Charlie Horse is a personal film diary by actor Martyn Sanderson showing the breaking-in and training of a young colt in rural Hawke's Bay. It was made when Sanderson was a vital part of the gang of Blerta creatives who based themselves at Waimarama Beach in the 1970s. Some stunning ‘wild horses' imagery is captured (shot by Sanderson and cinematographer Alun Bollinger) and narration is intriguingly provided from audience comments recorded at a local screening of the footage. It features music by Blerta members Bruno Lawrence, Chris Seresin and Patrick Bleakley.
This documentary shows two directors and a cast of actors working to breathe new life into Shakespeare. Veteran Ian Mune prepares to tackle one of the most difficult leading roles in classical theatre: King Lear. "If you're gonna climb hills, why not Everest?" he says. The unorthodox, bring it alive approach of Theatre At Large directors Anna Marbrook and Christian Penny (future director of Toi Whakaari) seems to err on the side of playfulness. But viewers are shown there is a method to their madness, when scenes from Shakespeare's drama are presented in beautifully-lit tableaus.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
Jack Winter's Dream is an unusual entry in the library of government filmmakers the National Film Unit: a poetic account of drink-fuelled males telling tales, adapted from a radio play by James K Baxter. Built around themes of age, death and love, the hour-long film starts with an old swagman bedding down in the ruins of an Otago pub. Time drifts: back to the night a newly rich goldminer found himself swapping memories and reveries — some of which unfurl on screen — with three drinkers and the barman (Bernard Kearns). But which one of them is planning murder?
Tala Pasifika was a pioneering Pacific Island drama series; this episode is one of six short films that screened on TV One in 1996. 'The Hibiscus' is the lighthearted tale of Sefo (Soi Paito Siulepa), a retired grandfather who arrives from Samoa and plants a hibiscus in the family's back yard. Although he has difficulty speaking English, the garden is a forum to explain history and Samoan tradition to the kids. When Mum reveals her plan to concrete the yard and put in a BBQ area, the kids come up with a compromise.
Tala Pasifika was a pioneering Pacific Island drama series; this episode is one of six films that screened on TV One in 1996. It's a haunting short film about a young girl named Ana (former Shortland Street star Jaime Passier Armstrong), who asks about a photo in a family album and gets an awkward brush off from her mum. When the family receives news of the tragic death of mum's sister Rose (Sela Brown), it's time for truth, and secrets from the past are revealed.
The Camera on the Shore is a feature-length portrait of a man who argued eloquently for the rights of indigenous people to control the camera. Based on extensive interviews with Barry Barclay and those who knew him — and footage from his work — it traces the path of one of the first people to bring a Māori perspective to the screen. The documentary ranges from Barclay's early years in a monastery to speeches at his tangi, touching en route on landmark TV series Tangata Whenua, battling corporations on doco The Neglected Miracle, and behind the scenes conflict on Te Rua.
This ten minute drama features actor Jay Laga'aia (Street Legal). Malama (Saili Williams) is a young girl who lost her eyesight in the car crash that also killed her mother. Although she can't see in the physical world, Malama has gained a window to the spirit world. Her father Ta'a (Laga'aia) still grieves and can't cope with raising the kids. His frustrations manifest as anger. When Malama and her brother attend their baptism, the family crisis hits boiling point. Malama screened as part of pioneering Pacific Island drama series Tala Pasifika.
Tala Pasifika was a pioneering Pacific Island drama series. This episode was one of six films that screened on TV One in 1996. The short drama follows teenage school friends Siosi (Johnny La'ulu), Matt (Faifua Amiga) and John (Robert Luisi), who are awaiting their School Certificate results. On the day he receives his grades, Siosi is beaten by his father (Ene Pataia). The following day, he discovers a tragedy has occurred within his circle of friends. This acts as a catalyst to resolve his own troubles at home. A Day in the Life won two awards at Canadian indigenous festival Dreamspeakers.
Tala Pasifika was a pioneering Pacific Island drama series; this episode is one of six short films that screened on TV One in 1996. 'Brown Sugar' is an upbeat drama about Tiuila (Tausili Mose) and Samuelu (Johnny La'ulu), two young hopefuls who meet in a music shop. Samuelu longs to be an actor and sees his chance for fame when he meets a TV commercial producer. Tiuila belongs to an amateur vocal group who are relaxed, confident and proud of their South Auckland upbringing. They name their act 'Brown Sugar' before singing to a packed house.