Actors Tane Williams-Accra and Ngahuia Piripi joined Shortland Street in 2015, as ambulance driver Ali Karim and Nurse Esther Samuels. Here they introduce their favourite Shortie storyline: the one involving Ferndale Strangler Joey Henderson (Johnny Barker). Cut from a longer clip which is viewable on NZ On Screen, the finale has the formerly sympathetic nurse and recently discovered serial killer escaping to the rooftop, where he is tackled by flatmate Kieran Mitchell (Adam Rickitt). When the police show up and make Kieran let go, Joey takes fate into his own hands.
In this interview publicising 1996 comedy The Birdcage, Robin Williams turns his humour settings to a surprisingly low level. Quizzed on matters political by Holmes reporter Ewart Barnsley, Williams argues that politically correct people can display the “same kind of repressive tendencies” as others, and admits that the portrait of homosexual parents in the Mike Nichols-directed comedy could be offensive to both gays and straights. But, he adds, the majority of viewers "go and laugh their ass off and find some common ground and humanity in it”.
With his soulful pop and sexually ambiguous image, Mark Williams was a sensation in 1975 as he topped the singles chart with 'Yesterday Was Just The Beginning Of My Life' and followed it with NZ's best selling pop/rock album of the decade. By 1979, he was based in Australia but he returned home to record this TVNZ special in a Wellington night club. The image is toned down but, backed by a seasoned band, Williams puts in an energetic and polished performance (which includes 'Yesterday' and his other number one 'It Doesn’t Matter Anymore').
Presented by William Shatner, A Twist In The Tale was an anthology series with each episode featuring a new story for Shatner to tell a group of children gathered round the fireplace. In this adventure, a freak storm causes a strange girl (Westside's Antonia Prebble) to appear in a boy’s bedroom cupboard, only to discover she’s travelled back in time 100 years. When some futuristic technology goes missing and the family farm ends up on the line, the children must put their differences aside. The episode also features a memorable appearance by Craig Parker as the family's accountant.
In this episode of anthology series A Twist in the Tale, two children visit a Devon estate and discover a barrel load of mysteries involving the story of King Arthur — including a hidden shrine, a soothsayer, and an excavation reaching its climactic stages. After being beckoned into the woods one day by a woman in white, young Aidan (Nicko Vella) finds himself being pulled towards the excavation site. But just what part is he meant to play? A Twist in the Tale was filmed in New Zealand, with William Shatner (Star Trek 's original Captain Kirk) introducing each story.
When Taranaki farmer and lawyer William Malone signed up to fight in World War l, he was the oldest man in the Wellington Battalion. But far from being frail, 56-year-old Colonel Malone was fit and disciplined. The Parihaka veteran became one of New Zealand's most important figures at Gallipoli. This short documentary about Kiwis in World War l uses Malone's diary entries and an interview with his great-great-great grandson to tell the remarkable story of Malone's battalion capturing Chunuk Bair, on 8 August 1915. Malone was killed that day by Allied artillery.
This excerpt from TV One's 6.30PM News shows a famous photo opportunity from the 1983 Royal Tour downunder by Prince Charles and Princess Diana (with the recently issued baby William in tow). The scene of the doting parents and wee Will sitting on the lawn of Government House in Auckland was broadcast around the world. In front of the paparazzi George's future father bites on the iconic antenna of a Buzzy Bee, the heir apparent’s hair is still on his head, and a winsome Diana’s collar is perhaps not of the style that would later typify the 'People's Princess'.
The late 60s saw globetrotting filmmaker Tony Williams shoot and edit two films for Iranian director Mahmoud Khosrowshahi. Here Williams chronicles an east meets west festival held in the Iranian city of Shiraz. Williams’ love affair with music and montage helps lend pace and life to a film whose sonic interests range from Iranian lutes and Indian oboes to American Cathy Berberian, who is busy turning comic strips into song. A glimpse of cosmopolitan Iran prior to the Iranian Revolution, it includes a rare interview with New Yorker classical music critic Andrew Porter.
Bill Sevesi was the 'Godfather' of Polynesian music in New Zealand; his impact can be heard in the strum of ukeleles in classrooms across the country. In this 24-minute film Sevesi (born Wilfred Jeffs) narrates his life story, including his childhood in Tonga, making his first guitar, and his role in bringing Pacific Island music into the dance halls of 1940's and 50's New Zealand. Sevesi's bands mixed Hawaiian steel guitar with pop tunes of the day, resulting in sunny hits like 'Kissing Hula'. Watch out for uke player Sione Aleki, Tonga's answer to Jimi Hendrix.
This BBC2-screened film is a look at the European art world of the late 1960s, and a meditation on the nature of art and the pricing of art, shot by Tony Williams. The origins of this film are suitably cosmopolitan. It was initiated by an Iranian student – and underwritten by Jeremy Fry from Cadbury Fry Hudson. Its focus is Takis, a Greek artist who creates kinetic sculptures out of discarded electronic objects (at times reminiscent of Len Lye’s work), and plans to mass produce cheaper versions of his work to make his art accessible. But will it still be art?