Released in February 1969, this National Film Unit documentary offers an impressionistic view on the making of sheet glass. Director Lynton Diggle follows the raw materials (sand, limestone, dolomite) to a Whangarei factory, where they’re combined with broken glass. There, men in protective gear look like they’re enacting an alchemical ritual, as the ‘frit’ mixture is melted in the “punishing heat” of a crucible. Then it’s transferred to the drawing chamber where a toffee-like wall of glass is pulled up for cooling and slicing. Ambient sounds are used to forge a percussive score.
This episode of the long-running religious programme focuses on Auckland's Anglican Cathedral of the Holy Trinity. It features hymns from the Holy Trinity Choir and Auckland Choral Federation. The Graeme Thomson-hosted show also discusses the history and architecture of the cathedral following the completion of its nave in 1995. Built on land bought by Bishop Selwyn in 1859, the completed cathedral reflects the undulating landscape of Auckland, combining Gothic and Polynesian elements.
A stylish title sequence sets the tone for this NFU short on motor racing in the early 60s. Shot during the golden age of the sport, it begins with amateurs competing in Dunedin's 'round the town' race (won by future Formula One champ Denis Hulme), then shifts north to Auckland for the New Zealand International Grand Prix. 60,000 spectators watch world champ Jack Brabham and local hero Bruce McLaren battle for the title. Also included are classic summer shots of the world's top drivers relaxing on the beach, and Australian racer Arnold Glass teaching McLaren to waterski.
In the third episode of The Big Art Trip the little green car heads first to Piha, where hosts Nick Ward and Douglas Lloyd-Jenkins interview hip-hop artist King Kapisi. After that they visit jewellery and multimedia artist Lisa Reihana at her K Road apartment, discuss contemporary furniture with designer Kim Martinengo and drop in on hot glass artist Stephen Bradbourne. They also check out art in a corporate setting before meeting sculptor Emily Siddell, and finish up by visiting painter Andy Leleisi’uao at his home studio in Mangere.
In this 1985 Kaleidoscope edition, reporter Terry Carter meets many of those behind Auckland's 80s construction boom, and examines a cityscape where old landmarks are rapidly being demolished and replaced by mirror glass high-rises. Interviewees include property developers of the day like Mainzeal and Chase Corporation’s Seph Glew; a councillor who argues that commercial interests are dominating; and architect Ivan Mercep and interior designer Peter Bromhead, who critique the buildings’ architectural and civic qualities and their “Dallas TV set” aesthetics.
Four-part series Standing in the Sunshine charted the journey of Kiwi women over a century from September 1893, when New Zealand became the first country to grant women the right to vote in parliamentary elections. This third episode, directed by Melanie Rodriga, looks at women over a century of work — plus education, equal pay, family, art, and Māori life. Interviews are mixed with archive material – including a mid-80s 'girls can do anything' promotion – and reenactments of quotes by Kiwi feminist pioneers. Writer Sandra Coney also authored a tie-in book for the series.
An elegiac profile of artist Eric Lee-Johnson, by Maurice Shadbolt, is the high point of this NFU magazine film. Johnson gave up a lucrative commercial career to pursue his vision of a New Zealand art moving beyond European tradition; and he is observed chronicling abandoned homesteads and churches, built in remote reaches of Northland's Hokianga harbour by early Pākehā settlers. There's light relief in coverage of a chimpanzees' tea party at Wellington Zoo, while a suitably breathless piece looks at a new industry manufacturing fibreglass boats.
In this installment of Sticky Pictures' award-winning art series, the show visits the idiosyncratic Matthew Squire of Levin — whose emergence as a painter in the wake of a life-changing accident is retold with poignant wit. Back in Wellington, Kerry Ann-Lee explains the influence of her Chinese heritage and hardcore-punk on her prolific run of 'zines' and collage-based work. Finally, conceptual artist Gill Gatfield prepares for an exhibition of sculptures using materials as varied as grass, electrified wire and disposable nappies.
This classic sports mishap from the 1974 Commonwealth Games sees weightlifter Graham May fall flat on his face after passing out while holding a 187.5kg barbell over his head. Despite the fall May went on to win gold in the super heavyweight (110kg+) division, and weightlifting gained a local profile due to his and the NZ team's success. The mustachioed Kiwi’s face-plant became a staple of blooper reels worldwide: from the long-running 'It's moments like these …' Minties ad campaign to the title sequence for ABC’s Wide World of Sports on US TV. May died in 2006.
The God Boy is a portrait of a troubled teen Jimmy (Jamie Higgins) growing up in post-war small town New Zealand and wrestling with a repressive education and home front turmoil. Adapted from the Ian Cross novel by Ian Mune and directed by Murray Reece, the landmark film was the first NZ telefeature, gaining Feltex awards and front page reviews. With menace and Catholic guilt ever-present, it’s credited as a pioneer of what Sam Neill dubbed NZ’s “cinema of unease”. Higgins later starred in Australian TV show The Sullivans.