Screened on a TVNZ arts show, this documentary looks at how the strings were pulled on Peter Jackson's low-budget puppet movie Meet the Feebles. An old Wellington railway shed fizzes with energy and imagination as a team peppered with future Oscar-winners crafts the gleefully subversive Muppets parody. Jackson muses on his influences, processes and propensity for "savage humour" in a fascinating interview. Included is footage of his childhood films — war movies and stop motion animation made with his first 8mm camera. Richard King writes about Meet the Feebles here.
In 2013 the Psychoactive Substances Act became law in Aotearoa, effectively outlawing synthetic cannabinoids. This Vice documentary looks at how they continue to affect West Auckland — where people are still addicted, but the drugs are now on the black market. Tammara shares her experiences of trying to get clean, and dealing with treatment services. Her father rues the impact of synthetics on her life, and emergency responders add their views. Meanwhile ex user Trey talks about those he’s lost. In 2017 deaths linked to synthetic drug use showed a major spike in New Zealand.
Two cars, one day: directed by Taika Waititi, this extended public service announcement uses humour to address the dangers of motoring under the influence of marijuana. A trio of tamariki imitate their Dads’ stoned antics, driving home what’s at stake when getting behind the wheel while ‘blazed’. Young Julian Dennison was fresh from his acting debut in Shopping. Waititi later cast him to co-star with Sam Neill in his 2016 hit Hunt for the Wilderpeople. The advertisement was part of a Clemenger BBDO traffic safety campaign made for the NZ Transport Agency.
Created by David Brechin-Smith (The Insiders Guide to Happiness), TV drama The Hothouse explores good times, bad decisions, and the line between right and wrong. This first episode introduces the show's flatmates — three cops, a lawyer, and the new arrival: Levi (Qantas Award nominee Kip Chapman), a cocky drug dealer for whom rules are to be broken. Levi leads Daniel (Ryan O'Kane) to a strip club, and Daniel wonders if he can live with a girlfriend whose work involves helping the criminals he has to deal with in his job. Nathan Price won a Qantas TV award for his direction on the series.
In 1989 dancer Douglas Wright returned home to choreograph and form his own company. This half-hour TV documentary, marking the launch of his work Gloria, looks back on a blossoming career that began at 21 — when he took up ballet to overcome a heroin addiction. After becoming a star with Limbs, Wright joined prestigious troupes in London and New York. Now, as opening night looms, he is acutely aware of the danger of pushing his dancers too hard as he fights to get the best out of them on an ambitious, demanding piece. Douglas passed away in November 2018.
Māori Television’s award-winning news and current affairs show took its bold name from a colonial government department. This 2017 episode profiles four non-conformists: Mongrel Mob boss Rex Timu’s war on P; Raihania Tipoki's waka protest against East Coast oil surveying; Taranaki mother Tina Tupe's preparations for her own tangi; and globetrotting screenwriter David Seidler. Seidler makes an annual trip to a Tarawera cabin – he has a Kiwi son to a Māori woman – and talks about his Oscar-winning movie The King’s Speech, and his admiration for kapa haka.
American-raised, Kiwi based photographer Todd Henry produced this documentary for Vice, after meeting deportee 'Ila Mo'unga while visiting Tonga. Mo'unga was drawn to Henry after hearing his familiar American accent. Tonga is now home to hundreds of deportees — permanent residents of New Zealand, Australia or the United States who committed serious crimes and did jailtime, then were put on a plane to start a new life in an unfamiliar culture. The lucky ones have family land, or a place to stay. But many start from scratch and without institutional support, old bad habits can kick in.
A woman running an Auckland laundromat finds herself accosted by a drug addict. A frustrated customer struggles with a machine that is out of order and ruining her expensive clothes. Somewhere across the city police are on their way to a drug bust. However all is not what it seems on Karangahape Road, and the consequences look to be life altering. The three tales in this film were made as part of NZ On Air funded K’ Rd Stories, a collection of short films which all tell stories set around Auckland’s most legendary, notorious, and arguably most beloved street.
This Inside New Zealand doco takes a calm, no nonsense look at one man’s encounter with heroin addiction — a habit he estimates cost him a seven figure sum. Far from being the clichéd junkie loser, Tim was a husband, father and successful businessman who remarkably didn’t think twice about dabbling with a drug that had already taken the life of one of his sisters. Nine years after it led him to detox and rehab, Tim and his mother and sister talk about his addiction and its impact on their lives — without glamorising or demonising the drug or its users.
Director Grahame McLean uses the notorious (then recent) 'Mr Asia' drug smuggling saga as fodder for this Wellington underbelly tale. Hello Sailor’s Harry Lyon headlines as a musician and ex-con who partners with a beautiful journo to investigate a global drug syndicate, in between nightclub sessions with fellow musos Beaver and Hammond Gamble. High on 80s guitar licks, Should I be Good? was made in the tax break era without Film Commission investment. McLean followed it right away with The Lie of the Land, becoming a rare Kiwi to make two movies back to back.