiwi deer entrepreneur Tim Wallis, who led a delegation of farmers to China in 1981 to discover the secret of the Eastern love potion.
Made by feature film pioneer Roger Mirams (Broken Barrier), this 1951 film promotes New Zealand outdoor recreation. Coming decades before bungy jumps and hobbits, this was an early effort to brand NZ as an adventure sport playground, taking in snow sports, deer-stalking, pig hunting, fishing and yachting. Regular filmgoers may have found Miram's footage familiar; most of it came from items he'd shot for Sydney-based company Movietone News. Some shots dated from as early as 1948, when he left the NFU to found company the Pacific Film Unit.
"Another adventure with Tim" is how one of Tim Wallis’ friends wryly puts it. The "adventure" came about when Wallis combined an “expensive toy”, and a noxious pest: using helicopters to recover deer shot by hunters in inaccessible South Island backblocks. Next deer were captured alive, to stock deer farms; a multi-million dollar industry was born. At the peak of his operations, Wallis had a fleet of 35 helicopters. The aerial shots in and around Milford Sound are magnificent. The stories he tells of his many crashes are 'she'll be right' Boy's Own classics.
In this episode from the fifth season of Māori Television’s long-running hunting show, presenter Howie Morrison Junior meets Department of Conservation ranger Eddie Te Kahika — then choppers into the Kaweka ranges in the Hawkes Bay with veteran pilot Spencer Putwain, for some aerial culling. Eddie discusses the win-win kaupapa of the culling: protect the beech forest from collapse caused by browsing, and keep the deer in fit shape for hunting. Then Howie stalks sika deer with Spencer’s partner, Sam Rust. The tip of the week is having an EPIRB (emergency locator beacon).