This excerpt from the acclaimed miniseries about Kiwi mountaineer and philanthropist Sir Edmund Hillary includes his 1930s childhood in sleepy Tuakau, and scenes from the 1940s, when his desire to join the war effort clashes with the beliefs of his pacifist father. Ed's young life is sketched in three chapters: a stolen library book ignites a passion for the mountains, teenage Ed experiences the grandeur of Mt Ruapehu, and adult Ed (played for the remainder of the series by Andrew Munro) grows restless with life as a beekeeper while being labelled a coward for his family's war stance.
The Cul de Sac presents an apocalyptic world where the adults have disappeared. In the opening of the first episode, Rose (Greta Gregory) realises something is wrong while leaving home. Meanwhile at the local high school, dictator in the making Doni (Simon Mead) refuses to let anyone inside. Also in this excerpt: Rose's sister (Molly Leishman) is in danger of having a medical emergency, Jack (Riverdale's KJ Apa) proves he isn't completely useless, and a dog goes rabid. Created by Stephen J Campbell (Amazing Extraordinary Friends), the sci-fi adventure spanned three seasons.
Alongside Shortland Street's 2016 Christmas finale, a charity single was released which featured cast members Lionel Wellington and JJ Fong. The first clip is a short promo for their single 'Time of the Year'. The other clips are from the cliffhanger episode. While Wellington and Fong take turns behind the mic at a Christmas party — which sees punches, romance and a heartfelt speech from Fong's character — scenes of mayhem unravel elsewhere, after Hayden forces TK to dig a grave. Hayden gets some of his own treatment, while cars go up in flames on a far from holy night.
Thanks to BBC sketch show Not the Nine O'Clock News, Rowan Atkinson was a BAFTA-winning comedy star when he toured New Zealand back in 1983. Atkinson and Kiwi reporter Chas Toogood hatched a plan to turn the clichéd celebrity interview on its head, by Toogood never actually getting to interview his quarry. Atkinson shot each scene just once. The piece was done for regional news show Top Half in an Auckland hotel, near the end of a Kiwi tour. Atkinson's show Blackadder had debuted just two months previously. He would go on to star as Mr Bean and Johnny English.
This excerpt from arts show The Edge looks at the early days of Weta, the Wellington effects company which would win Oscars for King Kong and Avatar. Dressed in a Tintin T-shirt, Peter Jackson talks about the effects being crafted for Heavenly Creatures, and forecasts a future where filmmaking will go digital. Richard Taylor — later head of Weta Workshop — crafts a sea creature for another project; George Port guides viewers through the basics of digital effects. At this point Port was Weta's only digital effects expert. He worked on Heavenly Creatures for seven months straight.
Two tadpole-like creatures with enormous eyes chase each other around, to a driving techno soundtrack. Then these digitally-animated characters find themselves plunged into a different reality - one where a single wrong move could mean they exist in only two dimensions. After completing this mind-warping mini-rollercoaster ride, creator James Cunningham and producing partner Paul Swadel worked together on bank robbery tale Infection, which won invitation to the Cannes Film Festival.
Musician and movie fan Chris Knox reviews Heavenly Creatures in this excerpt from 1990s arts show The Edge. Knox calls Peter Jackson's film about real life friends and murderers Juliet Hulme and Pauline Parker "brave and often astonishing". He praises Jackson's use of special effects for evoking the teenagers' heightened state of mind, but suspects that during other scenes a more naturalistic approach would have helped the characters. The clips from the Oscar-nominated movie include some of Weta's earliest digital effects, and Peter Jackson's cameo outside a cinema.
Annie Goldson’s documentary examines the story of Kim Dotcom, the German-born hacker turned internet mogul who is holed up in a New Zealand mansion fighting extradition to the United States. In the US he’s wanted for alleged infringement of copyright laws committed by Megaupload, the online storage hub he founded. Goldson mines archive material (including the NZ police raid of his mansion) and interviews, to explore intellectual property, privacy, profit and piracy in the digital age. The film won rave reviews after its world premiere at multimedia festival South by Southwest.
New Zealand’s first CGI short film gives “eyes on the road” a new meaning as a pair of eyeballs drive to a mind-bending purgatory. A collaboration between visual effects man John Sheils and his brother Michael, Scream was shot in early 1991; finally 25 minutes of footage was “brutally” edited down to three, and fulsomely scored by John Gibson. The sly ‘based on true events’ title-card nods to the makers’ ambitions to “treat animation like live action.” In 1994 it screened in NZ cinemas as opener to the ILM wizardry of Jim Carrey hit The Mask, followed by a number of overseas festivals.
This morbidly funny short, made by students of Auckland's Media Design School, depicts the demise of 26 alphabetical and animated animals at the hands of nature’s greatest enemy — the human. Framed as a father possum (Phil Greeves) reading his children their favourite bedtime story, the alliterative animal deaths are undercut with cheerful giggling from the two young possums. The film won acclaim at festivals worldwide —screening at South by Southwest in 2016, and taking out Best Animated film in the Comic-Con Film Festival later that year.