Presented by Niuean broadcaster Foufou Susana Hukui, this first episode of the long-running Pasifika current affairs series includes items on Cook Islands dance, the “Otara flea market”, and NZ work schemes for islanders. Samoan Maligi Elvie presents South Pacific news, while Vainetutai Temaeva-Nicholls covers the Cook Islands. Debuting on 4 April 1987, the TVNZ series broke ground as the first NZ television show to focus on PI stories (earlier show See Here was aimed at both Māori and Pasifika audiences). Researcher Iulia Leilua went on to report for Native Affairs.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".
Written by Tom Scott and Greg McGee, Fallout was an award-winning two-part mini-series about the events leading up to New Zealand's 80s anti-nuclear stand. In part two, the new Lange Labour government narrowly averts an economic crisis; and under political pressure Prime Minister Lange asserts ‘no nukes’ independence at the risk of spurning the country's traditional allies. In this excerpt, Lange speaks at the Labour Party annual conference, then travels to meet with US political officials and British PM Margaret Thatcher (veteran actress Kate Harcourt).
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
The series Pounamu focused on the lives and deeds of Māori who played vital roles in the history of Aotearoa, including Te Kooti, Te Puea, Te Whiti, Āpirana Ngata, Guide Rangi and others. Made by the Māori Programmes Department of TVNZ, this episode features a re-enactment of part of the life of Prophet Tahupōtiki Wiremu Rātana (1873 - 1939). Ratana was a key influence in Māori politics and religion. For years virtually all Māori MPs were followers of the Ratana faith and supported the Labour Party on his instruction. The influence of Rātana remains strong.
When the Taliban attempted to destroy reels upon reels of historic Afghan film, a group of brave archivists hid the films away in a few dusty sheds in the middle of the desert. When German-based Afghani filmmaker Ibrahim Arafy returned to the Middle East to track down and restore the long hidden films, Kiwi filmmaker Pietra Brettkelly joined him, to tell the story of the archive's restoration under immensely trying conditions. Working with unskilled labourers amidst ongoing conflict, Arafy’s team do their best to save an integral part of their nation’s culture.
As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.
Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open. Unique in tone and quietly powerful in its storytelling, Ngāti was Barry Barclay's first dramatic feature, and the first feature to be written and directed by Māori. Ngati screened in Critics' Week at the Cannes Film Festival
Written by Tom Scott and Greg McGee, Fallout was an award-winning two-part mini-series about the events leading up to New Zealand's 80s anti-nuclear stand. In this first episode Labour sweeps into power with an anti-nuclear platform. Upon taking office, David Lange (played by Australian actor Mark Mitchell) faces pressure to live up to his campaign rhetoric. In this excerpt, we see the parliamentary cut and thrust leading up to the election, with National MP Marilyn Waring defying Muldoon (Ian Mune) to cross the floor on the Nuclear Free New Zealand bill.
In this two-part Lookout documentary from 1983, critic Hamish Keith explores how New Zealanders have housed themselves over the 20th Century. This first part builds to 1935: it begins in Auckland War Memorial Museum, with Keith asking how Kiwis would represent themselves if they were curators in the future. He presents the state house as the paramount Kiwi icon, and examines the journey from Victorian slums and Queen Street sewers to villas, bungalows and suburbia; plus the impact on housing of cars, consumerism, influenza, war, depression, and new ideas in town planning.