The HeART of the Matter looks at major changes in New Zealand teaching which began after World War ll. A group of bureaucrats and arts specialists set about introducing a "thoroughly bicultural and arts-centred education system" to schools — in contrast to the rote learning of the past. Combining interviews and archival footage, Luit and Jan Bieringa (The Man in the Hat) examine this period of radical educational reform, and ask what lessons can be applied to the present. In the excerpts above, pupils and teachers reminisce about their time in the classroom.
QTV is a children's series, designed to bring science alive and make it relevant and interesting to young viewers. Each episode of QTV covers a topic such as forensics, volcanoes, tsunamis, biodiversity, climate change, etc. Q is short for question - the show's tagline is "Question Everything".
Suzy Cato explores the workings of the digestive system in her science programme for five to nine year olds. A plate of baked beans is the starting point — but, first, the inevitable by-product of baked bean consumption is addressed in vox pops. Vinegar, funnels and pantyhose are just some of the aids Cato uses to simulate the process; and the changes are contrasted with untouched baked beans at each stage. The results aren't pretty but the explanation is clear and good natured — and the audience outside the studio is spared the resulting smells.
Kōrero Mai used a soap opera (Ākina) as a platform to teach conversational te reo Māori. In this fifth season opening episode, Tini (Stephanie Martin) and Quinn (Kawariki Morgan) deal with the aftermath of the previous season's climactic car crash. Presenter Piripi Taylor introduces phrases like 'Ana e tā' (yeah man!). This season of the award-winning Māori TV show had 120 episodes, screening from Monday to Wednesday, then repeated. The directors are actors Rawiri Paratene (Whale Rider) and Rachel House (Hunt for the Wilderpeople), and cinematographer Simon Raby.
Visionary educationalist and novelist Sylvia Ashton-Warner is interviewed by leading educationalist of the day, Jack Shallcrass, in this documentary about her life and work. From her home in Tauranga the film explores her educational philosophies (“organic teaching” and her “drive to diffuse the impulse to kill”) and her “divided life” between woman and artist, as she plays piano and interacts with children. It is the only interview she ever made for television, and was the first of the Three New Zealanders documentaries made to mark International Women's Year.
In a nod to his theatre training, Whale Rider actor Rawiri Paratene (then better known as a presenter on Play School) unveils three stories to a marae audience. A bored schoolboy (Faifua Amiga) banters with a sarcastic teacher; a musical number features a prostitute (Rena Owen) and her client; and a young girl and her grandfather prepare and wait for the body of her father at the pā. This was the first screen drama directed by Don Selwyn, who argued "what Rawiri is saying in his script is that there are lots of things Māori which are left out of the education system."
This edition of the long-running National Film Unit series documents the curriculum at Manutahi Native District School in Ruatōria in 1947. The roll of 300 primarily Māori students, travel to the rural school on bus, foot and horse to learn everything from the alphabet to preparing preserves. Set in the post-war baby boom period, the male students learn to build a cottage while the girls learn ‘home economics’ (cooking and running a household). The first principle of the schooling is “learning by doing” and for the rural kids “the whole land is a classroom.”
This 1950 documentary about early primary school education was made by pioneering female director Margaret Thomson, who rated it her favourite NZ work. The survey of contemporary educational theory examines the new order in 'infant schooling' (though some things never change, like tadpoles and tidy up time). It is broken into sections: ‘Play in the Infant School’, ‘Doing and Learning’, ‘Learning to Read’, ‘Number Work’ and ‘Living and Learning’. The National Film Unit doco was made for the Department of Education. Douglas Lilburn composed the score.
WA$TED gave an eco twist to the DIY renovation genre, by giving homes a green makeover. In this first episode the young family learning about sustainability are the Petelos, a household that guzzles gas and churns out trash. Patrick Petelo learns that if his example (taking the train a couple of days a week) was widely followed, Aotearoa’s carbon emissions would be reduced by 15%. Created by Carthew Neal, the show's format sold overseas, including to US channel Planet Green (now Destination America). Co-presenter Francesca Price later launched sustainability mag Good.
After Governor Hobson’s stroke, Willoughby Shortland stepped in and sent the Treaty south in the hope of more signatories. This fourth episode of comedian Mike King’s Treaty discovery series searches for where the sheet was signed on the Manukau Harbour. King learns of an (unfulfilled) ancient prophecy, and why Ngāti Whātua chief Apihai Te Kawau agreed to sign. King then heads across the harbour and uses his mission as an excuse to visit the Kāwhia Kai Festival, where he learns about the influence of the incoming “great white wave” on signatories.